A list of avant-garde and experimental films released in the 1940s.
Title | Director | Cast | Nation | Notes | ||
---|---|---|---|---|---|---|
1941 | ||||||
Moods of the Sea | Slavko Vorkapić, John Hoffman | United States | Black & white, sound (Felix Mendelssohn: The Hebrides (overture) [1] | |||
Who Has Been Rocking My Dream Boat | Kenneth Anger | United States | Lost film. [2] | |||
1942 | ||||||
By Night with Torch and Spear | Joseph Cornell | United States | ||||
Lambeth Walk - Nazi Style | Charles A. Ridley | United Kingdom | British propaganda short, which "remixes" marching Nazis to a pop song. [3] | |||
Tinsel Tree | Kenneth Anger | United States | Lost film [4] | |||
Variations on a Circle | James Whitney (filmmaker) | United States | Color, silent. Abstract animation, shot in 8mm. [5] | |||
1943 | ||||||
Allegretto | Oskar Fischinger | United States | Abstract animation, color, sound. Third version, completed in 1943 [6] | |||
The Geography of the Body | Willard Maas | Willard Maas, Marie Menken | United States | Film poem, text written and read by George Barker (poet) [7] [8] | ||
Meshes of the Afternoon | Maya Deren, Alexander Hammid | Maya Deren, Alexander Hammid | United States | Black & white; sound by composer Teiji Ito added in 1959. Established the movement known as "New American Cinema." [9] [10] | ||
The Witch's Cradle | Maya Deren, Marcel Duchamp | Marcel Duchamp, Pajarito Matta | United States | Black & white; silent. Never finished; survives as workprint or gathering of trims. [11] [12] | ||
1944 | ||||||
At Land | Maya Deren | Maya Deren, Alexander Hammid, Parker Tyler, John Cage | United States | [13] | ||
1945 | ||||||
The Eye and the Ear | Stefan Themerson, Franciszka Themerson | United Kingdom | ||||
Le Vampire | Jean Painlevé | France | ||||
Out-Takes From a Study in Choreography for Camera | Maya Deren | Talley Beatty | United States | [14] | ||
A Study in Choreography for Camera | Maya Deren | Talley Beatty | United States | [15] | ||
Visual Variations on Noguchi | Marie Menken | United States | [16] | |||
1946 | ||||||
The Potted Psalm | Sidney Peterson, James Broughton | Beatrix Perry, Harry Honig | United States | Live action surrealist short. [17] | ||
Ritual in Transfigured Time | Maya Deren | Maya Deren, Rita Christiani, Frank Westbrook, Anaïs Nin | United States | [18] | ||
1947 | ||||||
The Cage | Sidney Peterson | United States | [ citation needed ] | |||
Dreams That Money Can Buy | Hans Richter | Max Ernst | United States | [19] | ||
Fireworks | Kenneth Anger | Kenneth Anger, Bill Seltzer, Gordon Gray | United States | [20] | ||
Forest Murmurs | Slavko Vorkapić, John Hoffman | United States | Black & white, sound; made for MGM, but withheld from release. Jacobs dates it to 1941; most other sources give 1947. [21] | |||
Lady in the Lake | Robert Montgomery | Robert Montgomery, Audrey Totter | United States | [22] | ||
Motion Painting No. 1 | Oskar Fischinger | United States | [23] | |||
Private Life of a Cat | Maya Deren, Alexander Hammid | United States | ||||
Le Tempestaire | Jean Epstein | France | ||||
Transmutation | Jordan Belson | United States | Belson's first film, shown at Art in Cinema screenings in San Francisco in the early '50s; lost film. [24] | |||
1948 | ||||||
Du sang, de la volupté et de la mort | Gregory Markopoulos | United States | Color, 70 min. Begun in Los Angeles in 1947; finished in Toledo, Ohio. In three parts: Psyche, Lysis & Charmides. [25] | |||
In the Street | Helen Levitt, Janice Loeb, James Agee | United States | Silent; sound version issued in 1952 [26] [27] | |||
Meditation on Violence | Maya Deren | Chao Li Chi | United States | [28] | ||
The Petrified Dog | Sidney Peterson | Gail Randall, Marie Hirsh, Jo Landor | United States | [29] [30] | ||
Weegee's New York | Weegee | United States | [31] [32] | |||
1949 | ||||||
Christmas, U.S.A. | Gregory Markopoulos | United States | [ citation needed ] | |||
The Lead Shoes | Sidney Peterson | United States | [ citation needed ] | |||
Medusa | Maya Deren | United States | [33] | |||
Pacific 231 | Jean Mitry | France | [34] | |||
Puce Moment | Kenneth Anger | United States | [35] | |||
An underground film is a film that is out of the mainstream either in its style, genre or financing.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s. A related movement developed in the United Kingdom in the 1970s.
