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An incomplete list of the earliest films produced in Brazil between 1908 and 1919. For an A-Z list of films currently on Wikipedia, see Category:Brazilian films
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An incomplete list of the earliest films produced in Brazil between 1908 and 1919. For an A-Z list of films currently on Wikipedia, see Category:Brazilian films
| Title | Director | Cast | Genre | Notes | ||
|---|---|---|---|---|---|---|
| 1910 | ||||||
| Triste Fim de Uma Vida de Prazeres | ||||||
| Mil Adultérios | ||||||
| 606 contra o Espirocheta Palido | ||||||
| Paz e Amor | ||||||
| 1911 | ||||||
| O Conde de Luxemburgo | April 24 | |||||
| A Dançarina Descalça | June 1 | |||||
| 1912 | ||||||
| A Vida do Barão do Rio Branco | May 13 | |||||
| Mil e 400 contos | September 11 | |||||
| O Guarani | October 6 | |||||
| 1913 | ||||||
| O Crime de Paula Matos | ||||||
| A Mulher do Chiqueiro | October 17 | |||||
| 1914 | ||||||
| Amor de Perdição (1914 film) | ||||||
| O Crime dos Banhados | ||||||
| 1915 | ||||||
| A Moreninha | ||||||
| Inocência | ||||||
| Les Enfants d'Édouard | April 29 | |||||
| Uma Transformista Original | October 29 | |||||
| 1916 | ||||||
| O Guaraní | June 5 | |||||
| Perdida | October 16 | |||||
| Lucíola | December 11 | |||||
| Vivo ou Morto | December 14 | |||||
| 1917 | ||||||
| Dioguinho | ||||||
| O Cruzeiro do Sul | ||||||
| Entre Dois Amores | ||||||
| Iracema | ||||||
| Pátria Brasileira | ||||||
| O Grito do Ipiranga | ||||||
| Heróis Brasileiros na Guerra do Paraguai | ||||||
| 1918 | ||||||
| Amor de Perdição (1918 film) | ||||||
| Amor e Boemia | ||||||
| A Apoteose do Carnaval de 1914 | ||||||
| Zero-Treze | ||||||
| 1919 | ||||||
| Alma Sertaneja | ||||||
| Ubirajara | ||||||
| A Caipirinha | ||||||
| Filmmakers | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| Awards | |||||||||
Films (A–Z)  |
| ||||||||
| Other | |||||||||
Carmen Miranda, was a Portuguese-born Brazilian samba singer, dancer, Broadway actress and film star who was active from the late 1920s onwards. Nicknamed "The Brazilian Bombshell", Miranda was known for her signature fruit hat outfit that she wore in her American films. As a young woman, she designed hats in a boutique before making her first recordings with composer Josué de Barros in 1929. Miranda's 1930 recording of "Taí ", written by Joubert de Carvalho, catapulted her to stardom in Brazil as the foremost interpreter of samba.
Brazil is a 1985 dystopian black comedy film directed by Terry Gilliam and written by Gilliam, Charles McKeown, and Tom Stoppard. The film stars Jonathan Pryce and features Robert De Niro, Kim Greist, Michael Palin, Katherine Helmond, Bob Hoskins, and Ian Holm.
Saludos Amigos is a 1942 American live-action animated package film produced by Walt Disney and released by RKO Radio Pictures. It is the 6th Disney animated feature film and the first of the six package films produced by Walt Disney Productions in the 1940s. Set in Latin America, it is made up of four different segments; Donald Duck stars in two of them and Goofy stars in one. It also features the first appearance of José Carioca, the Brazilian cigar-smoking parrot. Saludos Amigos premiered in Rio de Janeiro on August 24, 1942. It was released in the United States on February 6, 1943. Saludos Amigos was popular enough that Walt Disney decided to make another film about Latin America, The Three Caballeros, to be produced two years later. At 42 minutes, it is Disney's shortest animated feature to date.
City of God is a 2002 Brazilian epic crime film co-directed by Fernando Meirelles and Kátia Lund, released Brazil in 2002 and worldwide in 2003. Bráulio Mantovani adapted the story from the 1997 novel of the same name written by Paulo Lins, but the plot is loosely based on real events. It depicts the growth of organized crime in the Cidade de Deus suburb of Rio de Janeiro, between the end of the 1960s and the beginning of the 1980s, with the film's closure depicting the war between the drug dealer Li'l Zé and vigilante-turned-criminal Knockout Ned. The tagline is "If you run, the beast catches you; if you stay, the beast eats you."
Glauber de Andrade Rocha, better known as Glauber Rocha, was a Brazilian film director, actor and screenwriter. He was one of the most influential moviemakers of Brazilian cinema and a key figure of Cinema Novo. His films Black God, White Devil and Entranced Earth are often considered to be two of the greatest achievements in Brazilian cinematic history, being selected by Abraccine as, respectively, the second and fifth best Brazilian films of all-time. Rocha also the distinction of having the most films on Abraccine's list: 5 films.
This is an index of lists of films by year, awards, countries of origin and genre among other factors.
Brazilian cinema was introduced early in the 20th century but took some time to consolidate itself as a popular form of entertainment. The film industry of Brazil has gone through periods of ups and downs, a reflection of its dependency on state funding and incentives.
Latin American cinema refers collectively to the film output and film industries of Latin America. Latin American film is both rich and diverse, but the main centers of production have been Argentina, Brazil and Mexico. Latin American cinema flourished after the introduction of sound, which added a linguistic barrier to the export of Hollywood film south of the border.
A list of films produced in Brazil ordered by year and split onto separate pages by decade. For an alphabetical list of films currently on Wikipedia see Category:Brazilian films
Patrick may refer to:
The history of Brazilian animation is relatively recent. In the first half of the 20th century, there were some small experiments produced in animation without much continuity, to the emergence of several animated films in the other half of the century. The 21st century saw the advent of many animated series for television.