Lawrence La Fountain-Stokes

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Lawrence La Fountain-Stokes
Lawrence-lafountain-stokes.JPG
Lawrence La Fountain-Stokes, 2009
Born (1968-04-10) April 10, 1968 (age 55)
San Juan, Puerto Rico
OccupationShort story writer, poet, playwright, scholar
NationalityPuerto Rican
Notable worksUñas pintadas de azul/Blue Fingernails
Queer Ricans
Notable awardsPregones Asunción Playwrights Award
Website
www-personal.umich.edu/~lawrlafo

Lawrence La Fountain-Stokes (born April 10, 1968) is a gay Puerto Rican author, scholar, and performer. [1] He is better known as Larry La Fountain. He has received several awards for his creative writing and scholarship as well as for his work with Latino and lesbian, gay, bisexual, and transgender (LGBT) students. [2] He currently resides in Ann Arbor, Michigan.

Contents

Life

La Fountain-Stokes was born and raised in San Juan, Puerto Rico, specifically in Miramar, a traditional neighborhood located in the central district of Santurce. He was adopted at birth by Donald and Ramona La Fountain, and is the brother of the ESPN newscaster Michele La Fountain. He has written about his childhood experiences in an essay called "Los nenes con los nenes y las nenas con las nenas" [Girls with Girls, and Boys with Boys], where he describes his childhood home as bilingual and bicultural, as he was raised speaking English and Spanish. [3] His essay "Queer Diasporas, Boricua Lives: A Meditation on Sexile" also discusses some of these early experiences. [4]

La Fountain-Stokes received all of his primary and secondary education at the Academia del Perpetuo Socorro, an elite bilingual school run by the School Sisters of Notre Dame. He graduated from high school in 1986. He then studied at Harvard College in Cambridge, Massachusetts, where he received his Bachelor of Arts degree in Hispanic Studies in 1991. While in college, La Fountain-Stokes spent a year and a half studying at the University of São Paulo in Brazil. He later went on to obtain a master's degree and Doctorate in Spanish from Columbia University in New York City.

La Fountain-Stokes started his teaching career as an assistant professor at the Ohio State University (1998–1999) and then taught at Rutgers, The State University of New Jersey for four years (1999–2003). [5] [6] [7] Since 2003, he has taught Latino studies, American studies, and Spanish at the University of Michigan, including courses on queer Hispanic Caribbean culture, LGBT studies and Latino literature, theater, performance, and film. [8] [9] [10] He was promoted to associate professor with tenure in 2009 and to professor in 2019. [11] [12] His interviews in Spanish with leading Latino artists, journalists, and scholars such as the Uruguayan novelist and pop singer Dani Umpi and the Los Angeles Times journalist Sam Quiñones appear on the "University of Michigan in Spanish" channel on YouTube and on iTunes U. [13]

Scholarly works

La Fountain-Stokes's academic writing has focused mostly on queer Puerto Rican culture. [14] [15] His book Queer Ricans: Cultures and Sexualities in the Diaspora (University of Minnesota Press, 2009) discusses LGBT Puerto Rican migration from a cultural studies perspective, with chapters on Luis Rafael Sánchez, Manuel Ramos Otero, Luz María Umpierre, Frances Negrón-Muntaner, Rose Troche, Erika Lopez, Arthur Aviles, and Elizabeth Marrero. [16] Queer Ricans is based on La Fountain-Stokes's Ph.D. dissertation, which he wrote under the supervision of Jean Franco. [17] The author received funding for this project in 1997 from the International Migration Program at the Social Science Research Council. [18]

His book Translocas: The Politics of Puerto Rican Drag and Trans Performance (University of Michigan Press, 2021) is on Puerto Rican and diasporic drag and trans performance and activism since the 1960s, and on the links between cross-dressing, sex/gender modification, and physical displacement in a geographic zone marked by frequent migrations. [19] [20] [21] La Fountain-Stokes analyzes the work of a number of contemporary performers and activists including Sylvia Rivera, Holly Woodlawn, Nina Flowers, Monica Beverly Hillz, Erika Lopez, Freddie Mercado, Jorge Merced, Javier Cardona, Lady Catiria, Barbra Herr, and Kevin Fret.