Wavelength is a 1967 experimental film by Canadian artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers."
Gregory J. Markopoulos was a Greek-American experimental filmmaker.
P. Adams Sitney, is a historian of American avant-garde cinema. He is known as the author of Visionary Film, one of the first books on the history of experimental film in the United States.
Cosmic Ray is a 1962 American experimental short film directed by Bruce Conner. With both found footage and original material, it features images of countdown leader, a nude woman dancing, a Mickey Mouse cartoon, and military exercises. It is soundtracked by a performance of Ray Charles's "What'd I Say" and has been recognized by some critics as one of the first music videos.
Storm de Hirsch (1912–2000) was an American poet and filmmaker. She was a key figure in the New York avant-garde film scene of the 1960s, and one of the founding members of the Film-Makers' Cooperative. Although often overlooked by historians, in recent years she has been recognized as a pioneer of underground cinema.
The Millennium Film Workshop is a non-profit media arts center located in New York City. It is dedicated to the exhibition, study, and practice of avant-garde and experimental cinema. It was also where the St. Mark's Poetry Project began. Ken Jacobs stated in 2013 that he chose the name Millennium "...because it would have to be that to actually give out equipment, education, space to work in, etc. for free. Dictionary definition: 'A hoped for period of joy, serenity, prosperity and justice.' "
Schwechater is a 1958 experimental short film by Austrian filmmaker Peter Kubelka. It is the second entry in his trilogy of metrical films, between Adebar and Arnulf Rainer.
Andrew Noren was an American avant-garde filmmaker.
Jerome Hiler is an American experimental filmmaker, painter, and stained glass artist. Having started in New York during the New American Cinema movement, Hiler and his partner Nathaniel Dorsky moved in 1971 to San Francisco, where for many years his work was shown in the context of private salon screenings. He began to publicly screen his films in the late 1990s, releasing new films regularly since 2010. Hiler's work makes use of vivid colors, musical rhythms or structures, and layered superimpositions edited in camera.
All My Life is a 1966 American experimental short film directed by Bruce Baillie. It shows a continuous shot of a fence, soundtracked by Ella Fitzgerald's 1936 debut single "All My Life". Film critic P. Adams Sitney identified it as an early example of what he termed structural film.
Anticipation of the Night is a 1958 American avant-garde film directed by Stan Brakhage. It was a breakthrough in the development of the lyrical style Brakhage used in his later films.
Adebar is a 1957 Austrian avant-garde short film directed by Peter Kubelka. It is the first entry in Kubelka's trilogy of metrical films, followed by Schwechater and Arnulf Rainer. Adebar is the first film to be edited entirely according to a mathematical rhythmic strategy.
The Way to Shadow Garden is a 1955 American experimental film directed by Stan Brakhage.
Blue Moses is a 1962 American experimental film directed by Stan Brakhage, starring Robert Benson.
Twice a Man is a 1963 American avant-garde film directed by Gregory Markopoulos.