The table below shows an incomplete list of compositions by Richard Strauss.
Only 88 compositions by the German composer Richard Strauss (1864–1949) have been assigned opus numbers; these numbers are shown in the table below in the column "Op." Two volumes of a catalogue of the remaining works were published by Erich Hermann Mueller von Asow (1892–1964) in 1959. [1] After von Asow's death Franz Trenner (d. 1993) and Alfons Ott (d. 1976) published the third volume, based on von Asow's notes; this catalogue lists 323 titles, including Strauss's literary writings. The numbers for compositions from this catalogue are shown in the column "AV" in the table below.
During the 15 years it took to publish von Asow's work, many new sources became available, so Franz Trenner created a new chronological catalogue in 1985, a slim volume of 153 pages without incipits. A second updated edition of 400 pages for all works of Strauss was published in 1993 with incipits, and his son Florian Trenner published a completely revised edition of 496 pages in 1999; this catalogue lists 298 works and its numbers are shown in the column "TrV" below. [2] [3] [4]
The year shown is the year of the first performance, unless there is a large gap between the dates of composition and premiere; in that case, the year refers to the date of composition and the date of the premiere is shown in the column "Work."
TrV | Op. | AV | Year | Genre | Work | ||
---|---|---|---|---|---|---|---|
1 | — | 1 | 1870 | piano (or orchestra) | Schneiderpolka, for piano (or string orchestra) | ||
2 | — | 2 | 1870 | Lied | "Weihnachtslied" (Schlaf wohl, du Himmelsknabe du), for voice and piano | ||
3 | — | 3 | 1870 | Lied | "Einkehr" (Bei einem Wirte wundermild), for voice and piano | ||
4 | — | 4 | 1871 | Lied | "Winterreise" (Bei diesem kalten Wehen), for voice and piano | ||
5 | — | 5 | 1871 | Lied | "Waldkonzert" (Der Frühling gibt jetzt ein Konzert), for voice and piano | ||
6 | — | 6 | 1871 | Lied | "Der weiße Hirsch" (Es gingen drei Jäger wohl auf die Pirsch), for alto, tenor and bass voices with piano | ||
7 | — | 7 | 1871 | Lied | "Der böhmische Musikant" (Es kommt aus fernem Böhmerland), for voice and piano | ||
8 | — | 8 | 1871 | Lied | "Herz, mein Herz" (Herz, mein Herz, sei nicht beklommen), for voice and piano | ||
9 | — | 9 | 1871 | piano | Moderato in C major, for piano | ||
10 | — | 193 | 1871 | Lied | "Gute Nacht" (Schon fängt es an zu dämmern), for voice and piano | ||
11 | — | 10 | 1872 | piano | Panzenburg-Polka, for piano | ||
12 | — | 11 | 1872 | piano | Langsamer Satz in G major, for piano | ||
13 | — | 151 | 1872 | Lied | "Des Alpenhirten Abschied" (Ihr Matten lebt wohl!), for voice and piano | ||
14 | — | 152 | 1872 | piano | Polka, Walzer und andere kleinere Kompositionen, for piano | ||
15 | — | 12 | 1873 | solo horn | Two études for solo horn in E♭ and E | ||
16 | — | 13 | 1873 | Lied | "Der müde Wanderer" (Schon sank die Sonne nieder), for voice and piano | ||
17 | — | 15 | 1873 | orchestral | Overture to the Singspiel Hochlands Treue | ||
18 | — | 18 | 1873 | piano | Five Little Pieces, for piano | ||
19 | — | 153 | 1873 | piano | Sonatina in C major, for piano | ||
20 | — | 154 | 1873 | piano | Sonatina in E major, for piano | ||
21 | — | 194 | 1873 | chamber music | Two Little Pieces for violin and piano in G major | ||
22 | — | 17 | 1874 | piano | Sonatina No.1 in C major, for piano | ||
23 | — | 18 | 1874 | piano | Sonatina No.2 in F major, for piano | ||
