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An incomplete list of films produced in Brazil in the 1920s. For an alphabetical list of films currently on Wikipedia see Category:Brazilian films
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An incomplete list of films produced in Brazil in the 1920s. For an alphabetical list of films currently on Wikipedia see Category:Brazilian films
| Title | Director | Cast | Genre | Notes | ||
|---|---|---|---|---|---|---|
| 1920 | ||||||
| O Crime de Cravinhos | Arturo Carrari | Rodolfo Arena, Antônio de Camilles, Elvira de Camilles, Carmo Nacarato, Filippo Santoro | Mystery | |||
| As Aventuras de Gregório | Luiz de Barros | Manuel F. Araujo, Ernesto Begonha, Yole Burlini, Alvaro Fonseca | Comedy | |||
| Convém Martelar | Manuel F. Araujo | Manuel F. Araujo, António Silva, Carlos Barbosa, Adhemar Gonzaga | Short | January 28 | ||
| Os Faroleiros | Antônio Leite and Miguel Milano | Drama | March 11 Based on novel by Monteiro Lobato | |||
| Coração de Gaúcho | Luiz de Barros | Manuel F. Araujo, Luiz de Barros, Antônia Denegri, Alvaro Fonseca, Cândida Leal, António Silva | Drama | April 26 Based on the novel O gaúcho by José de Alencar | ||
| Jóia Maldita | Luiz de Barros | Silvia Bertini, Iole Bertini, Luiz de Barros | Drama | June 7 | ||
| Como Deus Castiga | Antônio Leite and Miguel Milano | Ignácio Brito, Clarinda Lopes | Drama | July 12 Based on a novel by Joaquim Manoel de Macedo | ||
| O Garimpeiro | Vittorio Capellaro | Vittorio Capellaro | Drama | December 20 based on the 1870s novel O garimpeiro by Bernardo Guimarães | ||
| Title | Director | Cast | Genre | Notes | ||
|---|---|---|---|---|---|---|
| 1921 | ||||||
| Um Crime no Parque Paulista | Arturo Carrari | Nicola Tartaglione | Mystery | |||
| Carlitinhos | José Medina | Short comedy | ||||
| Perversidade | José Medina | Inocência Colado, Regina Fuína, Maria Fuína, Carlos Ferreira | Short comedy | |||
| 1922 | ||||||
| Amor de Filha | Arturo Carrari | Yolanda Belli | ||||
| Do Rio a São Paulo Para Casar | José Medina | Waldemar Moreno, Antônio Marques Costa Filho, Nicola Tartaglione, Carlos Ferreira | Romance | |||
| O Furto dos 500 Milhões de Réis | Arturo Carrari | José Fontana, Nicola Tartaglione | Crime | |||
| No País das Amazonas | Agesilau De Araujo and Silvino Santos | Feature documentary | One of the earliest films to document the Amazon rainforest on camera | |||
| 1923 | ||||||
| O Brazil Grandioso | Alberto Botelho | |||||
| Augusto Anibal quer casar | Luiz de Barros | Augusto Aníbal, Manuel F. Araujo | Comedy | |||
| Cavaleiro Negro | Luiz de Barros | Augusto Aníbal, Manuel F. Araujo | Adventure | |||
| Carnaval Cantado | José Almeida, Célia Bina, Artur Castro, Alice Egito, Luiz Fortini | |||||
| Sua Majestade, a Mais Bela | Paulino Botelho | Documentary | ||||
| A Canção da Primavera | Igino Bonfioli and Cyprien Segur | Iracema Aleixo, Naná Andrade, Lucinda Barreto, Osiris Colombo, Odilardo Costa | Romantic drama | |||
| João da Mata | Amilar Alves | Amilar Alves | Political drama | |||
| A Sereia de Pedra | Roger Lion | Maria Emília Castelo Branco, Gil Clary, Max Maxudian | Drama | A Portugal film but shown widely in Brazil also. | ||
| A Capital Federal | Based on the play | |||||
| Sofrer Para Gozar | Eugenio Centenaro Kerrigan | Cacilda Alencar, João dos Santos Galvão, Lincoln Garrido | Drama | |||
| 1924 | ||||||
| Alma Gentil | Antonio Dardes Netto | Benedito Roberto Barbosa, Alfredo Carmonario, Olívio Dardes, Eustáchio Dimarzio, Wanda Fiorisi, Isa Lins | Drama | |||
| Gigolete | Vittorio Verga | Augusto Aníbal | ||||
| Paulo e Virginia | Francisco de Almeida Fleming | Drama | ||||
| Hei de Vencer | Luis de Barros | Manuel F. Araujo | Drama | |||
| O Segredo do Corcunda | Alberto Traversa | Crime | ||||
| O Trem da Morte | José de Picchia | Arturo Carrari | ||||
| 1925 | ||||||
| Aitaré da Praia | Gentil Roiz, Ary Severo (co-director) | José Amaro, Antonio Campos, Mario Cardoso, Queiroz Coutinho, Amália de Souza | ||||
| La Mujer de medianoche | Carlo Campogalliani | Paulo Benedetti, Carlo Campogalliani, Amália de Oliveira, Polly de Viana | Mystery drama | |||
| A Carne | Filipe Ricci | Drama | ||||