La Fountain-Stokes has published scholarly articles in journals such as CENTRO Journal, Revista Iberoamericana, and GLQ: A Journal of Lesbian and Gay Studies , including his essay on his travels to Cuba, "De un pájaro las dos alas," which first appeared in GLQ in 2002 and was reprinted in Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles, edited by the Jamaican American gay writer Thomas Glave. [22] [23] La Fountain-Stokes describes this article as a "fictionalized, experimental narrative or autoethnography based on [his] travel experiences as a gay Puerto Rican theater critic and former graduate student." [24] He has also written on the use of animal words such as pato (duck in Spanish) to refer to homosexuality in Puerto Rico and the Caribbean. [25]

La Fountain-Stokes frequently publishes short newspaper articles in Spanish, particularly in En Rojo, the cultural supplement of the Puerto Rican weekly Claridad . [14] These include theater and performance reviews, book reviews, and essays on popular culture, such as his piece on a calendar by the popular Puerto Rican male model and former police officer Peter Hance. [26] These short pieces were collected in a volume titled Escenas Transcaribeñas: Ensayos sobre teatro, performance y cultura (Isla Negra Editores, 2018). [27] La Fountain-Stokes is also a frequent speaker at professional meetings and college campuses, and has talked about his work in several countries, including Brazil, Cuba, Mexico, Venezuela, and Spain. [14] [28] [29] He has also been actively involved in a number of professional organizations, particularly the Modern Language Association, the Latin American Studies Association, the Puerto Rican Studies Association, the Caribbean Studies Association, and the City University of New York Center for Lesbian and Gay Studies (CLAGS), holding positions of leadership in several of these. [2] [14]

Creative works

La Fountain-Stokes is best known as an author of short stories, but he has also published poetry and received awards for his plays. His first book of fiction, Uñas pintadas de azul/Blue Fingernails (Bilingual Press/Editorial Bilingüe, 2009), includes 14 short stories written in the 1990s and early 2000s, some of them while the author was enrolled in a creative writing workshop taught by the Chilean author Diamela Eltit. [30] His second book, Abolición del pato, was published by Terranova Editores in San Juan, Puerto Rico, in 2013. His fiction has also appeared in a number of anthologies such as Bésame Mucho: New Gay Latino Fiction (1999), Los otros cuerpos: Antología de temática gay, lésbica y queer desde Puerto Rico y su diáspora (2007), and From Macho to Mariposa: New Gay Latino Fiction (2011). [31] [32] [33] He has also published in journals and websites such as Blithe House Quarterly and Harrington Gay Men's Fiction Quarterly. [34] [35]

Most of La Fountain-Stokes's stories focus on gay Puerto Rican characters, and sometimes incorporate elements of science fiction and fantasy. The scholar Enrique Morales-Díaz has written extensively about one of these stories, "My Name, Multitudinous Mass," describing La Fountain-Stokes as a "Diasporican" author. [36]

La Fountain-Stokes's plays include ¡Escándalo! (2003) and Uñas pintadas de azul (2006, an extension of a short story included in his book of short stories). Both of these plays have been read publicly as part of the Pregones Theater Asunción Playwrights Project in the Bronx, but neither one has been staged. [37]

Performance

La Fountain-Stokes has done solo and ensemble performance for stage and video. In 2004 he did a one-man show, Abolición del pato/Abolition of the Duck, as part of the Casa Cruz de la Luna First Experimental Festival in San Germán, Puerto Rico, and later at the Bronx Academy of Arts and Dance (BAAD!) Out Like That Festival. [38] The main character of this piece is Lola Lolamento Mentosán de San Germán, who is accompanied by Rigoberta Quetzal and the ñusta Isabel Chimpu Ocllo. The Village Voice described Abolition of the Duck as "This is not Avenue Q" in reference to the artist's use of indigenous dolls as puppets to talk about Puerto Rican homosexuality. [39] Starting in 2010, he has collaborated with Fausto Fernós and Marc Felion of the Feast of Fun podcast in the making of a series of YouTube videos titled Cooking with Drag Queens, in which Lola von Miramar (La Fountain-Stokes's persona) makes Puerto Rican delicacies such as tostones and coquito together with Saltina Obama Bouvier (Fernós) and Daphne DuMount (Felion). He has also done solo videos, also available on YouTube.

