This is a list of some of the best known patter songs.
The list patter song['s] ... most famous examples are 'I am the very model of a modern Major-General' ... and 'As someday it may happen'.
The patter song, 'Reviewing the Situation,' with its echoes of the Yiddish theater, trips from his lips with precision.
She kicks off Act 2, set in 1973 when she's in her 50s, with the show's patter-song, 'The Revolutionary Costume for Today.'
How about the superb patter song that brings the first act to an end? It is called 'The Mophams' ...
... the sardonic patter song ('It Ain't Necessarily So;) ...
...the earlier jazz-inflected Bock-Harnick patter song 'Tonight at Eight' from She Loves Me.
The real lagniappe is "Penny in My Pocket." This patter song that originally ended the first act when Dolly was trying out in Detroit was an elaborate production number.
"What's a Nonesuch?" asks one of the townsfolk. 'Well,' says the Duke, launching into his rhyme-a-second patter song.
... the excellent patter song 'Show You a Thing or Two.'
'Let's Not Talk About Love' restores the patter song to its ancient eminence as a test of memory and wind.
There's always a patter song like 'Mr. Goldstone' in [Sondheim's] scores. For [Patti LuPone's] first entrance in 'Sweeney Todd' as Mrs. Lovett, [she] had to sing 'The Worst Pies in London,' another of those patter songs.
With 'A Little Priest,' a patter song of dazzling verbosity, Act I ends at the pinnacle of sophisticated whimsy, a black joke of fiendish ingenuity.
Another revised Sondheim song, 'Putting It Together,' opens 'The Broadway Album.' This patter song from 'Sunday in the Park With George' ...
... he delivers the patter song, "Franklin Shepard, Inc.," dazzlingly.
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.
Sir Arthur Seymour Sullivan was an English composer. He is best known for 14 operatic collaborations with the dramatist W. S. Gilbert, including H.M.S. Pinafore, The Pirates of Penzance and The Mikado. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord".
The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where it was well received by both audiences and critics. Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances.
Ruddigore; or, The Witch's Curse, originally called Ruddygore, is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan. It was first performed by the D'Oyly Carte Opera Company at the Savoy Theatre in London on 22 January 1887.
A mezzo-soprano (Italian:[ˌmɛddzosoˈpraːno], lit. 'half soprano'), or mezzo ( MET-soh), is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic.
"I Am the Very Model of a Modern Major-General" is a patter song from Gilbert and Sullivan's 1879 comic opera The Pirates of Penzance. It has been called the most famous Gilbert and Sullivan patter song. Sung by Major-General Stanley at his first entrance, towards the end of Act I, the character introduces himself by presenting his résumé as a polymath but admitting to fundamental shortcomings. He claims a wide range of classical, historical and scientific knowledge but admits that he knows little of military tactics, weapons or jargon. The song thereby satirises the idea of the "modern" educated British Army officer of the latter 19th century.
Thomas Z. Shepard is an American record producer who is best known for his recordings of Broadway musicals, including the works of Stephen Sondheim. Shepard is also a composer, conductor, music arranger and pianist.
Barbara Cook was an American actress and singer who first came to prominence in the 1950s as the lead in the original Broadway musicals Plain and Fancy (1955), Candide (1956) and The Music Man (1957) among others, winning a Tony Award for the last. She continued performing mostly in theatre until the mid-1970s, when she began a second career as a cabaret and concert singer. She also made numerous recordings.
John Lamb ReedOBE was an English actor, dancer and singer, known for his nimble performances in the principal comic roles of the Savoy Operas, particularly with the D'Oyly Carte Opera Company. Reed has been called "the last great exponent" of the Gilbert and Sullivan comedy roles.
The patter song is characterised by a moderately fast to very fast tempo with a rapid succession of rhythmic patterns in which each syllable of text corresponds to one note. It is a staple of comic opera, especially Gilbert and Sullivan, but it has also been used in musical theatre and elsewhere.
William Martin Green, known by his stage name, Martyn Green, was an English actor and singer. He is remembered for his performances and recordings as principal comedian of the D'Oyly Carte Opera Company, in the leading patter roles of the Gilbert & Sullivan comic operas in the 1930s and 1940s, and for his career in America from the 1950s to the 1970s.
Patter is a prepared and practiced speech that is designed to produce a desired response from its audience. Examples of occupations with a patter include the auctioneer, salesperson, dance caller, magician, and comedian.
Music Theater Works is a resident professional not-for-profit musical theatre company in Evanston, Illinois. It was founded in 1980 by Philip Kraus, Bridget McDonough, and Ellen Dubinsky.
A list song, also called a laundry list song or a catalog song, is a song based wholly or in part on a list. Unlike topical songs with a narrative and a cast of characters, list songs typically develop by working through a series of information, often comically, articulating their images additively, and sometimes use items of escalating absurdity.
Charles Donald Adams was an English opera singer and actor, best known for his performances in bass-baritone roles of the Savoy operas with the D'Oyly Carte Opera Company and his own company, Gilbert and Sullivan for All.
Thomas Round was an English opera singer and actor, best known for his performances in the leading tenor roles of the Savoy Operas and grand opera.
Don Walker was a prolific Broadway orchestrator, who also composed music for musicals and one film and worked as a conductor in television.
For nearly 150 years, Gilbert and Sullivan have pervasively influenced popular culture in the English-speaking world. Lines and quotations from the Gilbert and Sullivan operas have become part of the English language, such as "short, sharp shock", "What never? Well, hardly ever!", "let the punishment fit the crime", and "A policeman's lot is not a happy one".
"No One Is Alone" is a song by Stephen Sondheim from the musical Into the Woods, performed toward the end of Act II as the piece's penultimate number.