24 | — | 19 | 1874 | piano | Sonatina No.3 in B♭ major, for piano | ||
25 | — | 195 | 1874 | piano | Sonatina No.4 in E major, for piano | ||
26 | — | 155 | 1874 | piano | Sonatina No.5 in E♭ major, for piano | ||
27 | — | 156 | 1874 | piano | Sonatina No.6 in D major, for piano | ||
28 | — | 197 | 1874 | piano | Six fragments to sonatas (AV 197–202) | ||
29 | — | 21 | 1874 | piano | Fantasie in C major, for piano | ||
30 | — | 22 | 1875 | piano | Two Little Pieces in A major and G minor, for piano | ||
31 | — | 23 | 1875 | Vierstimmiger Satz, exercise in B♭ major | |||
32 | — | 24 | 1875 | choral | Vierstimmiger Choralsatz, exercise in B♭ major | ||
33 | — | 157 | 1875 | chamber music | Concertante for 2 violins, cello and piano | ||
34 | — | 203 | 1875 | piano | Allegro assai in B♭ major, for piano | ||
35 | — | 204 | 1875 | chamber music | String Quartet in C minor | ||
36 | — | 196 | 1876 | piano | Preliminary studies on harmony and counterpoint, for piano | ||
37 | — | 25 | 1876 | choral | Two songs for mixed chorus
| ||
41 | — | 30 | 1876 | orchestral | Concert Overture in B minor, for orchestra | ||
42 | — | 14 | 1876 | Lied | "Husarenlied" (Husaren müssen reiten), for voice and piano | ||
43 | 1 | — | 1881 | orchestral | Festmarsch in E♭ major, for orchestra | ||
45 | — | 207 | 1876 | orchestral | Overture in E minor, for orchestra | ||
46 | — | 208 | 1876 | piano | Overture in E♭ major, for piano | ||
47 | — | 38 | 1877 | piano | Piano Sonata No.1 in E major | ||
48 | — | 33 | 1877 | Lied | "Der Fischer" (Das Wasser rauscht', das Wasser schwoll), for voice and piano | ||
49 | — | 34 | 1877 | Lied | "Die Drossel" (Ich will ja nicht in Garten geh'n), for voice and piano | ||
50 | — | 35 | 1877 | Lied | "Lass ruhn die Toten" (Es steht ein altes Gemäuer), for voice and piano | ||
51 | — | 36 | 1877 | Lied | "Lust und Qual" (Knabe sass ich Fischerknabe), for voice and piano | ||
52 | — | 32 | 1877 | orchestral | Serenade in G major, for orchestra | ||
53 | — | 37 | 1877 | chamber music | Piano Trio No.1 in A major, for violin, cello and piano | ||
54 | — | 31 | 1877 | choral | Mass in D major, four movements for mixed chorus
| ||
55 | — | 209 | 1877 | orchestral | Andante cantabile in D major, for orchestra | ||
56 | — | 210 | 1877 | orchestral | Andante in B♭ major, for orchestra | ||
57 | — | 39 | 1878 | piano | Kontrapunkt-Studien I, imitative exercises and canons for piano | ||
58 | — | 40 | 1878 | Lied | "Spielmann und Zither" (Der Spielmann sass am Felsen), for voice and piano | ||
59 | — | 41 | 1878 | Lied | "Wiegenlied" (Die Ähren nur noch nicken), for voice and piano | ||
60 | — | 42 | 1878 | Lied | "Abend- und Morgenrot" (Die Mücke sitzt am Fenster"), for voice and piano | ||
61 | — | 44-45 | 1878 | Singspiel | Lila, Singspiel after Goethe | ||
62 | — | 43 | 1878 | Lied | "Im Walde" (Im Walde im hellen Sonnenschein), for voice and piano | ||
63 | — | 46 | 1878 | Lied | "Ein Spielmann und sein Kind", for voice and piano | ||
64 | — | 29 | 1878 | Lied | "Alphorn" (Ein Alphorn hör' ich schallen), for voice, horn and piano | ||
65 | — | 47 | 1878 | Lied | "Nebel" (Du trüber Nebel hüllst mir das Tal), for voice and piano | ||
66 | — | 48 | 1878 | Lied | "Soldatenlied" (Die Trommeln und Pfeiffen), for voice and piano | ||
67 | — | 49 | 1878 | Lied | "Ein Röslein zog ich mir im Garten", for voice and piano | ||
68 | — | 50 | 1878 | piano | Variations (12) in D major, for piano | ||
