List of avant-garde films of the 1940s

Last updated

A list of avant-garde and experimental films released in the 1940s.

TitleDirectorCastNationNotes
1941
Moods of the Sea Slavko Vorkapić, John Hoffman United StatesBlack & white, sound (Felix Mendelssohn: The Hebrides (overture) [1]
Who Has Been Rocking My Dream Boat Kenneth Anger United StatesLost film. [2]
1942
By Night with Torch and Spear Joseph Cornell United States
Lambeth Walk - Nazi StyleCharles A. RidleyUnited KingdomBritish propaganda short, which "remixes" marching Nazis to a pop song. [3]
Tinsel Tree Kenneth Anger United StatesLost film [4]
Variations on a Circle James Whitney (filmmaker) United StatesColor, silent. Abstract animation, shot in 8mm. [5]
1943
Allegretto Oskar Fischinger United StatesAbstract animation, color, sound. Third version, completed in 1943 [6]
The Geography of the Body Willard Maas Willard Maas, Marie Menken United StatesFilm poem, text written and read by George Barker (poet) [7] [8]
Meshes of the Afternoon Maya Deren, Alexander Hammid Maya Deren, Alexander Hammid United StatesBlack & white; sound by composer Teiji Ito added in 1959. Established the movement known as "New American Cinema." [9] [10]
The Witch's Cradle Maya Deren, Marcel Duchamp Marcel Duchamp, Pajarito MattaUnited StatesBlack & white; silent. Never finished; survives as workprint or gathering of trims. [11] [12]
1944
At Land Maya Deren Maya Deren, Alexander Hammid, Parker Tyler, John Cage United States [13]
1945
The Eye and the Ear Stefan Themerson, Franciszka Themerson United Kingdom
Le Vampire Jean Painlevé France
Out-Takes From a Study in Choreography for Camera Maya Deren Talley Beatty United States [14]
A Study in Choreography for Camera Maya Deren Talley Beatty United States [15]
Visual Variations on Noguchi Marie Menken United States [16]
1946
The Potted Psalm Sidney Peterson, James Broughton Beatrix Perry, Harry HonigUnited StatesLive action surrealist short. [17]
Ritual in Transfigured Time Maya Deren Maya Deren, Rita Christiani, Frank Westbrook, Anaïs Nin United States [18]
1947
The Cage Sidney Peterson United States[ citation needed ]
Dreams That Money Can Buy Hans Richter Max Ernst United States [19]
Fireworks Kenneth Anger Kenneth Anger, Bill Seltzer, Gordon GrayUnited States [20]
Forest Murmurs Slavko Vorkapić, John Hoffman United StatesBlack & white, sound; made for MGM, but withheld from release. Jacobs dates it to 1941; most other sources give 1947. [21]
Lady in the Lake Robert Montgomery Robert Montgomery, Audrey Totter United States [22]
Motion Painting No. 1 Oskar Fischinger United States [23]
Private Life of a Cat Maya Deren, Alexander Hammid United States
Le Tempestaire Jean Epstein France
Transmutation Jordan Belson United StatesBelson's first film, shown at Art in Cinema screenings in San Francisco in the early '50s; lost film. [24]
1948
Du sang, de la volupté et de la mort Gregory Markopoulos United StatesColor, 70 min. Begun in Los Angeles in 1947; finished in Toledo, Ohio. In three parts: Psyche, Lysis & Charmides. [25]
In the Street Helen Levitt, Janice Loeb, James Agee United StatesSilent; sound version issued in 1952 [26] [27]
Meditation on Violence Maya Deren Chao Li ChiUnited States [28]
The Petrified Dog Sidney Peterson Gail Randall, Marie Hirsh, Jo LandorUnited States [29] [30]
Weegee's New York Weegee United States [31] [32]
1949
Christmas, U.S.A. Gregory Markopoulos United States[ citation needed ]
The Lead Shoes Sidney Peterson United States[ citation needed ]
Medusa Maya Deren United States [33]
Pacific 231 Jean Mitry France [34]
Puce Moment Kenneth Anger United States [35]

