This article is a selection of films and series both fictional and non-fictional which involve imperialism as a major theme. [1] [2] [3] [4] [5] [6] [7] [8] [9]
Media imperialism is an area in the international political economy of communications research tradition that focuses on how "all Empires, in territorial or nonterritorial forms, rely upon communications technologies and mass media industries to expand and shore up their economic, geopolitical, and cultural influence." In the main, most media imperialism research examines how the unequal relations of economic, military and cultural power between an imperialist country and those on the receiving end of its influence tend to be expressed and perpetuated by mass media and cultural industries.
Film studies is an academic discipline that deals with various theoretical, historical, and critical approaches to cinema as an art form and a medium. It is sometimes subsumed within media studies and is often compared to television studies.
Screen theory is a Marxist–psychoanalytic film theory associated with the British journal Screen in the early 1970s. It considers filmic images as signifiers that do not only encode meanings but also mirrors in which viewers accede to subjectivity. The theory attempts to discover a way of theorizing a politics of freedom through cinema that focuses on diversity instead of unity. Here, the Marxist emphasis on universal consciousness as a basis for defining emancipation shifted to the articulation of diversities and multiplicities of individual and collective experience due to the psychoanalytic elaboration of the unconscious.
Colin Myles Joseph MacCabe is an English academic, writer and film producer. He is currently a distinguished professor of English and film at the University of Pittsburgh.
Paisan is a 1946 Italian neorealist war drama film directed by Roberto Rossellini. In six independent episodes, it tells of the Liberation of Italy by the Allied forces during the late stage of World War II. The film premiered at the Venice International Film Festival and received numerous national and international prizes.
Jeffrey Richards is a British historian.
The Seven Deadly Sins is a 1952 French/Italian co-production motion picture drama. The film stars Michèle Morgan, Françoise Rosay, Viviane Romance, Maurice Ronet, Louis de Funès, Isa Miranda, Henri Vidal and Gérard Philipe. It has seven separate sections: with five episodes from France, and two episodes from Italy.
Questa volta parliamo di uomini is a 1965 Italian tragicomedy film directed by Lina Wertmüller and starring Nino Manfredi. The film was shot in black and white and in 35mm and lasted 91 minutes.
A bibliography of reference material associated with the James Bond films, novels and genre.
A list of books and essays about Stanley Kubrick and his films.
Finlandia is a 1922 Finnish documentary and propaganda film.
Lü Ban, born Hao Enxing, was a Chinese actor, comedian and film director, and a member of the Chinese Communist Party. He was the author of the first Chinese satirical comedy film in 1956. His career ended a year later when he was banned from film-making for The Unfinished Comedy, another satirical comedy, itself banned before its release and described both as notorious and "perhaps the most accomplished [Chinese] film made in the 17 years between 1949 and the Cultural Revolution".
The Unfinished Comedy is a 1957 Chinese film directed by Lü Ban. This notorious satirical comedy has been described as "perhaps the most accomplished [Chinese] film made in the 17 years between 1949 and the Cultural Revolution". Due to its controversial subject matter, the movie was received very poorly by the censor critics and not shown to a wider public, and led to Lü Ban's ban from future film making until his death two decades later.
Vladimir Strizhevsky (1892–1977) was an actor, screenwriter and film director. He was born in the Russian Empire and later emigrated to France and Germany, where he worked for Joseph N. Ermolieff's Films Albatros and collaborated often with other Russian exiles.
American eccentric cinema is a mode of contemporary American filmmaking that emerged in what has been termed the metamodern or new sincerity. Its attachment to indie cinema has led some to consider it a movement and genre of cinema in the United States. Its key filmmakers, including Wes Anderson, Charlie Kaufman, and Spike Jonze, are at times referred to as the "American Eccentrics". It occurred during the 1990s and 2000s, when indie directors sought to create films that diverted from the style and content of Hollywood franchise films. American eccentric cinema came in opposition to the mainstream ideas of formulaic narratives and the digitisation within films and new technologies that came about during the time period. American eccentric cinema is marked by films that are "deeply concerned with ethics and morality, the obligations of the individual, the effects of family breakdown, and social alienation."
Thomas William Templeman Rice, is a British film studies scholar, film historian, educator, author, and researcher. He is a senior lecturer on film studies at the University of St Andrews in St Andrews, Scotland. Rice has written numerous articles and two books, one book is about Ku Klux Klan films, and the other book is about the British Empire's Colonial Film Unit.