69 | — | 51 | 1878 | orchestral | Overture in E major, for orchestra | ||
70 | — | 52 | 1878 | horn and piano | Introduction, Theme and Variations in E♭ major, for horn and piano | ||
71 | — | 53 | 1878 | chamber music | Piano Trio No.2 in D major, for violin, cello and piano | ||
72 | — | 57 | 1879 | piano | Aus alter Zeit, eine kleine Gavotte, for piano | ||
73 | — | 58 | 1879 | piano | Andante in C minor, for piano | ||
74 | — | 158 | 1879 | Lied | "Für Musik", for voice and piano | ||
76 | — | 56 | 1879 | chamber music | Introduction, Theme and Variations in G major, for flute and piano | ||
77 | — | 162 | 1879 | Lied | "Frühlingsanfang", for voice and piano | ||
78 | — | 161 | 1879 | Lied | "Das rote Laub", for voice and piano | ||
79 | — | 60 | 1879 | piano | Piano Sonata No.2 in C minor ("Grosse Sonate") | ||
80 | — | 61 | 1879 | instrumental with orchestra | Romanze in E♭ major, for clarinet and orchestra | ||
81 | — | 54 | 1879 | piano | Kontrapunkt-Studien II, 9 fugues for piano | ||
82 | — | 59 | 1879 | piano | Skizzen, pieces (5) for piano | ||
83 | — | 62 | 1879 | orchestral | Overture in A minor, for orchestra | ||
84 | — | 163 | 1879 | Hochzeitsmusik (Wedding Music), for piano and toy instruments | |||
85 | — | 211 | 1879 | chamber music | String Quartet in E♭ major | ||
86 | — | 63 | 1879 | piano | Scherzo in B minor, for piano | ||
87 | — | 164 | 1879 | Lied | Die drei Lieder, for voice and piano | ||
88 | — | 64 | 1879 | Lied | "Im Vaters Garten heimlich steht ein Blümlein", for voice and piano | ||
89 | — | 165 | 1880 | Lied | "Der Morgen", for voice and piano | ||
92 | — | 67 | 1880 | choral | Seven four-part songs, for mixed chorus or 4 solo voices:
| ||
94 | — | 69 | 1880 | orchestral | Symphony No.1 in D minor | ||
95 | 2 | — | 1881 | chamber music | String Quartet in A major | ||
102 | — | 169 | 1880 | choral | Festchor for choir with piano accompaniment | ||
103 | 5 | — | 1880–1881 | piano |
| ||
105 | 3 | — | 1882 | piano | Five piano pieces | ||
106 | 7 | — | 1882 | chamber music | Serenade in E♭ major, for 13 wind instruments | ||
108 | — | 183 | 1881 | piano | Nonett in F major, for piano 4-hands | ||
110 | 8 | — | 1882 | concerto | Violin Concerto in D minor | ||
115 | 6 | — | 1882 | chamber music | Cello Sonata in F major, for cello and piano | ||
117 | 11 | — | 1883 | concerto | Horn Concerto No. 1 in E-flat major | ||
118 | — | 75 | 1883 | instrumental with orchestra | Romanze in F major for cello and orchestra (or piano) | ||
124 | — | 79 | 1883 | orchestral | Lied ohne Worte in E♭ major, for orchestra | ||
125 | — | 80 | 1883 | orchestral | Concert Overture in C minor, for orchestra | ||
126 | 12 | — | 1884 | orchestral | Symphony No.2 in F minor | ||
127 | 9 | — | 1884 | piano | Stimmungsbilder for piano | ||
130 | — | 81 | 1884 | piano | Improvisation and Fugue on an Original Theme in A minor, for piano | ||
131 | 14 | — | 1884 | choral (orchestral) | Wandrers Sturmlied , for six-part choir and orchestra | ||
132 | 4 | — | 1884 | chamber music | Suite in B-flat major, for 13 wind instruments | ||
133 | — | 82 | 1884 | instrumental with orchestra | Der Zweikampf in B♭ major, polonaise for flute, bassoon, and orchestra | ||
134 | — | 83 | 1884 | choral | Schwäbische Erbschaft (Der gnäd'ge Herr von Zavelstein) for unaccompanied male choir | ||
135 | — | 84 | 1887 | orchestral | Festmarsch in D major, for orchestra | ||
136 | — | 178 | 1886 | chamber music | Festmarsch in D major for piano quartet | ||
