Alternative rock is a category of rock music that evolved from the independent music underground of the 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge subgenre in the United States and the shoegaze and Britpop subgenres in the United Kingdom. During this period, many record labels were looking for "alternatives", as many corporate rock, hard rock, and glam metal acts from the 1980s were beginning to grow stale throughout the music industry. The emergence of Generation X as a cultural force in the 1990s also contributed greatly to the rise of alternative rock.
College rock is rock music that played on student-run university and college campus radio stations located in the United States and Canada in the 1980s and 1990s. The stations' playlists were often created by students who avoided the mainstream rock played on commercial radio stations.
The Billboard Hot 100 is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales, online streaming, and radio airplay in the U.S.
Modern rock is an umbrella term used to describe rock music that is found on college and commercial rock radio stations. Some radio stations use this term to distinguish themselves from classic rock, which is based in 1960s–1980s rock music.
"Orange Crush" is a song by the American alternative rock band R.E.M. It was released as the first single from the band's sixth studio album, Green, in 1988. It was not commercially released in the U.S. despite reaching number one as a promotional single on both the Mainstream and Modern Rock Tracks. It peaked at number 28 on the UK Singles Chart, making it the band's then-highest chart hit in Britain, where they promoted the song by making their debut appearance on Top of the Pops.
Alternative Airplay is a music chart published in the American magazine Billboard since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations. Introduced as Modern Rock Tracks, the chart served as a companion to the Mainstream Rock chart, and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more mainstream, alternative and mainstream rock radio stations began playing many of the same songs. By the late 2000s, the genres became more fully differentiated with only limited crossover. The Alternative Airplay chart features more alternative rock, indie pop, and pop punk artists while the Mainstream Rock chart leans towards more guitar-tinged blues rock, hard rock, and heavy metal.
"The Great Beyond" is a song by American rock band R.E.M., written for the 1999 film Man on the Moon. It was released as a single the same year for support of the film's soundtrack album. On the soundtrack, there is some dialogue from the movie at the end of the track; meanwhile, the single version is a radio edit, with the bridge omitted.
"No Excuses" is the lead single from American rock band Alice in Chains' third EP, Jar of Flies (1994). Written by guitarist and co-lead vocalist Jerry Cantrell, the song was well received by music critics and was a charting success, becoming the first Alice in Chains song to reach No. 1 on Billboard's Mainstream Rock Tracks chart, spending a total of 26 weeks on the chart. It has gone on to become one of the band's most popular songs. The song was included on the compilation albums Nothing Safe: Best of the Box (1999), Music Bank (1999), Greatest Hits (2001), and The Essential Alice in Chains (2006). Alice In Chains performed an acoustic version of "No Excuses" for its appearance on MTV Unplugged in 1996, which marked the last time they performed the song with Layne Staley, and that version was included on the band's Unplugged live album and home video release.
"Imitation of Life" is a song by American alternative rock band R.E.M. It was written by band members Peter Buck, Mike Mills, and Michael Stipe and produced by the band with Pat McCarthy for their 12th studio album, Reveal (2001). The track's title comes from Douglas Sirk's 1959 film of the same name and is used as a metaphor for adolescence and adulthood. One of R.E.M.'s most pop-influenced tracks, "Imitation of Life" has been described lyrically as "see[ing] through the puffed-up performance of a hopeful entertainer", as well as the enjoyment of love.
Mainstream Rock is a music chart in Billboard magazine that ranks the most-played songs on mainstream rock radio stations in the United States, a category that combines the formats of active rock and heritage rock. The chart was launched in March 1981 as Rock Albums & Top Tracks, after which the name changed first to Top Rock Tracks, then to Album Rock Tracks, and finally to its current Mainstream Rock in 1996.
"Stand" is a song by the American alternative rock band R.E.M., released as the second single from the album Green in 1989. The song peaked at number six on the Billboard Hot 100, becoming R.E.M.'s second top 10 hit in the United States, and topped both the Mainstream Rock Tracks and Modern Rock Tracks charts. The song reached number 48 on the UK Singles Chart and number 16 in Canada. It was placed on R.E.M.'s Warner Bros. Records "best of" album In Time: The Best of R.E.M. 1988–2003 in 2003, as well as the 2011 compilation album Part Lies, Part Heart, Part Truth, Part Garbage.
"E-Bow the Letter" is the first single from American rock band R.E.M.'s 10th studio album, New Adventures in Hi-Fi (1996). It was released on August 19, 1996, several weeks before the album's release. During the same month, R.E.M. signed a then record-breaking five-album contract with Warner Bros. Records. The song features American singer-songwriter and "Godmother of Punk" Patti Smith performing backing vocals. Smith was cited as a major influence by band members Michael Stipe and Peter Buck, and she also provided backing vocals for "Blue", the closing track on the band's final studio album, Collapse into Now, in 2011.
"Bittersweet Me" is a song by American rock band R.E.M., released as the second single from their 10th studio album, New Adventures in Hi-Fi (1996). Like much of the album, the song originated while the band were on the road for the Monster tour, although the song was only ever soundchecked and has never been played live as part of a concert. The song was a bigger hit in the United States than the first single from the album, "E-Bow the Letter", except on the Modern Rock Tracks chart, where the first single's number-two peak bested the number-six peak of "Bittersweet Me".
"Peek-a-Boo" is a song by English rock band Siouxsie and the Banshees. It was released in 1988 as the first single from the band's ninth studio album, Peepshow. Melody Maker described the song as "a brightly unexpected mixture of black steel and pop disturbance" and qualified its genre as "thirties hip hop". "Peek-a-Boo" was rated "Single of the Week" in both Sounds and NME. Sounds wrote that it was a "brave move", "playful and mysterious". NME described it as "Oriental marching band hip hop" with "catchy accordion." They then said : "If this nation was served by anything approaching a decent pop radio station, "Peek A Boo" would be a huge hit."
"The Killing Jar" is a song written, produced and recorded by English rock band Siouxsie and the Banshees. It was released in 1988 as the second single from the band's ninth studio album, Peepshow.
"Kiss Them for Me" is a song written and recorded by English rock band Siouxsie and the Banshees. It was produced by Stephen Hague. It was released in 1991 as the first single from the band's 10th studio album, Superstition.
"Wish I Knew You" is a song by American rock band the Revivalists. The song was written by the band and was produced by Ben Ellman. The song peaked at number 1 on the Billboard Adult Alternative Airplay chart, becoming the band's first chart-topper on the chart. The song also found success on a number of other rock radio formats, as well as adult contemporary stations. This song had also set a record in May 2017 for the most plays (spins) ever recorded during a week's time for any track on Alternative/Modern Rock radio since the inception of Mediabase tracking systems in 1988.
