Lily of the West

Last updated

"Lily of the West" is a traditional British and Irish folk song, best known today as an American folk song, [1] [2] listed as number 957 in the Roud Folk Song Index. The American version is about a man who travels to Louisville and falls in love with a woman named Mary, Flora or Molly, the eponymous Lily of the West. [3] He catches Mary being unfaithful to him, and, in a fit of rage, stabs the man she is with, and is subsequently imprisoned. [4] In spite of this, he finds himself still in love with her. In the original version, the Lily testifies in his defense and he is freed, though they do not resume their relationship.

Contents

The lyrics to the first verse, as famously sung by Joan Baez:

When first I came to Louisville, some pleasure there to find
A damsel there from Lexington was pleasing to my mind
Her rosy cheeks, her ruby lips, like arrows pierced my breast
And the name she bore was Flora, the lily of the West

- and every verse ends with a repetition of the phrase, Flora, the lily of the West.

History and traditional variants

Britain and Ireland

Many broadsides of the song were collected in England and Ireland around 1820–50; the English and Scottish versions generally begin "It's when I came to England some pleasure for to find", [5] [6] [7] [8] whilst the Irish broadsides began "When first I came to Ireland some pleasure for to find". [9] [10] [11] Sabine Baring-Gould collected several versions from traditional singers in the English West Country in the 1890s, [12] [13] [14] [15] [16] and George Gardiner and Charles Gamblin collected another in Dummer, Hampshire in 1906. [17] The traditional tune is a variant of that also commonly used for the Irish folk song The Lakes of Pontchartrain and it belongs to the same Irish melody-family as a song variously known as On the Trail of the Buffalo / Buffalo Skinners / The Hills of Mexico / The State of Arkansas / Boggus Creek.

Below is the first verse of a version printed in 1857 in Glasgow, Scotland, described as a "highly popular song":

It's when I came to England some pleasure for to find,

When I espied a damsel most pleasing to my mind,

Her rosie cheeks, and rolling eyes like arrows pierced my breast,

And they called her lovely Flora the Lily of the West. [18]

America

In "The Collected Reprints from Sing Out! the Folk Song Magazine Volumes 7-12, 1964-1973" (on page 6, preceding the song's notation and lyrics), it is stated that:

“This old ballad has been kept alive over the centuries by both print and oral tradition. Originally an English street ballad (or broadside), the song became particularly popular in the United States by parlor singers and ballad-printers. During the 19th century it was known throughout the country and, in time, became part of the folk heritage. Its popularity was such that in Kansas, local versifiers used the song for a parody:"

Come all you folks of enterprise who feel inclined to roam
Beyond the Mississippi to seek a pleasant home;
Pray take a pioneer's advice, I'll point you out the best
- I mean the state of Kansas, the lily of the West

The song survived long enough in North America for audio recordings to be made of traditional versions, particularly in the Ozark region of the United States. Recordings collected by Max Hunter and performed by C.W. Ingenthron of Walnut Shade, Missouri (1958) [19] and Fred High of Arkansas (1959) [20] are available online via the Max Hunter Folk Collection. [21] [22] Irene Sargent of West Fork, Arkansas was recorded performing a version in 1960, and Lowell Harness of Leslie, Arkansas was recorded performing another in 1962. [23] The song also had a presence in Appalachia, where Alan Lomax recorded a version performed by Eliza Pace of Hyden, Kentucky in 1937, [24] and Evelyn Ramsey of Sodom Laurel, North Carolina had her version recorded by Mike Yates in 1980. [25] Several Canadian versions were recorded in Newfoundland and Nova Scotia in the 1950s and 60s by Helen Creighton, Herbert Halpert and Kenneth Peacock. [26] [27] [28] [29]

Joan Baez recorded the song in 1961, including it on her second album; her live concerts have frequently included performances of the song well into the 2010s. Bob Dylan, [30] The Chieftains, Bert Jansch - Live At The 12 Bar, Josh Andrews, The Flash Girls, Caroline Groussain, Sheri Kling, Show of Hands, Peter, Paul and Mary (as "Flora"), Mark Knopfler, Crooked Still, Dirty Linen, Branimir Štulić (in Croatian, titled "Usne Vrele Višnje" [31] ) and Pat Gubler (PG Six) on the album Slightly Sorry (Amish Records 2010) among others. The "Green Mountain Bluegrass Band" does a version of this song as well. Arizona road band Major Lingo performed a long jam version of the song using an electric slide guitar and slightly different lyrics. Holly Near recorded a parody of the song about the lesbian scene in which the singer, a woman, was obsessed with Lily, the flora of the West.

The Irish experience

The song is often interpreted[ by whom? ] as a metaphor for the English, Scots-Irish and general British and Irish experience in western early and colonial America, with nods to their earlier experiences on the margins of Ireland, Scotland, and the Borders.

The first Chieftains recording of the song, from their mid 1990s album The Long Black Veil and sung by Mark Knopfler, is set in Ireland. A later recording by The Chieftains and Rosanne Cash from The Chieftains' album Further Down the Old Plank Road, ends with the man's being released and traveling across the Atlantic to "ramble through old Ireland/And travel Scotland o'er". Despite leaving America, he finds that he is still in love and mentally fixated on the woman, known in this version as Flora.