137 | 13 | — | 1885 | chamber music | Piano Quartet in C minor | ||
139 | — | 179 | 1885 | piano | Cadenza in C minor for Mozart’s Piano Concerto No. 24, K. 491 | ||
141 | 10 | — | 1885 | Lieder | Acht Gedichte aus „Letzte Blätter“ (Eight Poems from "Last Leaves," by Hermann von Gilm), for voice and piano
| ||
142 | — | 84a | 1885 | Lieder | Wer hat's gethan? (Es steht mein Lied in Nacht und Frost) for voice and piano | ||
144 | — | 181 | 1886 | choral (orchestral) | Bardengesang (Wir litten menschlich seit dem Tage) for male choir and orchestra (not to be confused with Op. 55) | ||
145 | — | 85 | 1886 | instrumental with orchestra | Burleske in D minor for piano and orchestra | ||
147 | 16 | — | 1887 | orchestral | Aus Italien , Symphonic Fantasy for large orchestra in G major
| ||
148 | 15 | — | 1886 | Lieder | Five songs for middle voice and piano
| ||
149 | 17 | — | 1887 | Lieder | Six songs for high voice and piano
| ||
150 | — | 86 | 1887 | stage work | Incidental music to Shakespeare’s Romeo and Juliet
| ||
151 | 18 | — | 1888 | chamber music | Sonata in E-flat major for violin and piano | ||
152 | 19 | — | 1888 | Lieder | Six songs for voice and piano
| ||
153 | 22 | — | 1888 | Lieder | Mädchenblumen for voice and piano
| ||
155 | — | — | 1888 | horn and piano | Andante in C major, for horn and piano (for his revered father on his silver wedding anniversary). | ||
156 | 20 | — | 1889 | orchestral | Don Juan , tone poem after Lenau | ||
157 | — | 87 | 1889 | orchestral | Festmarsch in C major, for orchestra | ||
158 | 24 | — | 1890 | orchestral | Tod und Verklärung , (Death and Transfiguration), tone poem for orchestra | ||
159 | — | 88 | 1889 | choral | Utan svafvel och fosfor (Swedish matchbox text), for unaccompanied male choir | ||
160 | 21 | — | 1889 | Lieder | Schlichte Weisen, five songs for voice and piano
| ||
161 | — | 186 | 1890 | stage work | New version of Gluck's opera Iphigenie auf Tauris arranged for orchestra | ||
163 | 23 | — | 1890 | orchestral | Macbeth , tone poem after Shakespeare for orchestra | ||
166 | 26 | — | 1891 | Lieder | Two songs for voice and piano
| ||
167 | — | 89 | 1892 | stage work | Lebende Bilder, Festmusik | ||
168 | 25 | — | 1894 | opera | Guntram , opera in three acts | ||
169 | — | 182 | 1893 | chamber music | Two Pieces for piano quartet
| ||
170 | 27 | — | 1894 | Lieder | Four songs for voice and piano, all later with orchestral accompaniment
| ||
171 | 28 | — | 1895 | orchestral | Till Eulenspiegels lustige Streiche , tone poem for orchestra | ||
172 | 29 | — | 1895 | Lieder | Three songs for high voice and piano
| ||
173 | 31 | — | 1896 | Lieder | Four songs for voice and piano
| ||
174 | 32 | — | 1896 | Lieder | Five songs for voice and piano
| ||
175 | — | 90 | 1896 | Lied | "Wir beide wollen springen" (Es ging ein Wind durchs weite Land), for voice and piano | ||
176 | 30 | — | 1896 | orchestral | Also sprach Zarathustra , tone poem freely after Nietzsche, for orchestra | ||
180 | 33 | — | 1896 | Lieder (orchestral) | Four songs for voice and orchestra
| ||
181 | 38 | — | 1897 | melodrama | Enoch Arden , for speaker and piano, text by Alfred, Lord Tennyson | ||
182 | 34 | — | 1898 | choral | Two songs for sixteen-part unaccompanied choir
| ||
183 | — | 91 | 1897 | choral (orchestral) | Licht du ewiglich Eines, hymn for brass choir, orchestra and female choir | ||