Notes

  1. Horak, Jan Christopher (1995). Lovers of Cinema: The First American Film Avant-Garde, 1919-1945 . Madison, WI: University of Wisconsin Press. p.  38. ISBN   0-299-14680-4.
  2. Sitney, P. Adams (2002). Visionary Film: The American Avant Garde 1943-2000 third edition. New York: Oxford University Press. p. 84. ISBN   0-19-514885-1.
  3. Public Domain Review, "Lambeth Walk - Nazi Style"
  4. Lewis, David. "Tinsel Tree". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  5. Los Angeles Filmforum, "Alternative Projections: John Whitney"
  6. Oskar Fischinger Filmography
  7. P. Adams Sitney, "Visionary Film: The American Avant-Garde 1943–2000. Oxford University Press, 2002 pg. 75
  8. Lewis, David. "Geography of the Body". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  9. MOMA Object Page
  10. Lux Entry Archived 2016-03-04 at the Wayback Machine
  11. Dangerous Minds: ‘The Witch’s Cradle’: Watch Maya Deren and Marcel Duchamp’s stunning occult short
  12. Charney, Leo. "Meshes of the Afternoon". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  13. Lewis, David. "At Land". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  14. Lewis, David. "A Study in Choreography for Camera". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  15. Lewis, David. "A Study in Choreography for Camera". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  16. Lewis, David. "Visual Variations on Noguchi". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  17. MUBI entry
  18. Lewis, David. "Ritual in Transfigured Time". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  19. Erickson, Hal. "Dreams That Money Can Buy". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  20. Crow, Jonathan. "Fireworks". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  21. Lewis Jacobs, "Experimental Cinema in America II," Hollywood Quarterly, Vol. 3, No. 3, Spring 1948, reprinted in Smoodin, Eric Loren; Martin, Ann (2002). Hollywood Quarterly: Film Culture in Postwar America, 1945-1957. Berkeley and Los Angeles: University of California Press. p. 43. ISBN   0-520-23274-7.
  22. Jake Hinkson -- Through the Camera's Eye: Experiments with Subjective Camera in Film Noir
  23. "Motion Painting No. 1". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  24. Experimental Cinema -- Jordan Belson
  25. Harvard Film Archive Markopoulos retrospective
  26. "In the Street". Film, Video. Library of Congress. Retrieved October 27, 2020.
  27. "In the Street". Little Fugitive / In the Street / Quiet One. UCLA Library Film & Television Archive. Retrieved October 27, 2020.
  28. "Mediation on Violence". allmovie. Rovicorp. Retrieved December 18, 2013.
  29. The Worldwide Celluloid Massacre review
  30. The Sound of Eye: The Petrified Dog
  31. Visionary Film: Weegee
  32. ICP: Weegee's New York
  33. Lewis, David. "Medusa". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  34. "Pacific 231". Allmovie. Rovi Corporation. Retrieved December 18, 2013.
  35. Lewis, David. "Puce Moment". Allmovie. Rovi Corporation. Retrieved December 18, 2013.

Related Research Articles

An underground film is a film that is out of the mainstream either in its style, genre, or financing.

Experimental film Cinematic works that are experimental form or content

Experimental film, experimental cinema, or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.

Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s and which developed into the Structural/materialist films in the United Kingdom in the 1970s.

<i>Wavelength</i> (1967 film) 1967 Canadian film

Wavelength is a 45-minute film by Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers."

Gregory J. Markopoulos was an American experimental filmmaker.

P. Adams Sitney, is a historian of American avant-garde cinema. He is known as the author of Visionary Film, one of the first books on the history of experimental film in the United States.

<i>Zorns Lemma</i> 1970 American film

Zorns Lemma is a 1970 American structural experimental film by Hollis Frampton. Originally starting as a series of photographs, the non-narrative film is structured around a 24-letter classical Latin alphabet. It remains, along with Michael Snow's Wavelength and Tony Conrad's The Flicker, one of the best known examples of structural filmmaking.

Storm de Hirsch American film director

Storm de Hirsch (1912–2000) was an American poet and filmmaker. She was a key figure in the New York avant-garde film scene of the 1960s, and one of the founding members of the Film-Makers' Cooperative. Although often overlooked by historians, in recent years she has been recognized as a pioneer of underground cinema.

The Millennium Film Workshop is a non-profit media arts center located in New York City. It is dedicated to the exhibition, study, and practice of avant-garde and experimental cinema. It was also where the St. Mark's Poetry Project began. Ken Jacobs stated in 2013 that he chose the name Millennium "...because it would have to be that to actually give out equipment, education, space to work in, etc. for free. Dictionary definition: 'A hoped for period of joy, serenity, prosperity and justice.' "

Arnulf Rainer is a 1960 Austrian experimental short film by Peter Kubelka, and one of the earliest flicker films. The film alternates between light or the absence of light and sound or the absence of sound. Since its May 1960 premiere in Vienna, Arnulf Rainer has become known as a fundamental work for structural film. Kubelka released a "negative" version, titled Antiphon, in 2012.

Schwechater[ˈʃvɛçaːtɐ] is a 1958 experimental short film by Austrian filmmaker Peter Kubelka. It is the second entry in his trilogy of metrical films, between Adebar and Arnulf Rainer.

Andrew Noren was an American avant-garde filmmaker.

The End is a 1953 American short film directed by Christopher Maclaine. It tells the stories of six people on the last day of their lives. It premiered at the San Francisco Museum of Modern Art as part of Frank Stauffacher's Art in Cinema series. Though the film met audience disapproval at its premiere, it was praised by critics as a "masterpiece" and "a great work of art".

Jerome Hiler is an American experimental filmmaker, painter and stained glass artist.

All My Life is a 1966 American experimental short film directed by Bruce Baillie. It shows a continuous shot of a fence, soundtracked by Ella Fitzgerald's 1936 debut single "All My Life". Film critic P. Adams Sitney identified it as an early example of what he termed structural film.

Anticipation of the Night is a 1958 American avant-garde film directed by Stan Brakhage. It was a breakthrough in the development of the lyrical style Brakhage used in his later films.

Adebar is a 1957 Austrian avant-garde short film directed by Peter Kubelka. It is the first entry in Kubelka's trilogy of metrical films, followed by Schwechater and Arnulf Rainer. Adebar is the first film to be edited entirely according to a mathematical rhythmic strategy.