| Quando Elas Querem | Eugenio Centenaro Kerrigan, Paolo Trinchera | Bertoli Carmelo, Luiz de Barros, César Fronzi, Yolanda Fronzi, Regina Fuína | Comedy | 9 December | ||
| 1926 | ||||||
| Audácia do Ciúme | Ary Severo | |||||
| Corações em Suplício | Eugenio Centenaro Kerrigan | Miguel Ascoli, Tonico Caravieri, Lídia Chermont, Miriam Chermont, Hippólito Collomb | Drama | |||
| Do Risos e Lagrimas | Alberto Traversa | Eduardo Arouca, João Baldi, Túlia Burlini, Virgínia Cassoval, Anita Henrys | Drama | |||
| Em Defesa da Irmã | Eduardo Abelim | Eduardo Abelim, Isolda Fernandes, Antonio Ferreira | Short drama | |||
| Fogo de Palha | Canuto Mendes de Almeida | Vicente Bifano, Rosa de Maio, Diógenes de Nioac, Múcio de Sèvres, Georgette Ferret, Joaquim Garnier | ||||
| O Guaraní | Vittorio Capellaro | Mazza Amanda Mauceri, Vittorio Capellaro, Domenico Cesarini, Margarida Collado | Drama | |||
| Vicio e Beleza | Antonio Tibiriçá | Rosa de Maio, Yolanda Flora, Francisco Madrigano, Lelita Rosa, Anita Sabatini, Antonio Sorrentino | Drama | |||
| 1927 | ||||||
| Ambição Castigada | William H. Jansen | Cacilda Alencar, Milton Braga, Olga Breno, Edgard Cardoso, Arnaldo Conde | ||||
| Amor de Mãe | Arturo Carrari | Maria Isabel, Nicola Tartaglielli | Drama | |||
| O Descrente | Francisco Madrigano | Esther D'Alva, João F. de Alencar, Ronaldo de Alencar, Francisco de Simone, Augusto Duarte Júnior | Drama | March 6 | ||
| O Castigo do Orgulho | Eduardo Abelim | Eduardo Abelim, Antônio Aveiro, Antônio Ferreira, Waldomiro Kerting | Drama | July 11 | ||
| 1928 | ||||||
| Amor que Redime | Eugenio Centenaro Kerrigan | Henrique Brands, Vicente de Paulo, Júlio Goyer, Nelly Grant, Rina Lara | Drama | |||
| Brasil Animado | Luis Seel | |||||
| O Crime da Mala | Francisco Madrigano | Yuco Lindberg, Aldo Lins, Wanda Lins, Francisco Madrigano | Crime | |||
| Morfina | Francisco Madrigano | Guilherme Bocchialino, Cléo de Málaga, Lia Jardim, Iris Maraino, Potiguar Medeiros | Crime | |||
| Senhorita Agora Mesmo | Pedro Comello | Pedro Comello, Bastos Estephâniom, Ben Nil,Eva Nil | Short | |||
| 1929 | ||||||
| Acabaram-se os Otários | Luiz de Barros | Genésio Arruda, Gina Bianchi, Tom Bill, Vicenzo Caiaffa | Comedy | |||
| Amor Não Traz Vantagens | Luiz de Barros | Genésio Arruda, Vicenzo Caiaffa, Rina Weiss | Short musical | |||
| Casa de Caboclo | Luiz de Barros | Gastão Formenti | Short musical | |||
| Como Se Gosta | Luiz de Barros | Januário de Oliveira | Short | |||
| Barro Humano | Adhemar Gonzaga | Gracia Morena, Lelita Rosa, Eva Schnoor, Eva Nil, Carlos Modesto, Martha Torá, Luiza Valle, Dona Chincha | Drama | Lost film | ||
| Escrava Isaura | ||||||
| Enquanto São Paulo Dorme | Francisco Madrigano | João Cipriano, Filomena Colado, Inocência Colado, Ronaldo de Alencar | Drama | One of the earliest Brazilian sound films | ||
| Fragmentos da vida | José Medina | Áurea de Aremar, Carlos Ferreira, Alfredo Roussy | Short musical | |||
| Orgulho da Mocidade | Francisco Madrigano | Amadeu Belluci, Antônio Caldas, Domingos Cipulo, Esther D'Alva, Ismael Lopes | Comedy | |||
| Revelação | Eugenio Centenaro Kerrigan | Raul Candal, Nelly Grant, Walter Holger, Ivo Morgova, Roberto Zango | Drama | |||
| Sinfonia da Floresta | Vittorio Verga | Augusto Aníbal, Luiz Barreiras, Norberto Bittencourt, Lia Brasil, Luiza Valle | Romance | |||
| Veneno Branco | Luis Seel | Odilon Azevedo, Armando Braga, Antoine Cassal, Gina Cavalieri, Yolanda Flora | ||||
| Filmmakers | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| Awards | |||||||||
Films (A–Z)  |
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| Other | |||||||||
Carmen Miranda, was a Portuguese-born Brazilian samba singer, dancer, Broadway actress and film star who was active from the late 1920s onwards. Nicknamed "The Brazilian Bombshell", Miranda was known for her signature fruit hat outfit that she wore in her American films. As a young woman, she designed hats in a boutique before making her first recordings with composer Josué de Barros in 1929. Miranda's 1930 recording of "Taí ", written by Joubert de Carvalho, catapulted her to stardom in Brazil as the foremost interpreter of samba.
