A list of films produced in Brazil in 1970:
Edson Arantes do Nascimento, better known by his nickname Pelé, was a Brazilian professional footballer who played as a forward. Widely regarded as one of the greatest players of all time, he was among the most successful and popular sports figures of the 20th century. In 1999, he was named Athlete of the Century by the International Olympic Committee and was included in the Time list of the 100 most important people of the 20th century. In 2000, Pelé was voted World Player of the Century by the International Federation of Football History & Statistics (IFFHS) and was one of the two joint winners of the FIFA Player of the Century. His 1,279 goals in 1,363 games, which includes friendlies, is recognised as a Guinness World Record.
The Brazil national football team, nicknamed Seleção Canarinho, represents Brazil in men's international football and is administered by the Brazilian Football Confederation (CBF), the governing body for football in Brazil. They have been a member of FIFA since 1923 and a member of CONMEBOL since 1916.
The 1970 FIFA World Cup was the ninth edition of the FIFA World Cup, the quadrennial international football championship for men's senior national teams. Held from 31 May to 21 June in Mexico, it was the first World Cup tournament held outside Europe and South America, and also the first held in North America. Teams representing 75 nations from all six populated continents entered the competition, and its qualification rounds began in May 1968. Fourteen teams qualified from this process to join host nation Mexico and defending champions England in the 16-team final tournament. El Salvador, Israel and Morocco made their debut appearances at the final stage.
Marcel Camus was a French film director. He is best known for Orfeu Negro, which won the Palme d'Or at the 1959 Cannes Film Festival and the 1960 Oscar for Best Foreign Language Film.
Glauber de Andrade Rocha was a Brazilian film director, actor and screenwriter. He was one of the most influential moviemakers of Brazilian cinema and a key figure of Cinema Novo. His films Black God, White Devil and Entranced Earth are often considered to be two of the greatest achievements in Brazilian cinematic history, being selected by Abraccine as, respectively, the second and fifth best Brazilian films of all-time. Rocha also the distinction of having the most films on Abraccine's list: 5 films.
Cinema Novo, "New Cinema" in English, is a genre and movement of film noted for its emphasis on social equality and intellectualism that rose to prominence in Brazil during the 1960s and 1970s. Cinema Novo formed in response to class and racial unrest both in Brazil and the United States. Influenced by Italian neorealism and French New Wave, films produced under the ideology of Cinema Novo opposed traditional Brazilian cinema, which consisted primarily of musicals, comedies and Hollywood-style epics. Glauber Rocha is widely regarded as Cinema Novo's most influential filmmaker. Today, the movement is often divided into three sequential phases that differ in tone, style and content.
Nelson Pereira dos Santos was a Brazilian film director. He directed films such as Vidas Secas, based on the book with the same name by Brazilian writer Graciliano Ramos.
The 42nd Academy Awards were presented April 7, 1970, at the Dorothy Chandler Pavilion in Los Angeles, California. For the second year in a row, there was no official host. This was the first Academy Awards ceremony to be broadcast via satellite to an international audience, though outside North America, Mexico and Brazil were the only countries to broadcast the event live.
Eduardo de Oliveira Coutinho was a Brazilian film director, screen writer, actor and film producer, known as one of the most important documentarists in Brazil.
Ruy Alexandre Guerra Coelho Pereira is a Portuguese-Brazilian film director and screenwriter. Guerra was born a Portuguese citizen in Lourenço Marques in Mozambique, when it was still a Portuguese colony.
Marieta Severo da Costa is a Brazilian stage, film and television actress. She is best known to youth audiences as the archetypal mother figure in popular sitcom A Grande Família (2001–2014), as well to mature audiences for portraying villains in telenovelas.
Walter Hugo Khouri was a Brazilian film director, screenwriter, and producer of Lebanese and Italian descent.
Patricia Gadelha Pillar is a Brazilian actress, producer, film director, screenwriter, and television presenter.
Maurice Capovila was a Brazilian film director and screenwriter. He directed eight films between 1968 and 2003. His 1970 film The Prophet of Hunger was entered into the 20th Berlin International Film Festival.
Ítala Nandi is a Brazilian actress. She has appeared in 33 films and television shows since 1964. She starred in the 1974 film Sagarana: The Duel, which was entered into the 24th Berlin International Film Festival.
Júlio Eduardo Bressane de Azevedo is a Brazilian filmmaker and writer.
Rogério Sganzerla was a Brazilian filmmaker. One of the main names of the cinema marginal underground movement, his most known work is The Red Light Bandit (1968). Sganzerla was influenced by Orson Welles, Jean-Luc Godard, and José Mojica Marins, and often used clichés from film noir and pornochanchadas. Irony, narrative subversion and collage were trademarks of his film aesthetics.