John Davies Cale, OBE is a Welsh musician, composer, singer, songwriter and record producer who was a founding member of the American rock band the Velvet Underground. Over his six-decade career, Cale has worked in various styles across rock, drone, classical, avant-garde and electronic music.
John Weldon "J. J." Cale was an American guitarist, singer, and songwriter. Though he avoided the limelight, his influence as a musical artist has been widely acknowledged by figures such as Mark Knopfler, Neil Young and Eric Clapton, who described him as "one of the most important artists in the history of rock". He is considered to be one of the originators of the Tulsa Sound, a loose genre drawing on blues, rockabilly, country, and jazz.
Chelsea Girl is the debut solo album and second studio album by German singer Nico. It was released in October 1967 by Verve Records and was recorded following Nico's collaboration with the Velvet Underground on their 1967 debut studio album. It was produced by Tom Wilson, who added string and flute arrangements against the wishes of Nico. The title is a reference to Andy Warhol's 1966 film Chelsea Girls, in which Nico starred.
Fear is the fourth solo studio album by Welsh musician John Cale, released on 1 October 1974 by Island Records.
Wrong Way Up is a 1990 album by Brian Eno and John Cale.
Slow Dazzle is the fifth solo studio album by Welsh musician John Cale, released on 25 March 1975, his second album for record label Island.
Words for the Dying is the twelfth solo studio album by Welsh musician John Cale, released in 1989 by record labels Opal and Warner Bros.
Helen of Troy is the sixth solo studio album by Welsh musician John Cale, released in November 1975 by Island Records, his last of three albums for the label.
Guts is a retrospective compilation album by John Cale, released by Island Records in February 1977. It includes the songs "Leaving It Up To You", which was deleted from Helen of Troy, and the previously unreleased "Mary Lou". It was compiled by Howard Thompson.
Honi Soit is the seventh solo studio album by Welsh musician John Cale, released in March 1981 by A&M Records, and was his first studio album in six years following 1975's Helen of Troy. It was recorded and mixed by Harvey Goldberg at CBS Studios, East 30th Street and Mediasound in New York City with the intention of making a more commercial album with producer Mike Thorne at the helm, Thorne would soon be known for his work with Soft Cell. "Dead or Alive" was the only single released from the album but it did not chart. However, Honi Soit is Cale's only album to date to chart on the US Billboard 200 to date, peaking at No. 154.
Fragments of a Rainy Season is a 1992 live solo album by John Cale, performed at various locations during his 1992 tour. A 16-track DVD, recorded at the Centre for Fine Arts, Brussels in Brussels, Belgium, that features the tracks in the order in which they were performed, was also released. The album cover was designed by noted conceptual artist Joseph Kosuth.
Really is the second studio album by J. J. Cale. It was released in 1973.
Vince Bell is a Texas singer-songwriter who has appeared on the PBS television program Austin City Limits along with NPR broadcasts such as Mountain Stage, World Cafe and Morning Edition. His songs have been performed and recorded by Little Feat, Lyle Lovett and Nanci Griffith.
John Cale is a Welsh musician, composer, singer-songwriter and record producer who was a founding member of the experimental rock band The Velvet Underground in the 1960s. In the subsequent four decades, Cale has released varied solo albums, film soundtracks, and collaborations with Lou Reed, Brian Eno, Bob Neuwirth and others.
Caribbean Sunset is the ninth solo studio album by Welsh musician John Cale, released in 1984 by ZE Records.
David Sulzer is an American neuroscientist and musician. He is a professor at Columbia University Medical Center in the Departments of Psychiatry, Neurology, and Pharmacology. Sulzer's lab investigates the interaction between the synapses of the cerebral cortex and the basal ganglia, including the dopamine system, in habit formation, planning, decision making, and diseases of the system. His lab has developed the first means to optically measure neurotransmission, and has introduced new hypotheses of neurodegeneration in Parkinson's disease, and changes in synapses that produce autism and habit learning.
Walking on Locusts is the thirteenth solo studio album by Welsh musician John Cale, released in 1996 by Hannibal Records. Cale worked with several guest musicians including David Byrne, Moe Tucker, Dave Soldier with the Soldier String Quartet, B. J. Cole and Erik Sanko.
The Soldier String Quartet was a string quartet, founded by composer and violinist Dave Soldier, that specialized in performing a fusion of classical and popular music. The quartet proved a training ground for many subsequent experimental classical groups and performers, including violinists Regina Carter and Todd Reynolds, and performed at venues ranging from the classic punk rock club CBGBs to Carnegie Hall and the Lincoln Center.
The Kropotkins are an American avant-garde music collective based in Memphis and New York City founded in 1994 by drummer Jonathan Kane and Dave Soldier, who is best known as a violinist but plays banjo in the group. Its other members have included Lorrette Velvette (vocals), Samm Bennett (percussion), Moe Tucker of the Velvet Underground, Mark Feldman (violin), Mark Deffenbaugh, Alex Greene and Charles Burnham (violin). The band is named after Russian anarchist Peter Kropotkin. In 1999, the group had six members. Soldier had the idea to start the band while performing with John Cale at a concert in Germany; Soldier has described this idea as "a kind of epiphany."
Gideon Gaye is the second studio album by the Anglo-Irish avant-pop band the High Llamas, released in 1994 on the Brighton-based Target label. Notable for anticipating the mid 1990s easy-listening revivalism, the album's music was influenced by Brian Wilson, Steely Dan, Brazilian bossa nova and European film soundtracks, and was recorded with a £4000 budget. It was met with high praise by the British press. Q dubbed the LP "the best Beach Boys album since 1968's Friends". In the US, the album was indifferently promoted.
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