Paulo Coelho de Souza is a Brazilian lyricist and novelist. He is a member of the Brazilian Academy of Letters. His novel The Alchemist has sold more than 150 million copies worldwide and is the all-time best-selling book by a Brazilian writer. He influenced Brazilian rock music through his partnership with the musician Raul Seixas.
Brazil is a 1985 dystopian black comedy film directed by Terry Gilliam and written by Gilliam, Charles McKeown, and Tom Stoppard. The film stars Jonathan Pryce and features Robert De Niro, Kim Greist, Michael Palin, Katherine Helmond, Bob Hoskins, and Ian Holm.
Saludos Amigos is a 1942 American live-action animated package film produced by Walt Disney and released by RKO Radio Pictures. It is the 6th Disney animated feature film and the first of the six package films produced by Walt Disney Productions in the 1940s. Set in Latin America, it is made up of four different segments; Donald Duck stars in two of them and Goofy stars in one. It also features the first appearance of José Carioca, the Brazilian cigar-smoking parrot. Saludos Amigos premiered in Rio de Janeiro on August 24, 1942. It was released in the United States on February 6, 1943. Saludos Amigos was popular enough that Walt Disney decided to make another film about Latin America, The Three Caballeros, to be produced two years later. At 42 minutes, it is Disney's shortest animated feature to date.
City of God is a 2002 Brazilian epic crime film co-directed by Fernando Meirelles and Kátia Lund, released in its home country in 2002 and worldwide in 2003. Bráulio Mantovani adapted the story from the 1997 novel of the same name written by Paulo Lins, but the plot is loosely based on real events. It depicts the growth of organized crime in the Cidade de Deus suburb of Rio de Janeiro, between the end of the 1960s and the beginning of the 1980s, with the film's closure depicting the war between the drug dealer Li'l Zé and vigilante-turned-criminal Knockout Ned. The tagline is "If you run, the beast catches you; if you stay, the beast eats you."
Glauber de Andrade Rocha, better known as Glauber Rocha, was a Brazilian film director, actor and screenwriter. He was one of the most influential moviemakers of Brazilian cinema and a key figure of Cinema Novo. His films Black God, White Devil and Entranced Earth are often considered to be two of the greatest achievements in Brazilian cinematic history, being selected by Abraccine as, respectively, the second and fifth best Brazilian films of all-time. Rocha also the distinction of having the most films on Abraccine's list: 5 films.
This is an index of lists of films by year, awards, countries of origin and genre among other factors.
Brazilian cinema was introduced early in the 20th century but took some time to consolidate itself as a popular form of entertainment. The film industry of Brazil has gone through periods of ups and downs, a reflection of its dependency on state funding and incentives.
Latin American cinema refers collectively to the film output and film industries of Latin America. Latin American film is both rich and diverse, but the main centers of production have been Argentina, Brazil and Mexico. Latin American cinema flourished after the introduction of sound, which added a linguistic barrier to the export of Hollywood film south of the border.
A list of films produced in Brazil ordered by year and split onto separate pages by decade. For an alphabetical list of films currently on Wikipedia see Category:Brazilian films
Patrick may refer to:
The history of Brazilian animation is relatively recent. In the first half of the 20th century, there were some small experiments produced in animation without much continuity, to the emergence of several animated films in the other half of the century. The 21st century saw the advent of many animated series for television.