Awards

Publications

Fiction

Non-fiction

Performance texts

Videos (creative)

See also

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References

  1. ↑ "Lawrence (Larry) La Fountain-Stokes." Diasporic Journeys: Interviews with Contemporary Puerto Rican Writers in the United States. Carmen Haydée Rivera, ed. New York: CENTRO Press, 2023. 68-86. ISBN   979-8396590083
  2. 1 2 "La Fountain-Stokes, Lawrence." Who's Who in America 59th edition, 2005. New Providence, NJ: Marquis Who's Who, 2004. ISBN   0-8379-6982-4
  3. ↑ La Fountain-Stokes, Lawrence. "Los nenes con los nenes y las nenas con las nenas." Matthew Rottnek, ed. Sissies and Tomboys: Gender Nonconformity and Homosexual Childhood. New York: New York University Press, 1999. 236-44. ISBN   0-8147-7483-0
  4. ↑ La Fountain-Stokes, Lawrence (Fall 2008). "Queer Diasporas, Boricua Lives: A Meditation on Sexile". Review: Literature and Arts of the Americas. 41 (2): 294–301. doi:10.1080/08905760802404259. S2CID   219712012.
  5. ↑ Abney, N'Kechia. "Assistant Prof Says Adios to OSU." Archived June 16, 2007, at archive.today The Lantern: The Student Voice of Ohio State University (May 7, 1999), retrieved November 21, 2008.
  6. ↑ Abney, N'Kechia. "Ethnic Studies Programs Denied." The Lantern: The Student Voice of Ohio State University (April 26, 1999), retrieved November 21, 2008.
  7. ↑ Frías, Mónica. "Latino Studies: A Heated Discussion at Ohio State." ¿Qué Pasa, OSU? (Spring 1999), retrieved January 6, 2009.
  8. ↑ American Culture (University of Michigan), retrieved on October 23, 2019.
  9. ↑ University of Michigan Romance Languages and Literatures, retrieved on October 23, 2019.
  10. ↑ Mortimer, Jeff. "The Road to the Familiar." LSAmagazine (College of Literature, Science, and the Arts, University of Michigan, Ann Arbor) Spring 2006: 26-31.
  11. ↑ Guarnieri, Anthony and Amanda Schweitzer. "Regents Roundup." The University Record Online (May 18, 2009), retrieved on May 23, 2009.
  12. ↑ Merchant, Safiya. "Regents Approve Faculty Promotions." The University Record Online (May 16, 2019), retrieved on October 23, 2019.
  13. ↑ UMinSpanish YouTube Channel, retrieved November 22, 2008.
  14. 1 2 3 4 La Fountain-Stokes CV, retrieved on October 6, 2012.
  15. ↑ La Fountain-Stokes, Lawrence. "Cultures of the Puerto Rican Queer Diaspora." Brad Epps, Keja Valens, and Bill Johnson González, eds. Passing Lines: Sexuality and Immigration. Cambridge, MA: David Rockefeller Center for Latin American Studies and Harvard University Press, 2005. 275-309. ISBN   0-674-01885-0
  16. ↑ La Fountain-Stokes, Lawrence. Queer Ricans: Cultures and Sexualities in the Diaspora. Minneapolis: University of Minnesota Press, 2009. ISBN   0-8166-4092-0
  17. ↑ La Fountain-Stokes, Lawrence. "Culture, Representation, and the Puerto Rican Queer Diaspora." Ph.D. diss., Columbia Univ., 1999. Listed in ProQuest Dissertations & Theses, retrieved November 20, 2008. OCLC 42028159
  18. 1 2 SSRC Minority Summer Dissertation Workshop Participants, retrieved on November 21, 2008.
  19. ↑ La Fountain-Stokes, Lawrence. Translocas: The Politics of Puerto Rican Drag and Trans Performance. Ann Arbor: University of Michigan Press, 2021. ISBN   978-0-472-05427-5
  20. ↑ La Fountain-Stokes, Lawrence. "Entre boleros, travestismos y migraciones translocales: Manuel Ramos Otero, Jorge Merced y El bolero fue mi ruina del Teatro Pregones del Bronx." Revista Iberoamericana 71.212 (July-Sept. 2005): 887-907.
  21. ↑ La Fountain-Stokes, Lawrence. "Trans/Bolero/Drag/Migration: Music, Cultural Translation, and Diasporic Puerto Rican Theatricalities." WSQ: Women's Studies Quarterly (Special Issue on "Trans-") 36.3-4 (Fall/Winter 2008): 190-209.
