Berthe Marie Pauline Morisot was a French painter and a member of the circle of painters in Paris who became known as the Impressionists.
Oscar-Claude Monet was a French painter and founder of impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, exhibited in 1874 initiated by Monet and his associates as an alternative to the Salon.
Saint-Georges majeur au crépuscule refers to an Impressionist painting by Claude Monet, which exists in more than one version. It forms part of a series of views of the monastery-island of San Giorgio Maggiore. This series is in turn part of a larger series of views of Venice which Monet began in 1908 during his only visit there.
Haystacks is the common English title for a series of impressionist paintings by Claude Monet. The principal subject of each painting in the series is stacks of harvested wheat. The title refers primarily to a twenty-five canvas series which Monet began near the end of the summer of 1890 and continued through the following spring, though Monet also produced five earlier paintings using this same stack subject. A precursor to the series is the 1884 Haystack Near Giverny.
Claude Monet painted several series of nearly 100 impressionist oil paintings of different views of the Thames River in the autumn of 1899 and the early months of 1900 and 1901 during stays in London. One of these series consists of views of the Palace of Westminster, home of the British Parliament, and he began the first of these paintings at about 15.45 on 13 February 1900. All of the series' paintings share the same viewpoint from Monet's window or a terrace at St Thomas' Hospital overlooking the Thames and the approximate canvas size of 81 cm × 92 cm. They are, however, painted during different times of the day and weather conditions.
The Rouen Cathedral series was painted in the 1890s by French impressionist Claude Monet. The paintings in the series each capture the façade of Rouen Cathedral at different times of the day and year and reflect changes in its appearance under different lighting conditions.
Bain à la Grenouillère is an 1869 painting by the French impressionist painter, Claude Monet.. It depicts "Flowerpot Island", also known as the Camembert, and the gangplank to La Grenouillère, a floating restaurant and boat-hire on the Seine at Croissy-sur-Seine. He was accompanied by Pierre-Auguste Renoir, who also painted the scene at the same time.
The Regatta at Sainte-Adresse is an oil-on-canvas painting by the impressionist painter Claude Monet. It was painted in 1867 and is owned by the Metropolitan Museum of Art.
Snow at Argenteuil is an oil-on-canvas landscape painting by the Impressionist artist Claude Monet. It is the largest of no fewer than eighteen works Monet painted of his home commune of Argenteuil while it was under a blanket of snow during the winter of 1874–1875. This painting—number 352 in Wildenstein's catalogue of the works of Monet—is the largest of the eighteen. The attention to detail evident in the smaller paintings is less evident in this larger picture. Instead, Monet has rendered large areas of the canvas in closely like tones and colours of blue and grey. The application of smaller strokes of greens, yellows, reds and darker blues breaks up these large expanses, and the almost choreographed dispersal of these various colours helps bind the picture together. Paint at the depicted road surface is thicker than elsewhere in the painting, and impasto is suggestive of the feel of disturbed snow.
Springtime or The Reader is an 1872 painting by the French Impressionist painter Claude Monet. It depicts his first wife, Camille Doncieux, seated reading beneath a canopy of lilacs. The painting is presently held by the Walters Art Museum.
Hillel "Helly" Nahmad is an independent British art dealer of Syrian descent.
Le Grand Canal is an oil on canvas painting by French Impressionist painter Claude Monet (1840–1926). It is one of six paintings looking down the Grand Canal towards the Salute church. This Grand Canal series is in turn part of a larger series of paintings of Venice which Monet undertook during 1908 on his only visit to the city. The artist is generally regarded by art historians as being at the peak of his powers at this period. The paintings were begun en plein air and completed in France.
The Palazzo da Mula is a Venetian villa on the island of Murano in the Venice Lagoon, on the sub-island of San Pietro Martire, on the south bank of the Canale degli Angeli, near the Ponte Vivarini bridge that leads to the main island of Murano, San Donato. The palazzo is the last remnant of Venetian villas built in Murano in the 15th and 16th centuries. Originally there were only a few villas with extensive gardens on the island, but today the Palazzo da Mula is integrated into a row of houses. The 16th and 17th-century structure and details of the palazzo can be traced back to the Da Mula family, who had acquired the palazzo from the aristocratic Diedo family in 1621. The Da Mulas resided in this palazzo until 1712, when it was rented to the aristocratic family of Giacomo Fontanella, a member of the new aristocracy of glass masters, for a sum of 110 ducats. The property then passed to Giacomo's son, Zuanne Fontanella.
Regatta in Venice is a small oil-on canvas-painting executed c. 1770 by Francesco Guardi. It is now in The Frick Collection, New York. The painting was gifted to the museum by Helen Clay Frick, the daughter of Henry Clay Frick, who founded the Frick Collection. Its dimensions are 48.6 x 78.4 cm.
Portrait of Père Paul, also known as Monsieur Paul or The Chef, is a painting by Claude Monet.
The Doge's Palace Seen from San Giorgio Maggiore is a 1908 painting by Claude Monet that resides in the collection of the Metropolitan Museum of Art. The painting, catalogued W1755 in the Wildenstein catalogue raisonné, is one of a series of six versions of this scene painted by Monet in 1908. Other versions are held by the Kunsthaus Zürich and the Solomon R. Guggenheim Museum.
Claude Monet painted a series of paintings of the island-monastery of San Giorgio Maggiore in Venice. They were begun in 1908 during the artist's only visit to the city. One of the best known is San Giorgio Maggiore at Dusk, which exists in two versions.
Le Palais Ducal or The Doge's Palace is the name given to various oil paintings which depict the Doge's Palace made by Claude Monet during a visit to Venice in 1908.
Study of Rocks; Creuse: 'Le Bloc' is an 1889 painting by Claude Monet. It is an oil on canvas and measures 72.4 x 91.4 cm.