184 | 35 | — | 1898 | orchestral | Don Quixote , Fantastic Variations on a Theme of Knightly Character, for cello and orchestra | ||
186 | 36 | — | 1897 | Lieder | Four songs for high voice and piano
| ||
187 | 37 | — | 1898 | Lieder | Six songs for high voice and piano
| ||
189 | 39 | — | 1898 | Lieder | Five songs for voice and piano
| ||
190 | 40 | — | 1898 | orchestral | Ein Heldenleben , tone poem for orchestra | ||
191 | — | 92 | 1899 | melodrama | Das Schloss am Meere for narrator and piano | ||
192 | — | 93 | 1899 | choral | Soldatenlied (Wenn man beim Wein sitzt) for unaccompanied male choir | ||
193 | 45 | — | 1899 | choral | Three choruses for unaccompanied male voices
| ||
194 | 42 | — | 1899 | choral | Two compositions for unaccompanied male choir
| ||
195 | 41 | — | 1899 | Lieder | Five songs for voice and piano
| ||
196 | 43 | — | 1899 | Lieder | Three songs for high voice and piano
| ||
197 | 44 | — | 1899 | Lieder (orchestral) | Two songs for low voice and orchestra
| ||
199 | 46 | — | 1900 | Lieder | Five poems for voice and piano
| ||
200 | 47 | — | 1900 | Lieder | Five songs for voice and piano
| ||
201 | — | 230 | 1900 | ballet | Kythere, ballet | ||
202 | 48 | — | 1900 | Lieder | Five songs for voice and piano; orchestrated 1918
| ||
203 | 50 | — | 1901 | opera | Feuersnot , opera in one act | ||
204 | 49 | — | 1901 | Lieder | Eight songs for voice and piano, orchestrated 1918
| ||
206 | 51 | — | 1903 | Lieder (orchestral) | Two songs for low bass voice and orchestra
| ||
207 | 52 | — | 1903 | choral (orchestral) | Taillefer , ballad for soprano, tenor, baritone, chorus and orchestra | ||
208 | — | 95 | 1903 | choral | Hans Huber in Vitznau , canon for four voices in C major | ||
209 | 53 | — | 1903 | orchestral | Symphonia Domestica , tone poem for orchestra | ||
209a | 73 | — | 1925 | piano and orchestra | Parergon zur Symphonia Domestica for piano (left hand) and orchestra | ||
211 | — | 96 | 1904 | stage work | Zwei Lieder aus 'Der Richter von Zalamea', two songs for the play by Pedro Calderón de la Barca
| ||
213 | — | 97 | 1905 | piano | Parademarsch No. 1 in E-flat major | ||
214 | — | 99 | 1905 | piano | De Brandenburgsche Mars, presentation march | ||
215 | 54 | — | 1905 | opera | Salome , opera in one act | ||
215a | — | — | 1905 | orchestral | Salome's Dance ("Dance of the Seven Veils") for orchestra | ||
216 | — | 101 | 1905 | choral | Sechs Volksliedbearbeitungen for male choir
| ||
217 | — | 100 | 1906 | piano | Königsmarsch in E-flat major for piano (or orchestra) | ||
218 | — | 102 | 1906 | vocal | Der Graf von Rom, vocalise for voice and piano | ||
219 | 55 | — | 1907 | choral (orchestral) | Bardengesang (Herbei, herbei, wo der Kühnsten Wunde blutet) for three male 4-part choirs and orchestra | ||
220 | 56 | — | 1906 | Lieder | Six songs for voice and piano
| ||
221 | 57 | — | 1907 | orchestral | Two military marches for orchestra: "Kriegsmarsch" 1) in E-flat major, 2) in C minor | ||
222 | — | 98 | 1907 | orchestral | Parademarsch No. 2 | ||
223 | 58 | — | 1909 | opera | Elektra , tragedy in one act | ||
224 | — | 103 | 1909 | fanfare | Feierlicher Einzug der Ritter des Johanniterordens for brass and timpani | ||
227 | 59 | — | 1911 | opera | Der Rosenkavalier , opera in three acts | ||
228 | 60 | — | 1912 | opera | Ariadne auf Naxos , opera in one act | ||
228c | 60 | — | 1918 | orchestral | Le bourgeois gentilhomme , suite for chamber orchestra | ||
229 | 61 | — | 1913 | orchestral | Festliches Präludium for orchestra and organ | ||