Related Research Articles

"Hush, Little Baby" is a traditional lullaby, thought to have been written in the Southern United States. The lyrics are from the point of view of a parent trying to appease an upset child by promising to give them a gift. Sensing the child's apprehension, the parent has planned a series of contingencies in case their gifts don't work out. The simple structure allows more verses to be added ad lib. It has a Roud number of 470.

"The Daemon Lover" – also known as "James Harris", "A Warning for Married Women", "The Distressed Ship Carpenter", "James Herries", "The Carpenter’s Wife", "The Banks of Italy", or "The House-Carpenter" – is a popular ballad dating from the mid-seventeenth century, when the earliest known broadside version of the ballad was entered in the Stationers' Register on 21 February 1657.

"Foggy Dew" or "Foggy, Foggy Dew" is an English folk song with a strong presence in the South of England and the Southern United States in the nineteenth century. The song describes the outcome of an affair between a weaver and a girl he courted. It is cataloged as Laws No. O03 and Roud Folk Song Index No. 558. It has been recorded by many traditional singers including Harry Cox, and a diverse range of musicians including Benjamin Britten, Burl Ives, A.L. Lloyd and Ye Vagabonds have arranged and recorded popular versions of the song.

<span class="mw-page-title-main">Matty Groves</span> Traditional English ballad

"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.

<span class="mw-page-title-main">The Raggle Taggle Gypsy</span> Traditional folk song

"The Raggle Taggle Gypsy" (Roud 1, Child 200), is a traditional folk song that originated as a Scottish border ballad, and has been popular throughout Britain, Ireland and North America. It concerns a rich lady who runs off to join the gypsies (or one gypsy). Common alternative names are "Gypsy Davy", "The Raggle Taggle Gypsies O", "The Gypsy Laddie(s)", "Black Jack David" (or "Davy") and "Seven Yellow Gypsies".

"The Wild Rover" is a very popular and well-travelled folk song. Many territories have laid claim to having the original version.

<span class="mw-page-title-main">Vaughan Williams Memorial Library</span> Library and archive

The Vaughan Williams Memorial Library (VWML) is the library and archive of the English Folk Dance and Song Society (EFDSS), located in the society's London headquarters, Cecil Sharp House. It is a multi-media library comprising books, periodicals, audio-visual materials, photographic images and sound recordings, as well as manuscripts, field notes, transcriptions etc. of a number of collectors of folk music and dance traditions in the British Isles. According to A Dictionary of English Folklore, "... by a gradual process of professionalization the VWML has become the most important concentration of material on traditional song, dance, and music in the country."

The Roud Folk Song Index is a database of around 250,000 references to nearly 25,000 songs collected from oral tradition in the English language from all over the world. It is compiled by Steve Roud. Roud's Index is a combination of the Broadside Index and a "field-recording index" compiled by Roud. It subsumes all the previous printed sources known to Francis James Child and includes recordings from 1900 to 1975. Until early 2006, the index was available by a CD subscription; now it can be found online on the Vaughan Williams Memorial Library website, maintained by the English Folk Dance and Song Society (EFDSS). A partial list is also available at List of folk songs by Roud number.

<span class="mw-page-title-main">The Two Sisters (folk song)</span> Traditional song

"The Two Sisters" is a traditional murder ballad, dating at least as far back as the mid 17th century. The song recounts the tale of a girl drowned by her jealous sister. At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel Sister", "The Wind and Rain", "Dreadful Wind and Rain", "The Bonny Swans" and the "Bonnie Bows of London". The ballad was collected by renowned folklorist Francis J. Child as Child Ballad 10 and is also listed in the Roud Folk Song Index. Whilst the song is thought to originate somewhere around England or Scotland, extremely similar songs have been found throughout Europe, particularly in Scandinavia.

"The Maid Freed from the Gallows" is one of many titles of a centuries-old folk song about a condemned maiden pleading for someone to buy her freedom from the executioner. Other variants and/or titles include "The Gallows Pole", "The Gallis Pole", "Hangman", "The Prickle-Holly Bush", "The Golden Ball", and "Hold Up Your Hand, Old Joshua She Cried." In the collection of ballads compiled by Francis James Child in the late 19th century, it is indexed as Child Ballad number 95; 11 variants, some fragmentary, are indexed as 95A to 95K. The Roud Folk Song Index identifies it as number 144.

"Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but it is probably older, with clear parallels in ballads and folktales across Europe. The song was popular as a broadside ballad in the nineteenth century, and survived well into the twentieth century in the oral tradition in rural areas of most English speaking parts of the world, particularly in England, Scotland and Appalachia.

<span class="mw-page-title-main">Fair Margaret and Sweet William</span> Traditional song

"Fair Margaret and Sweet William" is a traditional English ballad which tells of two lovers, one or both of whom die from heartbreak. Thomas Percy included it in his 1765 Reliques and said that it was quoted as early as 1611 in the Knight of the Burning Pestle. In the United States, variations of Fair Margaret were regarded as folk song as early as 1823.

