Lieder eines fahrenden Gesellen is a song cycle by Gustav Mahler on his own texts. The cycle of four lieder for medium voice was written around 1884–85 in the wake of Mahler's unhappy love for soprano Johanna Richter, whom he met as the conductor of the opera house in Kassel, Germany, and orchestrated and revised in the 1890s.
Rückert-Lieder is a collection of five Lieder for voice and orchestra or piano by Gustav Mahler, based on poems written by Friedrich Rückert. The songs were first published in Sieben Lieder aus letzter Zeit.
"Gretchen am Spinnrade", Op. 2, D 118, is a Lied composed by Franz Schubert using the text from Part One, scene 15 of Johann Wolfgang von Goethe's Faust. With "Gretchen am Spinnrade" and some 600 other songs for voice and piano, Schubert contributed transformatively to the genre of Lied. "Gretchen am Spinnrade" was composed for soprano voice but has been transposed to accommodate other voice types. Schubert composed "Gretchen am Spinnrade" on 19 October 1814, three months before his eighteenth birthday.
An die ferne Geliebte, Op. 98, is a composition by Ludwig van Beethoven written in April 1816, setting poetry by Alois Jeitteles.
"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss. It is designated Opus 27, Number 4.
"Cäcilie", Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894.
"Ruhe, meine Seele!", Op. 27, No. 1, is the first in a set of four songs composed by Richard Strauss in 1894. It was originally for voice and piano, and not orchestrated by Strauss until 1948, after he had completed one of his Four Last Songs, "Im Abendrot". The words are from a poem "Ruhe, meine Seele!" written by the poet Karl Henckell.
"Traum durch die Dämmerung", is both a German poem by Otto Julius Bierbaum and a Lied by Richard Strauss, his Op. 29/1. The opening line is "Weite Wiesen im Dämmergrau". It is the first of three songs by Strauss based on love poems by Bierbaum, composed and published in Munich in 1895, and dedicated to Eugen Gura. The works were scored for medium voice and piano, and published by Universal Edition as 3 Lieder mit Klavierbegleitung, later with English versions and orchestral arrangements.
"Vom Himmel hoch, da komm ich her" is a hymn text relating to the Nativity of Jesus, written by Martin Luther in 1534. The hymn is most often sung to the melody, Zahn No. 346, which first appeared in a 1539 songbook and was probably also composed by Luther. This classic Christmas carol remains popular and has inspired many choral and organ works by other composers.
"Zueignung" is a Lied composed by Richard Strauss in 1885, setting a poem by the Austrian poet Hermann von Gilm. It was included in Strauss's first published collection of songs, as Op. 10 in 1885. Originally scored for voice and piano, the song was orchestrated in 1932 by the German conductor Robert Heger and in 1940 by Strauss himself. It is one of the composer's best-known songs.
Wanderer's Storm Song, Op. 14, TrV 131, is a choral work for choir and orchestra written by Richard Strauss in 1884, based on a poem by Johann Wolfgang von Goethe of the same title.
"Allerseelen" is an art song for voice and piano composed by Richard Strauss in 1885, setting a poem by the Austrian poet Hermann von Gilm from his collection Letzte Blätter. It is the last in a collection of eight songs which were all settings of Gilm poems from the same volume entitled Acht Lieder aus Letzte Blätter, the first collection of songs Strauss ever published as Op. 10 in 1885, including also "Zueignung" (Dedication) and "Die Nacht". The song was orchestrated in 1932 by German conductor Robert Heger.
"Ständchen" ("Serenade") is an art song composed by Richard Strauss in 1886, setting a poem of the same title by the German poet Adolf Friedrich von Schack. It is the second song in his collection Six songs for high voice and piano, Op. 17, TrV 149, which were all settings of Schack poems. The song is written for voice and piano.
Biblical Songs is a song cycle which consists of musical settings by Czech composer Antonín Dvořák of ten texts, selected by him, from the Book of Psalms. It was originally composed for low voice and piano. The first five songs were later orchestrated by the composer.
In music, Op. 27 stands for Opus number 27. Compositions that are assigned this number include:
"Ich steh an deiner Krippen hier" is a German Christmas hymn, with lyrics by Paul Gerhardt which were first published in 1653. It was then sung with an older melody by Martin Luther, but a melody which was likely created by Johann Sebastian Bach for Schemellis Gesangbuch of 1736 is now part of current Protestant and Catholic hymnals.
"Freundliche Vision" is both a German poem by Otto Bierbaum and a Lied by Richard Strauss, his Op. 48/1. The opening line is "Nicht im Schlafe hab ich das geträumt". It is the first of a set of five songs by Strauss composed in 1900 and published in Berlin in 1901 by Adolph Fürstner. The works were scored for voice and piano, and arranged for voice and orchestra in 1918 by the composer.
Sechs Lieder, Op. 68, is a collection of six Lieder by Richard Strauss. He composed them, setting poems by Clemens Brentano, in 1918 for soprano and piano, and orchestrated one in 1933 and five in 1940. The piano version was first published by Adolph Fürstner in Berlin in 1919. They are also known as Brentano Lieder.