  22. ↑ La Fountain-Stokes, Lawrence. "De un pájaro las dos alas: Travel Notes of a Queer Puerto Rican in Havana.” GLQ: A Journal of Lesbian and Gay Studies 8.1-2 (2002): 7-33, retrieved on November 21, 2008. (Project MUSE subscription required for online access.)
  23. ↑ La Fountain-Stokes, Lawrence. "De un pájaro las dos alas: Travel Notes of a Queer Puerto Rican in Havana." In Thomas Glave, ed., Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles Archived December 18, 2008, at the Wayback Machine . Durham: Duke University Press, 2008. 202-32. ISBN   978-0-8223-4226-7
  24. ↑ La Fountain-Stokes, "De un pájaro," Our Caribbean page 211.
  25. ↑ La Fountain-Stokes, Lawrence. "Queer Ducks, Puerto Rican Patos, and Jewish American Feygelekh: Birds and the Cultural Representation of Homosexuality." CENTRO: Journal of the Center for Puerto Rican Studies 19.1 (Spring 2007): 192-229, retrieved on April 26, 2015.
  26. ↑ La Fountain-Stokes, Lawrence. "Peter Hance: El cuerpo del delito." Claridad (San Juan, PR) January 31-February 6, 1997: 28-29.
  27. ↑ La Fountain-Stokes, Lawrence. Escenas Transcaribeñas: Ensayos sobre teatro, performance y cultura. San Juan: Isla Negra Editores, 2018. ISBN   9789945608052
  28. ↑ Wisotzki, Rubén. "La Fountain-Stokes: 'No me dejo engañar por la euforía de Ricky Martin.'" [Interview] El Nacional (Caracas, Venezuela) November 18, 1999.
  29. ↑ Mix Brasil, "Detailed Program for 2nd Congress of the Brazilian Association of Homocultural Studies," Archived August 5, 2004, at the Wayback Machine (June 6, 2004), retrieved on November 21, 2008.
  30. ↑ Bilingual Review Press - Blue Fingernails, retrieved on November 21, 2008.
  31. ↑ La Fountain-Stokes, Larry. "My Name, Multitudinous Mass." In Jaime Manrique and Jesse Doris, eds. Bésame Mucho: New Gay Latino Fiction. New York: Painted Leaf Press, 1999. 60-67. ISBN   1-891305-06-9
  32. ↑ La Fountain-Stokes, Lawrence. "Cuento de un padre y un hijo." In David Caleb Acevedo, Moisés Agosto, and Luis Negrón, eds. Los otros cuerpos: Antología de temática gay, lésbica y queer desde Puerto Rico y su diáspora. San Juan: Editorial Tiempo Nuevo, 2007. 135-42. ISBN   0-9773612-8-4
  33. ↑ "Júnior, Reggaetón Tropical." Charles Rice-González and Charlie Vázquez, eds. From Macho to Mariposa: New Gay Latino Fiction. Maple Shade, NJ: Lethe Press/Tincture, 2011. 17-23. ISBN   159021241X
  34. ↑ La Fountain-Stokes, Lawrence. "Blue Fingernails." Blithe House Quarterly 7.1 (Winter 2003), retrieved on November 21, 2008.
  35. ↑ La Fountain-Stokes, Lawrence. "Intergalactica de Amor." Harrington Gay Men's Fiction Quarterly 6.4 (2005): 13-24, retrieved November 21, 2008
  36. ↑ Morales-Díaz, Enrique. "Identity of the 'Diasporican' Homosexual in the Literary Periphery." In José L. Torres-Padilla and Carmen Haydée Rivera, eds. Writing Off the Hyphen: New Perspectives on the Literature of the Puerto Rican Diaspora. Seattle: University of Washington Press, 2008. 295-312. ISBN   978-0-295-98824-5
  37. ↑ La Fountain-Stokes, Lawrence. "Pregones Theater's 2003 Asunción Playwrights Project." Latin American Theatre Review 37.2 (Spring 2004): 141-46.
  38. ↑ Fiet, Lowell. "Una lluvia de performance y teatro experimental." Claridad January 15–21, 2004: 26.
  39. ↑ Adkison, Danial. "Listings for Tuesday, June 15, 2004: Out Like That Festival.", retrieved November 21, 2008.
  40. ↑ Erin Biehl, "Six Faculty Members Lauded for Commitment to Diversity", The University Record Online (May 4, 2009), retrieved May 21, 2009.
  41. ↑ University of Michigan News Service, "Latina/o Culture Professor Lawrence La Fountain-Stokes Receives Circle Award", (April 25, 2008), retrieved November 21, 2008.
  42. ↑ University of Michigan, "A2 Faculty Member Nets Service-Learning Award", The University Record Online (February 20, 2006), retrieved November 21, 2008.
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