The regional characteristics of European cathedrals are those characteristic architectural features which define the local cathedrals (and other great churches) of any given region, and often transcend period and style.
The earliest large churches date from the Roman Empire. As Christianity and the construction of churches and cathedral spread throughout the world, their manner of building was dependent upon local materials and local techniques. Different styles of architecture developed and their fashion spread, carried by the establishment of monastic orders, by the posting of bishops from one region to another and by the travelling of master stonemasons who served as architects. [1] The styles of the great church buildings are successively known as Early Christian, Byzantine, Romanesque, Gothic, Renaissance, Baroque, various Revival styles of the late 18th to early 20th centuries and Modern. [2] Overlaid on each of the academic styles are the regional characteristics. Some of these characteristics are so typical of a particular country or region that they appear, regardless of style, in the architecture of cathedrals designed many centuries apart. [2]
Note- The lists which follow aim to give, in point form, those characteristics of each selected example which typify the architecture of the region. This section does not aim to give a detailed description of each building.
Each list deals with plan, eastern end, crossing, emphasis, special features, sunlight and shadow, decoration, narrative features and things that make the building distinct from those of another region. For more detail, look up the particular building on List of Cathedrals. The method of comparison used here is based upon the descriptions of regional "architectural character" by Banister Fletcher. [2]
The cathedral or Duomo of Pisa with the complex of buildings that surrounds it in the Piazza dei Miracoli is the epitome of the Italian Cathedral. It is a building of the Romanesque Style, built mostly between 1063 and 1092 with some Gothic additions. Many of the features that characterise this building as Italian continued to be employed right through to the Baroque period. Sir Banister Fletcher describes this cathedral as "one of the finest of the Romanesque period" with "marked individuality" and "beauty and delicacy of ornamental features". [2]
Note- This list presents a brief analysis of regional characteristics found in the particular building. [2] For a complete description follow the link to the web page.
Section references: Banister Fletcher, [2] Larousse. [3]
Examples of Cathedrals in Italy:
Amiens Cathedral is a Gothic building, 1220–1288, which typifies the cathedrals of northern France. Wim Swaan writes "In the nave of Amiens, Gothic structure and the treatment of the classic, three-stage interior elevation established at Chartres, achieved perfection." [4]
Note- This list presents a brief analysis of regional characteristics found in the particular building. [2] For a complete description follow the link to the web page.
Section references: Banister Fletcher, [2] Larousse, [3] Swaan. [4]
Examples of Cathedrals in France:
Lincoln Cathedral is typically English in both style and diversity having been commenced in 1074 and not reaching its final state until the 1540s. Alec Clifton-Taylor described it as: "Probably, all things considered, the finest of English Cathedrals". [5]
Note- This list presents a brief analysis of regional characteristics found in the particular building. [2] For a complete description follow the link to the web page.
Section references: Banister Fletcher, [2] Larousse, [3] Clifton-Taylor. [5]
Examples of Cathedrals in the United Kingdom:
Worms Cathedral dates from 1110 to 1181. With the Cathedrals of Speyer and Mainz it represents a pinnacle of German Romanesque and has spatial qualities and what Banister Fletcher describes as "a picturesque character" which were later skillfully adapted in the many German Baroque churches. [2]
Note- This list presents a brief analysis of regional characteristics found in the particular building. [2] For a complete description follow the link to the web page.
Section references: Banister Fletcher, [2] Larousse, [3] Toman. [6]
Examples of Cathedrals in Germany:
Burgos Cathedral , commenced in 1221, represents many of the characteristics and is described by Banister Fletcher as "the most poetic of Spanish cathedrals." [2] Note- This list presents a brief analysis of regional characteristics found in the particular building. [2] For a complete description follow the link to the web page.
Section references: Banister Fletcher, [2] Larousse. [3]
Examples of cathedral architecture in Spain:
Note This summary does not preclude the diversity which occurred at different dates for a variety of reasons. One of the influences on diversity of style was the immigration of master masons who often served as architects. Thus William of Sens set the style of Canterbury, and Milan Cathedral is predominantly German Gothic in style.
The very first churches in Kievan Rus', such as the wooden St. Sophia Cathedral in Novgorod, had as many as 13 domes, differing in this regard from their mainly single-cupola Byzantine predecessors. The architects of Vladimir-Suzdal switched from brick to white limestone ashlar as their main building material, which provided for dramatically effective church silhouettes, but made church construction very costly. At first the baptistery, narthex, and choir gallery above the narthex were a common feature of Rus' churches, but they largely disappeared by the end of the 12th century, giving way to novel elements such as multiple porches, external chapels, and belfries.
After a century of Byzantine imitations, the Russian masons began to emphasise the verticality in church design. The late 12th century saw the development of so-called tower churches in Polotsk and Smolensk; this design later spread to other areas such as Kiev and Chernihiv. A visual transition between the main cube of the church and the elongated cylinder below the dome was provided by one or several rows of curved corbel arches, known as kokoshniki. A still later development was the introduction of a long conical roof known as "tent-like". St. Basil's Cathedral is the only cathedral church featuring multiple tent-like roofs, but then it is more of a votive church than a cathedral.
The 17th century was marked by the return to the traditional Byzantine model of cathedral and katholikon architecture, with four of six piers supporting the vaults. The six-piered cathedrals were reserved for the most important cities and monasteries. The exterior ornamentation is often limited to a modicum of blind arcading. The large bulbous domes are usually set on tall drums pierced by long narrow windows. This austerity of cathedral architecture contrasts with the continuing experimentation in the design of ordinary parish churches.
with a summary of characteristics
Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.
Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum ; the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.
The Basilica of Saint-Denis is a large former medieval abbey church and present cathedral in the commune of Saint-Denis, a northern suburb of Paris. The building is of singular importance historically and architecturally as its choir, completed in 1144, is widely considered the first structure to employ all of the elements of Gothic architecture.
Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.
Medieval architecture was the art of designing and constructing buildings in the Middle Ages. Major styles of the period include pre-Romanesque, Romanesque, and Gothic. The Renaissance marked the end of the medieval period, when architects began to favour classical forms. While most surviving medieval constructions are churches and military fortifications, examples of civic and domestic architecture can be found throughout Europe, including in manor houses, town halls, almshouses, bridges, and residential houses.
A transept is a transverse part of any building, which lies across the main body of the building. In cruciform ("cross-shaped") churches, in particular within the Romanesque and Gothic Christian church architectural traditions, a transept is an area set crosswise to the nave. Each half of a transept is known as a semitransept.
Rose window is often used as a generic term applied to a circular window, but is especially used for those found in Gothic cathedrals and churches. The windows are divided into segments by stone mullions and tracery. The term rose window was not used before the 17th century and comes from the English flower name rose.
Strasbourg Cathedral or the Cathedral of Our Lady of Strasbourg, also known as Strasbourg Minster, is a Catholic cathedral in Strasbourg, Alsace, France. Although considerable parts of it are still in Romanesque architecture, it is widely considered to be among the finest examples of Rayonnant Gothic architecture. Architect Erwin von Steinbach is credited for major contributions from 1277 to his death in 1318, and beyond through his son Johannes von Steinbach, and his grandson Gerlach von Steinbach, who succeeded him as chief architects. The Steinbachs’ plans for the completion of the cathedral were not followed through by the chief architects who took over after them, and instead of the originally envisioned two spires, a single, octagonal tower with an elongated, octagonal crowning was built on the northern side of the west facade by master Ulrich Ensingen and his successor, Johannes Hültz. The construction of the cathedral, which had started in the year 1015 and had been relaunched in 1190, was finished in 1439.
The Cathedral Basilica of Our Lady of Amiens, or simply Amiens Cathedral, is a Roman Catholic church. The cathedral is the seat of the Bishop of Amiens. It is situated on a slight ridge overlooking the River Somme in Amiens, the administrative capital of the Picardy region of France, some 120 kilometres north of Paris.
Rouen Cathedral is a Catholic church in Rouen, Normandy, France. It is the see of the Archbishop of Rouen, Primate of Normandy. It is famous for its three towers, each in a different style. The cathedral, built and rebuilt over a period of more than eight hundred years, has features from Early Gothic to late Flamboyant and Renaissance architecture. It also has a place in art history as the subject of a series of impressionist paintings by Claude Monet.
The Cathedral of Évora is a Roman Catholic church in the city of Évora, Portugal. It is one of the oldest and most important local monuments, lying on the highest spot of the city. It is part of the historical city centre, and the seat of the Archdiocese of Evora.
The larger medieval churches of France and England, the cathedrals and abbeys, have much in common architecturally, an east–west orientation, an external emphasis on the west front and its doors, long arcaded interiors, high vaulted roofs and windows filled with stained glass. The eastern end of the building contains the Sanctuary and the Altar.
French architecture consists of architectural styles that either originated in France or elsewhere and were developed within the territories of France.
English Gothic is an architectural style that flourished from the late 12th until the mid-17th century. The style was most prominently used in the construction of cathedrals and churches. Gothic architecture's defining features are pointed arches, rib vaults, buttresses, and extensive use of stained glass. Combined, these features allowed the creation of buildings of unprecedented height and grandeur, filled with light from large stained glass windows. Important examples include Westminster Abbey, Canterbury Cathedral and Salisbury Cathedral. The Gothic style endured in England much longer than in Continental Europe.
The medieval cathedrals of England, which date from between approximately 1040 and 1540, are a group of twenty-six buildings that constitute a major aspect of the country's artistic heritage and are among the most significant material symbols of Christianity. Though diverse in style, they are united by a common function. As cathedrals, each of these buildings serves as central church for an administrative region and houses the throne of a bishop. Each cathedral also serves as a regional centre and a focus of regional pride and affection.
Early Gothic is a term for the first phase of Gothic style, followed by High Gothic and Late Gothic, dividing the whole Gothic era into three periods. It is defined as a style that used some principle elements of Gothic, but not all. Especially, it had no fine tracery. It marks the first phase of a division of Gothic style into three periods. If it is used for all countries, it has to be regarded that there may be special terms for the styles of single countries, such as Early English in England.
Gothic cathedrals and churches are religious buildings created in Europe between the mid-12th century and the beginning of the 16th century. The cathedrals are notable particularly for their great height and their extensive use of stained glass to fill the interiors with light. They were the tallest and largest buildings of their time and the most prominent examples of Gothic architecture. The appearance of the Gothic cathedral was not only a revolution in architecture; it also introduced new forms in decoration, sculpture, and art.
Perpendicular Gothic architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture.
Notre-Dame-de-Roscudon is a Catholic church in Pont-Croix, in the French department of Finistère. Built from the 13th century through successive additions, until the second quarter of the 16th century thanks to the patronage of the lords of Pont-Croix, then their allies and descendants from the House of Rosmadec, it is an example of the patronage of the local Breton aristocracy, and bears witness to the permanence of this noble lineage throughout the three centuries of its construction.