The Best of Bond... James Bond is the title of various compilation albums of music used in the James Bond films made by Eon Productions up to that time. The album was originally released in 1992 as The Best of James Bond, as a one-disc compilation and a two-disc 30th Anniversary Limited Edition compilation with songs that had, at that point, never been released to the public. The single disc compilation was later updated five times in 1999, 2002, 2008, 2012, and 2021. The 2008 version was augmented with the addition of a DVD featuring music videos and a documentary. Another two-disc edition, this time containing 50 tracks for the 50th anniversary of the franchise, was released in 2012.
Licence to Kill is a 1989 spy film, the sixteenth in the James Bond series produced by Eon Productions, and the second and final film to star Timothy Dalton as the MI6 agent James Bond. In the film, Bond resigns from MI6 in order to take revenge against the drug lord Franz Sanchez who ordered an attack against Bond's friend and CIA agent Felix Leiter and the murder of Felix's wife after their wedding.
Walter Afanasieff, formerly nicknamed Baby Love in the 1980s, is an American record producer and songwriter. He was a frequent collaborator of Mariah Carey on her first six studio albums. Afanasieff and Carey co-wrote many songs together, including the number-one singles "Hero", "All I Want for Christmas Is You", "One Sweet Day", and "My All". He won the 1999 Grammy Award in the Record of the Year category for producing "My Heart Will Go On" by Celine Dion, and the 2000 Grammy Award for Producer of the Year, Non-Classical.
Since its inception in 1962, the James Bond film series from Eon Productions has featured many musical compositions, many of which are now considered classic pieces of British film music. The best known piece is the "James Bond Theme" composed by Monty Norman. Other instrumentals, such as "On Her Majesty's Secret Service", and various songs performed by British or American artists such as Shirley Bassey's "Goldfinger", Nancy Sinatra's "You Only Live Twice", Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Duran Duran's "A View to a Kill", Tina Turner's "GoldenEye" also become identified with the series.
The "James Bond Theme" is the main signature theme music of the James Bond films and has been used in every Bond film since Dr. No in 1962. Composed in E minor by Monty Norman, the piece has been used as an accompanying fanfare to the gun barrel sequence in every Eon Productions Bond film besides Casino Royale.
Narada Michael Walden is an American musician, singer, songwriter and record producer. He acquired the nickname Narada from Sri Chinmoy.
"If You Asked Me To" is a song written by American songwriter Diane Warren and produced by Stewart Levine and Aaron Zigman. It was originally recorded by American singer Patti LaBelle for her ninth studio album, Be Yourself (1989), and also for the soundtrack to the James Bond film Licence to Kill. The song was released as the soundtrack's second single on June 12, 1989 by MCA Records. The lyrics are from the point of view of a woman who pleads to her significant other: "If you asked me to, I just might change my mind, and let you in my life forever". Three years later, Canadian singer Celine Dion covered the song for her 1992 self-titled second English-language studio album. Released as the album's second single, Dion's version topped the Canadian charts and peaked at number four on the US Billboard Hot 100.
You Only Live Twice is the soundtrack for the fifth James Bond film of the same name. It was composed by Bond veteran John Barry. At the time, this was his fourth credited Bond film. The theme song, "You Only Live Twice", was sung by Nancy Sinatra, the first non-British vocalist of the series, with music by Barry and lyrics by Leslie Bricusse. The soundtrack has previously been available in two versions on CD – the first, a straight reissue of the LP soundtrack, and the second, an expanded reissue including several previously unreleased tracks. The film soundtrack was recorded at CTS Studios, London. It debuted on the top 40 Billboard 200 album chart on 19 August 1967, and went up to 27.
Thunderball is the soundtrack album for the fourth James Bond film Thunderball.
The Spy Who Loved Me is the soundtrack for the tenth James Bond The Spy Who Loved Me. The soundtrack is one of only two Bond soundtracks to be nominated for the Academy Award for Best Original Score. The other score nominated was Skyfall (2012).
Diamonds Are Forever is the soundtrack by John Barry for the seventh James Bond film of the same name.
"Goldfinger" is the title song from the 1964 James Bond film of the same name. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley, the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release. The single release of the song gave Bassey her only Billboard Hot 100 top forty hit, peaking in the Top 10 at No. 8 and No. 2 for four weeks on the Adult Contemporary chart, and in the United Kingdom the single reached No. 21.
Live and Let Die is the soundtrack to the eighth James Bond film of the same name, scored by George Martin. The title song was written by Paul and Linda McCartney and performed by Paul McCartney and Wings. It was the first Bond film score to not involve John Barry.
Tomorrow Never Dies: Music from the Motion Picture is the soundtrack of the 18th James Bond film of the same name.
Dr. No is the film score for the 1962 film of the same name composed by Monty Norman.
Goldfinger is the soundtrack of the 1964 film of the same name, the third film in the James Bond film series, directed by Guy Hamilton. The album was composed by John Barry and distributed by EMI. Two versions were released initially, one in the United States and the United Kingdom, which varied in terms of length and which tracks were within the soundtrack. In 2003, Capitol-EMI records released a remastered version that contained all the tracks within the film.
A View to a Kill is the soundtrack for the film of the same name, the 14th instalment in the James Bond film series.
The Living Daylights is the soundtrack title for the film The Living Daylights and the eleventh and final Bond soundtrack to be scored by composer John Barry. The soundtrack is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra – at the time, a relatively new innovation.
Licence to Kill is a 1989 James Bond film.
"Licence to Kill" is a song by American singer Gladys Knight, written and recorded for the James Bond film Licence to Kill, taken from the soundtrack of the film's same name. The song was written by Narada Michael Walden, Jeffrey Cohen and Walter Afanasieff, and produced by Walden and associate production helmed by Afanasieff.
