In 1952, Billboard magazine published National Best Sellers and Most Played in Juke Boxes, two charts covering the top-performing songs in the United States in rhythm and blues and related African-American-oriented music genres. These charts, published as Best Selling Retail Rhythm & Blues Records and Most Played Juke Box Rhythm & Blues Records through the issue dated November 8, were based on sales in stores and plays in jukeboxes, respectively. They are considered part of the lineage of the magazine's multimetric R&B chart launched in 1958, [1] which since 2005 has been published under the title Hot R&B/Hip-Hop Songs. [2]
In the issue of Billboard dated January 5, the Clovers were at number one on the juke box chart with "Fool, Fool, Fool" and Earl Bostic and his Orchestra were atop the best sellers listing with "Flamingo", both tracks retaining the position from the last issue of 1951. The following week both songs were displaced from number one, as the Griffin Brothers Orchestra moved into the top spot on the juke box chart with "Weepin' & Cryin'" and "Cry" by Johnnie Ray and the Four Lads reached number one on the best sellers listing. Both songs were the only R&B chart-topper achieved by their respective performers. [3] The year's longest unbroken run at number one on the juke box chart was seven weeks, achieved by Jimmy Forrest in March and April with "Night Train", but the longest-running chart-topper overall was "Juke" by Little Walter, which spent eight non-consecutive weeks in the top spot. On the best sellers listing, two songs each spent seven consecutive weeks in the top spot: "5–10–15 Hours" by Ruth Brown and "My Song" by Johnny Ace. The latter song spent nine weeks at number one in total, making it the longest-running number one of the year on that chart. Despite its sales success, Ace's song failed to top the juke box chart, peaking at number 2. [4]
In June, Fats Domino gained his first number one when he topped the best sellers list for a single week with "Goin' Home". [5] Domino was the most successful black rock & roll artist of the 1950s and achieved a string of pop and R&B successes until the mid-1960s. [6] In recognition of this, he was included in the inaugural class of inductees to the Rock and Roll Hall of Fame in 1986. [7] Domino also played on the song "Lawdy Miss Clawdy", which gave another future Rock and Roll Hall of Famer, Lloyd Price, his first number one in July. [8] [9] The song is considered to have been a significant early influence on the emerging rock and roll genre and was covered by Elvis Presley in 1956. [10] The year's final number one on the juke box chart was "Five Long Years" by Eddie Boyd and the last chart-topper on the best sellers listing was "I Don't Know" by Willie Mabon and his Combo. In both cases it was the artist's first charting song. [11]
a. ^ Two songs tied for number one on the best sellers chart in this issue.
Muddy Waters (1913–1983) was an American blues artist widely considered to be one of the most important figures in post-World War II Chicago blues. He popularized several early Delta blues songs, such as "Rollin' and Tumblin'", Walkin' Blues", and "Baby, Please Don't Go", and recorded songs that went on to become blues standards, including "Hoochie Coochie Man", "Mannish Boy", and "Got My Mojo Working". During his recording career from 1941 to 1981, he recorded primarily for two record companies, Aristocrat/Chess and Blue Sky; they issued 62 singles and 13 studio albums.
The Clovers are an American rhythm and blues/doo-wop vocal group who became one of the biggest selling acts of the 1950s. They had a top 30 US hit in 1959 with the Leiber and Stoller song "Love Potion No. 9".
All for You: A Dedication to the Nat King Cole Trio is the third studio album by Canadian singer Diana Krall, released on March 12, 1996, by Impulse! Records and GRP Records. The album pays tribute to the Nat King Cole Trio.
Love Scenes is the fourth studio album by Canadian singer Diana Krall, released on August 26, 1997, by Impulse! Records.
"Stupid Girl" is a song by American rock band Garbage from their self-titled debut studio album (1995). The song was written and produced by band members Duke Erikson, Shirley Manson, Steve Marker and Butch Vig. "Stupid Girl" features lyrics about a young woman's ambivalence and is a musical arrangement centered on a repetitive bassline and a drum sample from the Clash's 1980 song "Train in Vain".
"Special" is song by American rock band Garbage from their second studio album, Version 2.0 (1998). It was released as the album's third single. The track contains a vocal interpolation of a lyric taken from "Talk of the Town" by the Pretenders.
"Push It" is a song by American rock band Garbage from their second studio album, Version 2.0 (1998). It was released on April 20, 1998, as the album's lead single. Lead singer Shirley Manson elaborated on the song's dreamy verse structure versus the confrontational chorus: "[It's about] the schizophrenia that exists when you try to reconcile your desires and demons with the need to fit in. It's a song of reassurance". The track contains a musical quotation of the Beach Boys' 1964 song "Don't Worry Baby".
"Wake Up Little Susie" is a popular song written by Felice and Boudleaux Bryant and published in 1957.
"Here We Go Again" is a country music standard written by Don Lanier and Red Steagall that first became notable as a rhythm and blues single by Ray Charles from his 1967 album Ray Charles Invites You to Listen. It was produced by Joe Adams for ABC Records/Tangerine Records. To date, this version of the song has been the biggest commercial success, spending twelve consecutive weeks on the US Billboard Hot 100 chart, peaking at number 15.
"No More Doggin'" is a rhythm and blues song written and originally recorded by blues musician Rosco Gordon in 1952. The song featured Gordon's signature "Rosco Rhythm" piano style which became a precursor to Jamaican ska music.
Little Walter (1930–1968) was an American blues artist who is generally regarded as the most influential blues harmonica player of his era. Most of his earliest recordings were as a sideman, when he contributed harmonica to songs by Chicago blues musicians such as Jimmy Rogers and Muddy Waters. As the featured artist, he recorded the instrumental "Juke" in 1952. The single reached number one on the Billboard Rhythm and Blues chart and launched his career as a solo artist.