230 | 62 | — | 1913 | vocal/choral | Deutsche Motette (German motet, "Die Schöpfung ist zur Ruh gegangen") for 4 solo voices and 16-part unaccompanied choir | ||
231 | 63 | — | 1914 | ballet | Josephslegende , ballet in one act | ||
232 | — | 104 | 1914 | cantata | Cantate ("Tüchtigen stellt das schnelle Glück hoch empor") for 4-part unaccompanied male choir | ||
233 | 64 | — | 1915 | orchestral | An Alpine Symphony , tone poem for orchestra | ||
234 | 65 | — | 1919 | opera | Die Frau ohne Schatten , opera in three acts | ||
234a | — | 146 | 1947 | orchestral | Symphonische Fantasie aus 'Die Frau ohne Schatten' | ||
235 | 68 | — | 1918 | Lieder | Six songs (after poems of Clemens Brentano) for voice and piano, orchestrated 1940
| ||
236 | 66 | — | 1918 | song cycle | Krämerspiegel , twelve songs for voice and piano
| ||
237 | 69 | — | 1918 | Lieder | Five Little Songs, for voice and piano
| ||
238 | 67 | — | 1918 | Lieder | Six songs for high voice and piano
| ||
239 | — | 105 | 1919 | Lied | "Sinnspruch" (Alle Menschen groß und klein), for voice and piano | ||
240 | 71 | — | 1921 | vocal (orchestral) | Three hymns for high voice and orchestra
| ||
243 | 70 | — | 1922 | ballet | Schlagobers , ballet in two acts | ||
244 | 87 | 106 | 1929 | Lied | 2. "Erschaffen und Beleben" (Herr Adam war ein Erdenkloß) from "Four songs for high bass and piano, Op. 87" | ||
245 | — | 107 | 1923 | chamber music | Tanzsuite aus Klavierstücken von François Couperin (also known as Couperin Suite 1), for small orchestra | ||
245a | — | 128 | 1941 | ballet | Verklungene Feste: Tanzvisionen aus zwei Jahrhunderten, ballet after keyboard pieces by Couperin (The 1923 Dance suite was extended with additional music). | ||
245b | 86 | — | 1941 | chamber music | Divertimento aus Klavierstücken von François Couperin für kleines Orchester (the additional music composed for Verklungene Feste was put together into the Divertimento along with some additional material). Also known as Couperin Suite 2. | ||
246 | 72 | — | 1924 | opera | Intermezzo , opera in two acts | ||
247 | — | 108 | 1924 | chamber music | Wedding Prelude (Hochzeitspräludium) for two harmoniums in B flat. | ||
248 | — | 109 | 1924 | fanfare | Wiener Philharmoniker Fanfare (Vienna Philharmonic Fanfare), for brass and timpani | ||
249 | — | 190 | 1924 | orchestral | Die Ruinen von Athen after Beethoven's Die Geschöpfe des Prometheus | ||
250 | — | 110 | 1924 | fanfare | Fanfare zur Eröffnung der Musikwoche der Stadt Wien for 22 brass instruments and 2 timpani | ||
251 | — | 111 | 1925 | Lied | "Durch allen Schall und Klang", for voice and piano | ||
254 | 74 | — | 1928 | piano and orchestra | Panathenäenzug (Pan-Athenian Procession) (see: Panathenaic Games), symphonic study for piano (left hand) and orchestra | ||
255 | 75 | — | 1928 | opera | Die ägyptische Helena , opera in two acts | ||
256 | 76 | — | 1928 | choral (orchestral) | Die Tageszeiten (Times of the Day), song cycle for male choir and orchestra
| ||
257 | 77 | — | 1928 | Lieder | Gesänge des Orients, five songs for voice and piano
| ||
258 | 87 | 114 | 1929 | Lied | 3. "Und dann nicht mehr" (Ich sah sie nur ein einzigmal) from "Four songs for high bass and piano, Op. 87" | ||
259 | 78 | — | 1929 | choral (orchestral) | "Austria" (Wo sich der ewige Schnee), for male choir and orchestra | ||
260 | 87 | 115 | 1929 | Lied | 1. "Vom künftigen Alter" (Der Frost hat mir bereifet) from "Four songs for high bass and piano, Op. 87" | ||
