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The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In the Hornbostel–Sachs classification system, flutes are edge-blown aerophones. A musician who plays the flute is called a flautist or flutist.
In classical music, a fugue is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject that is introduced at the beginning in imitation, which recurs frequently throughout the course of the composition. It is not to be confused with a fuguing tune, which is a style of song popularized by and mostly limited to early American music and West Gallery music. A fugue usually has three main sections: an exposition, a development, and a final entry that contains the return of the subject in the fugue's tonic key. Fugues can also have episodes—parts of the fugue where new material is heard, based on the subject—a stretto, when the fugue's subject "overlaps" itself in different voices, or a recapitulation. A popular compositional technique in the Baroque era, the fugue was fundamental in showing mastery of harmony and tonality as it presented counterpoint.
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker.
In music, harmony is the concept of combining different sounds together in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form.
The pipe organ is a musical instrument that produces sound by driving pressurised air through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ranks, each of which has a common timbre, volume, and construction throughout the keyboard compass. Most organs have many ranks of pipes of differing pitch, timbre, and volume that the player can employ singly or in combination through the use of controls called stops.
In music, the organ is a keyboard instrument of one or more pipe divisions or other means for producing tones. The organs have usually two or three, up to five, manuals for playing with the hands and a pedalboard for playing with the feet. With the use of registers, several groups of pipes can be connected to one manual.
A combination tone is a psychoacoustic phenomenon of an additional tone or tones that are artificially perceived when two real tones are sounded at the same time. Their discovery is credited to the violinist Giuseppe Tartini and so they are also called Tartini tones.
An organ stop is a component of a pipe organ that admits pressurized air to a set of organ pipes. Its name comes from the fact that stops can be used selectively by the organist; each can be "on", or "off".
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments:
The Voix celeste is an organ stop consisting of either one or two ranks of pipes slightly out of tune. The term celeste refers to a rank of pipes detuned slightly so as to produce a beating effect when combined with a normally tuned rank. It is also used to refer to a compound stop of two or more ranks in which all the ranks are detuned relative to each other.
The water organ or hydraulic organ is a type of pipe organ blown by air, where the power source pushing the air is derived by water from a natural source or by a manual pump. Consequently, the water organ lacks a bellows, blower, or compressor.
The word "manual" is used instead of the word "keyboard" when referring to any hand-operated keyboard on a keyboard instrument that has a pedalboard, such as an organ; or when referring to one of the keyboards on an instrument that has more than one hand-operated keyboard, such as a two- or three-manual harpsichord.
Orchestrion is a generic name for a machine that plays music and is designed to sound like an orchestra or band. Orchestrions may be operated by means of a large pinned cylinder or by a music roll and less commonly book music. The sound is usually produced by pipes, though they will be voiced differently from those found in a pipe organ, as well as percussion instruments. Many orchestrions contain a piano as well. At the Musical Museum in Brentford, examples may be seen and heard of several of the instrument types described below.
A flue pipe is an organ pipe that produces sound through the vibration of air molecules, in the same manner as a recorder or a whistle, in a pipe organ. Air under pressure is driven through a flue and against a sharp lip called a labium, causing the column of air in the pipe to resonate at a frequency determined by the pipe length. Thus, there are no moving parts in a flue pipe. This is in contrast to reed pipes, whose sound is driven by beating reeds, as in a clarinet.
The term double clarinet refers to any of several woodwind instruments consisting of two parallel pipes made of cane, bird bone, or metal, played simultaneously, with a single reed for each. Commonly, there are five or six tone holes in each pipe, or holes in only one pipe while the other acts as a drone, and the reeds are either cut from the body of the instrument or created by inserting smaller, slit tubes into the ends of the pipes. The player typically uses circular breathing.
The pump organ or reed organ is a type of organs using free-reeds that generates sound as air flows past the free-reeds, the vibrating pieces of thin metal in a frame. Specific types of pump organ include the harmonium using pressure system, suction reed organ using vacuum system, and the Indian harmonium; the historical types include the Kunstharmonium and the American reed organ; the earliest types include the physharmonica and the seraphine. The idea for the free reed was derived from the Chinese sheng through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark.
Bourdon, bordun, or bordone normally denotes a stopped flute type of flue pipe in an organ characterized by a dark tone, strong in fundamental, with a quint transient but relatively little overtone development. Its half-length construction makes it especially well suited to low pitches, and economical as well. The name is derived from the French word for 'bumblebee' or 'buzz'.
A reed pipe is an organ pipe that is sounded by a vibrating brass strip known as a reed. Air under pressure is directed towards the reed, which vibrates at a specific pitch. This is in contrast to flue pipes, which contain no moving parts and produce sound solely through the vibration of air molecules. Reed pipes are common components of pipe organs.
A cornet, or Jeu de Tierce, is a compound organ stop, containing multiple ranks of pipes. The individual ranks are, properly, of flute tone quality but can also be of principal tone. In combination, the ranks create a bright, piquant tone thought by some listeners to resemble the Renaissance brass instrument, the cornett.
Organ building is the profession of designing, building, restoring and maintaining pipe organs.
References
- ↑ Williams, Peter & Owen, Barbara (2001). "Organ stop". In Sadie, Stanley & Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.
- ↑ Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1906). . New International Encyclopedia (1st ed.). New York: Dodd, Mead.
- ↑ The Concise Oxford Dictionary of Music (2nd ed.). Oxford University Press. 1964. ISBN 0193113074.
- ↑ "Encyclopedia of Organ Stops". Archived from the original on 29 July 2012. Retrieved 18 August 2018.
- ↑ "Smaller projects 2022". Nicholson & Co. Ltd. Retrieved 8 January 2023.
- ↑ Audsley, George Ashdown (2002). Organ-Stops and Their Artistic Registration. Courier Dover Publications. p. 259. ISBN 0-486-42423-5.
- ↑ "Trechterregal". Encyclopedia of Organ Stops. Edward L. Stauff.