Contents
| Part of a series on |
| Turkish people |
|---|
 |
| Part of a series on |
| Turkish people |
|---|
| |
Princess Fahrelnissa Zeid was a Turkish artist best known for her large-scale abstract paintings with kaleidoscopic patterns as well as her drawings, lithographs, and sculptures. Zeid was one of the first women to go to art school in Istanbul.
The history of modern Turkish painting can be traced back to the modernization efforts in the Ottoman Empire during the Tanzimat period, in the 19th century. This article contains a brief history of Turkish painters and art movements from the mid-19th century to the present.
Mimar Sinan Fine Arts University is a public art university in Istanbul, Turkey. The university's campus is located in the Fındıklı neighbourhood of Beyoğlu.
The Aşiyan Asri Cemetery is a burial ground situated on Aşiyan between the Bebek and Rumelihisarı neighborhoods of the European part of Istanbul, Turkey.
Mersin İdmanyurdu Sports Club; located in Mersin, east Mediterranean coast of Turkey in 1972–73. The 1972–73 season was the sixth season of Mersin İdmanyurdu (MİY) football team in Turkish First Football League, the first level division in Turkey. They finished 11th in the league.
The following outline is provided as an overview of and topical guide to the Ottoman Empire:
The Ottoman Military College or Imperial Military Staff College or Ottoman Army War College, was a two-year military staff college of the Ottoman Empire. It was located in İstanbul. Its mission was to educate staff officers for the Ottoman Army.
The first Turkish painters appeared no earlier than the mid-19th century during the Ottoman Empire era. The first art academy in Turkey was established in the 19th century but was meant only for male art students. Therefore, art remained gender-segregated until 1914, when an art school for women was established, but still, they could work under strict rules since working on nude models of the opposite sex was prohibited. The daughters of the enlightened people in Turkish society were allowed to participate in art privately, and they could not make it a career. Therefore, coming from such families, a girl child could get support from the family but only to practice art as a hobby and not as a profession. The portrayal of female artists in Turkey initially did not intend to show them as skilled people as their male counterparts could have been portrayed. It showed the female artists as people operating in the shadows of male artists and thus could not fit on the same continuum. The first Turkish woman painter was Müfide Kadri. (1889-1912) and the first Turkish woman sculptor was Sabiha Ziya Bengütaş. The first art academy for girls was Sanayi'i Nefise which became co-educational in 1914. During the Turkish Republic-era, art training was promoted by the government, and beginning in 1930 painting courses were added to the curriculum of the schools.
Yahşi Baraz is a Turkish art dealer. He is the founder and the director of one of Turkey's earliest art galleries, Galeri Baraz.
Ministry of Trade and Agriculture was the name given to the ministry responsible for trade and agricultural affairs in the Ottoman Empire.