262 | — | 191 | 1930 | orchestral | Idomeneo act 2 and 3 for Mozart's opera Idomeneo | ||
263 | 79 | — | 1933 | opera | Arabella , opera in three acts | ||
264 | 88 | 118 | 1933 [5] | Lied | 1. "Das Bächlein" (Du Bächlein silberhell und klar) from "Three songs for voice and piano, Op. 88" | ||
265 | 80 | — | 1935 | opera | Die schweigsame Frau , comic opera in three acts | ||
266 | — | 119 | 1936 | choral (orchestral) | Olympic Hymn (Völker! Seid des Volkes Gäste) for choir and orchestra | ||
267 | — | 120 | 1935 | choral | Die Göttin im Putzzimmer (Welche chaotische Haushälterei) for 8-part unaccompanied choir | ||
268 | 87 | 121 | 1929 | Lied | 4. "Im Sonnenschein" (Noch eine Stunde lasst mich hier verweilen) from "Four songs for high bass and piano, Op. 87" | ||
269 | — | 122 | 1935 | Lied | "Zugemessne Rhythmen", for voice and piano | ||
270 | — | 123 | 1935 | choral | Three Male Choruses (unaccompanied)
| ||
271 | 81 | — | 1938 | opera | Friedenstag , opera in one act | ||
272 | 82 | — | 1938 | opera | Daphne , opera in one act | ||
272a | — | 132 | 1943 | choral | An den Baum Daphne for unaccompanied boys choir and two SATB choirs; epilogue to Daphne, Op. 82 | ||
273 | — | 124 | 1939 | choral | Durch Einsamkeiten for unaccompanied male choir | ||
274 | — | 125 | 1939 | orchestral | München, commemorative waltz for orchestra, 1st version | ||
274a | — | 140 | 1945 | orchestral | München, commemorative waltz for orchestra, 2nd version; premiered 1951 | ||
277 | 84 | — | 1940 | orchestral | Japanische Festmusik for orchestra | ||
278 | 83 | 256 | 1940 | opera | Die Liebe der Danae , opera in three acts | ||
279 | 85 | — | 1942 | opera | Capriccio , opera in one act | ||
280 | 88 | 129 | 1942 | Lied | 3. "Sankt Michael" (Ein Mahl für uns und ein Licht für dich) from "Three songs for voice and piano, Op. 88" | ||
281 | 88 | 130 | 1942 | Lied | 2. "Blick vom oberen Belvedere" (Fülle du! Gezier und schöner Geist) from "Three songs for voice and piano, Op. 88" | ||
282 | — | 131 | 1942 | Lied | "Xenion" (Nichts vom Vergänglichen), for voice and piano | ||
283 | — | 132 | 1942 | concerto | Horn Concerto No. 2 in E-flat major | ||
286 | — | 133 | 1943 | fanfare | Festmusik der Stadt Wien for brass and timpani | ||
288 | — | 135 | 1943 | chamber music | Sonatina No 1 in F major (Aus der Werkstatt eines Invaliden) for 16 wind instruments | ||
289 | — | 136 | 1943 | vocal | "Wer tritt herein" (Wer tritt herein so fesch und schlank?) for one voice | ||
290 | — | 142 | 1945 | orchestral | Metamorphosen study for 23 solo strings | ||
291 | — | 143 | 1946 | chamber music | Sonatina No 2 in E-flat major (Fröhliche Werkstatt) for 16 wind instruments | ||
292 | — | 144 | 1945 | concerto | Oboe Concerto in D major | ||
293 | — | 147 | 1947 | concerto | Duett-Concertino in F major for clarinet and bassoon with string orchestra and harp | ||
294 | — | 300 | 1949 | Singspiel | Des Esels Schatten, Singspiel in one act (premiered 1964) | ||
295 | — | 149 | 1948 | chamber music | Allegretto in E major for violin and piano | ||
296 | — | 150 | 1948 | Lieder (orchestral) | Vier letzte Lieder for high voice and orchestra
| ||
297 | — | 304 | 1948 | Lied | "Malven" (Aus Rosen, Phlox), for voice and piano; premiered in 1985 | ||
298 | — | 306 | 1949 | choral (orchestral) | Besinnung (Göttlich ist und ewig der Geist) for mixed choir and orchestra |
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work.
