Richard Georg Strauss was a German composer and conductor best known for his tone poems and operas. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.
Gustav Heinrich Ernst Martin Wilhelm Furtwängler was a German conductor and composer. He is widely regarded as one of the greatest symphonic and operatic conductors of the 20th century. He was a major influence for many later conductors, and his name is often mentioned when discussing their interpretative styles.
The Symphony No. 3 in E♭ major, Op. 55, is a symphony in four movements by Ludwig van Beethoven.
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these.
Eroica is a 1958 Polish film by Andrzej Munk, and his second feature film after Man on the Tracks (1956). Eroica is composed of two separate stories, presenting satirical critiques of two aspects of the Polish character: acquisitive opportunism, and a romantic fascination for heroic martyrs.
Ludwig van Beethoven is one of the most influential figures in the history of classical music. Since his lifetime, when he was "universally accepted as the greatest living composer", Beethoven's music has remained among the most performed, discussed and reviewed in the Western world. Scholarly journals are devoted to analysis of his life and work. He has been the subject of numerous biographies and monographs, and his music was the driving force behind the development of Schenkerian analysis. He is widely considered among the most important composers, and along with Bach and Mozart, his music is the most frequently recorded.
Paul Felix Weingartner, Edler von Münzberg was an Austrian conductor, composer and pianist.
E-flat major is a major scale based on E♭, consisting of the pitches E♭, F, G, A♭, B♭, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E♭ minor,.
Symphonic Metamorphosis of Themes by Carl Maria von Weber is an orchestral work written by German composer Paul Hindemith in America in 1943.
An Alpine Symphony, Op. 64, is a tone poem for large orchestra written by German composer Richard Strauss in 1915. It is one of Strauss's largest non-operatic works; the score calls for about 125 players and a typical performance usually lasts around 50 minutes. The program of An Alpine Symphony depicts the experiences of eleven hours spent climbing an Alpine mountain.
Ein Heldenleben, Op. 40, is a tone poem by Richard Strauss. The work was completed in 1898. It was his eighth work in the genre, and exceeded any of its predecessors in its orchestral demands. Generally agreed to be autobiographical in nature despite contradictory statements on the matter by the composer, the work contains more than thirty quotations from Strauss's earlier works, including Also sprach Zarathustra, Till Eulenspiegel, Don Quixote, Don Juan, and Death and Transfiguration.
Metamorphosis is a biological process by which an animal physically develops after birth.
Egmont, Op. 84 by Ludwig van Beethoven, is a set of incidental music pieces for the 1787 play of the same name by Johann Wolfgang von Goethe. It consists of an overture followed by a sequence of nine pieces for soprano, male narrator, and full symphony orchestra. The male narrator is optional; he is not used in the play and does not appear in some recordings of the complete incidental music.
Eroica is a 1949 Austrian film depicting composer Ludwig van Beethoven's life and work. The film is directed by Walter Kolm-Veltée, produced by Guido Bagier with Walter Kolm-Veltée and written by Walter Kolm-Veltée with Franz Tassié. It was entered into the 1949 Cannes Film Festival.
Musical quotation is the practice of directly quoting another work in a new composition. The quotation may be from the same composer's work (self-referential), or from a different composer's work (appropriation).
The Symphony No. 2 in F minor was written by Richard Strauss between 1883 and 1884. It is sometimes referred to as just Symphony in F minor. He gave it the Opus number 12, and it also appears in other catalogues as TrV 126 and Hanstein A.I.2. It is not listed in von Asow's catalog.
Musical tributes or homages from one composer to another can take many forms. Following are examples of the major types of tributes occurring in classical music. A particular work may fit into more than one of these types.
The Symphony No. 5 in C minor, Op. 67, also known as the Fate Symphony is a symphony composed by Ludwig van Beethoven between 1804 and 1808. It is one of the best-known compositions in classical music and one of the most frequently played symphonies, and it is widely considered one of the cornerstones of western music. First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterward. E. T. A. Hoffmann described the symphony as "one of the most important works of the time". As is typical of symphonies during the Classical period, Beethoven's Fifth Symphony has four movements.
Richard Strauss composed his Symphony No. 1 in D minor in 1880 when he was just 16 years old. It consists of four movements, and lasts about 34 minutes. Although Strauss did not give a number to the symphony, it is often referred to as his First Symphony. It was premiered on 30 March 1881 at the Munich Academy of Music under the baton of Hermann Levi.
Ludwig van Beethoven (1770–1827) was a German composer in the transition between the classical and romantic period. He composed in many different forms including nine symphonies, five piano concertos and a violin concerto. Beethoven's method of composition has long been debated among scholars. His sketches of composition drafts, and his written letters, provide contrasting evidence about his process of composition. However, many scholars agree that, for him, composition was a slow and laborious process. It is clear that his deafness impacted his compositional style, as evinced in certain changes in compositional method from early to late in his career.