The Farmer's Curst Wife is a traditional English language folk song listed as Child ballad number 278 and number 160 in the Roud Folk Song Index.

"The Knight and the Shepherd’s Daughter" is an English ballad, collected by Francis James Child as Child Ballad 110 and listed as number 67 in the Roud Folk Song Index.

"Edward" is a traditional murder ballad existing in several variants, categorised by Francis James Child as Child Ballad number 13 and listed as number 200 in the Roud Folk Song Index. The ballad, which is at least 250 years old, has been documented and recorded numerous times across the English speaking world into the twentieth century.

"The Trees They Grow So High" is a Scottish folk song. The song is known by many titles, including "The Trees They Do Grow High", "Daily Growing", "Long A-Growing" and "Lady Mary Ann".

The song "All Around my Hat" is of nineteenth-century English origin. In an early version, dating from the 1820s, a Cockney costermonger vowed to be true to his fiancée, who had been sentenced to seven years' transportation to Australia for theft and to mourn his loss of her by wearing green willow sprigs in his hatband for "a twelve-month and a day", the willow being a traditional symbol of mourning. The song was made famous by Steeleye Span, whose rendition may have been based on a more traditional version sung by John Langstaff, in 1975.

"Jack Monroe", also known as "Jack Munro", "Jack-A-Roe", "Jackaro", "Jacky Robinson", "Jackie Frazier" and "Jack the Sailor", is a traditional ballad which describes the journey of a woman who disguises herself as the eponymous character to board a sailing ship and save her lover, a soldier.

"The Maid of Amsterdam", also known as "A-Roving", is a traditional sea shanty. It has a Roud Folk Song Index number of 649.

The Lark in the Morning is an English folk song. It was moderately popular with traditional singers in England, less so in Scotland, Ireland and the United States. It starts as a hymn to the ploughboy's life, and often goes on to recount a sexual encounter between a ploughboy and a maiden resulting in pregnancy.

References

  1. "Broadside ballad entitled 'Flora the Lily of the West'". digital.nls.uk. Retrieved 2018-06-28.
  2. "Lily of the West". The Library of Congress. Retrieved 2018-06-28.
  3. "Lily of the West - Song Information" . Retrieved 2018-06-28.
  4. "Wolf Folklore Collection: Lily of the West". web.lyon.edu. Archived from the original on 2020-02-08. Retrieved 2018-06-28.
  5. "Flora, the Lily of the West (Roud Folksong Index S421563)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  6. "Flora the Lily of the West (Roud Folksong Index S421564)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  7. "Flora the Lily of the West (Roud Broadside Index B236598)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  8. "Flora the Lily of the West (Roud Folksong Index S421561)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  9. "A Song -- the Lily of the West (Roud Folksong Index S428007)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  10. "A Song -- the Lily of the West (Roud Folksong Index S427992)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  11. "A Song -- the Lily of the West (Roud Broadside Index B146547)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  12. "Flora Flower Of The West (Lucy Broadwood Manuscript Collection LEB/4/33/62)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  13. "When first I came (Flora the lily of the west) (Sabine Baring-Gould Manuscript Collection SBG/3/13/31C)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  14. "Flora The Lily of the West [tune only] (Sabine Baring-Gould Manuscript Collection SBG/1/3/329)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  15. "Flora The Lily of the West [tune only] (Sabine Baring-Gould Manuscript Collection SBG/1/3/328)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  16. "Flora The Lily of the West (Sabine Baring-Gould Manuscript Collection SBG/1/3/327)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  17. "Flora, the Lily of the West (George Gardiner Manuscript Collection GG/1/8/475)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  18. "Flora the Lily of the West (Roud Broadside Index B236598)". The Vaughan Williams Memorial Library. Retrieved 2020-11-07.
  19. "Lily of the West (Roud Folksong Index S242403)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  20. "Lily of the West (Roud Folksong Index S242404)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  21. "Song Information". maxhunter.missouristate.edu. Retrieved 2020-11-06.
  22. "Song Information". maxhunter.missouristate.edu. Retrieved 2020-11-06.
  23. "Lily of the West (Roud Folksong Index S408840)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  24. "Handsome Mary the Lily of the West (the Lily of the West) (Roud Folksong Index S260118)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  25. "Lily of the West (Roud Folksong Index S340682)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  26. "Lily of the West (Roud Folksong Index S272975)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  27. "Lily of the West (Roud Folksong Index S272126)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  28. "The Lily of the West (Roud Folksong Index S383329)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  29. "Handsome Mary the Lily of the West (Roud Folksong Index S389314)". The Vaughan Williams Memorial Library. Retrieved 2020-11-06.
  30. "Lily Of The West | The Official Bob Dylan Site". www.bobdylan.com. Retrieved 2018-06-28.
  31. "Usne vrele višnje". Azra. 26 April 2007. Archived from the original on 2021-12-22. Retrieved 2017-06-04.

Bibliography