Critical reception
The album was met with widespread critical acclaim. [2] Reviewing for AllMusic, Andy Kellman hailed it as a "galvanizing declaration of pride, support, and discontent", as well as a "modern R&B album" with mostly "electro-soul" and "chunky hip hop" productions. [3] Ann-Derrick Gaillot from The Nation credited Woods's neo soul style for "captur[ing] the power of black pride" and achieving a novel musical accomplishment, "in which she melds disparate influences and pushes her vocal-layering techniques to build her dynamic neo-soul sound". [15] In his "Consumer Guide" column, Robert Christgau highlighted musical qualities on the songs "Miles", "Muddy", "Zora", and "Basquiat" while saying of the album as a whole: "This poetry-with-sophistofunk tribute to a sharp selection of 20th-century African-American art heroes plus Frida Kahlo will always be a tad too atmospheric and impressionistic to suit me. But it does both flow and signify." [4]
In a year-end essay for Slate , Ann Powers cited Legacy! Legacy! as one of her favorite albums from 2019 and proof that the format is not dead but rather undergoing a "metamorphosis". She added that concept albums had reemerged through the culturally-relevant autobiographical narratives of artists such as Woods, who created a tribute to her ancestors "that spoke volumes about black life today". [16]
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