Schubert: Thematic Catalogue of all his Works in Chronological Order, also known as the Deutsch catalogue, is a numbered list of all compositions by Franz Schubert compiled by Otto Erich Deutsch. Since its first publication in 1951, Deutsch numbers are used for the unique identification of Schubert's compositions.
The Köchel catalogue is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K., or KV. The numbers of the Köchel catalogue reflect the continuing establishment of a complete chronology of Mozart's works, and provide a shorthand reference to the compositions.
The Four Last Songs, Op. posth., for soprano and orchestra are – with the exception of the song "Malven" (Mallows), composed later the same year – the final completed works of Richard Strauss. They were composed in 1948 when the composer was 84.
Rudi Stephan was a German composer of great promise who was considered one of the leading talents among his generation. He was killed in action during World War I.
The Catalogues of Beethoven compositions are all of the different ways in which the musical compositions by Ludwig van Beethoven have been organized by researchers into his music.
The Burleske in D minor is a composition for piano and orchestra written by Richard Strauss in 1885–86, when he was 21.
The Symphony No. 2 in F minor was written by Richard Strauss between 1883 and 1884. It is sometimes referred to as just Symphony in F minor. He gave it the Opus number 12, and it also appears in other catalogues as TrV 126 and Hanstein A.I.2. It is not listed in von Asow's catalog.
This article gives an overview of various catalogues of classical compositions that have come into general use.
Franz Schubert was an Austrian composer.
The Divertimento for Chamber Orchestra after Keyboard Pieces by Couperin, Op. 86 is an orchestral suite composed by Richard Strauss published in 1942 which consists of eight movements, each one based on a selection of pieces from François Couperin's Pièces de Clavecin written for the solo harpsichord over the period 1713 to 1730.
"Des Dichters Abendgang" is an art song composed by Richard Strauss using the text of a poem with the same name by Ludwig Uhland (1787–1862), the second in his Opus 47 collection, which was published in 1900. Originally written for piano and voice, Strauss wrote an orchestral version in 1918.
"Allerseelen" is an art song for voice and piano composed by Richard Strauss in 1885, setting a poem by the Austrian poet Hermann von Gilm from his collection Letzte Blätter. It is the last in a collection of eight songs which were all settings of Gilm poems from the same volume entitled Acht Lieder aus Letzte Blätter, the first collection of songs Strauss ever published as Op. 10 in 1885, including also "Zueignung" (Dedication) and "Die Nacht". The song was orchestrated in 1932 by German conductor Robert Heger.
"Der Arbeitsmann" is an art song for voice and piano composed by Richard Strauss in 1889, setting a poem by the German poet Richard Dehmel. The song is part of the collection Fünf Lieder für hohe Singstimme mit Pianofortebegleitung. Strauss orchestrated the song in 1918.
"Ständchen" ("Serenade") is an art song composed by Richard Strauss in 1886, setting a poem of the same title by the German poet Adolf Friedrich von Schack. It is the second song in his collection Six songs for high voice and piano, Op. 17, TrV 149, which were all settings of Schack poems. The song is written for voice and piano.
Richard Strauss composed his Cello Sonata in F major, Op. 6, TrV 115, in 1883 when he was 19 years old. It was dedicated to the Czech cellist Hanuš Wihan, who gave the premiere in 1883. It rapidly became a standard part of the cello repertoire.
Richard Strauss composed his Horn Concerto No. 2 in E-flat major, whilst living in Vienna in 1942. The work was premiered in 1943 at the Salzburg Festival and was recorded in 1944, both with solo horn Gottfried von Freiberg. The score was published by Boosey & Hawkes of London in 1950. It was taken up and popularised by the British horn player Dennis Brain. It has since become the most performed and recorded horn concerto of the 20th century.
Sechs Lieder, Op. 68, is a collection of six Lieder by Richard Strauss. He composed them, setting poems by Clemens Brentano, in 1918 for soprano and piano, and orchestrated one in 1933 and five in 1940. The piano version was first published by Adolph Fürstner in Berlin in 1919. They are also known as Brentano Lieder.