Little Manhattan | |
---|---|
Directed by | Mark Levin [lower-alpha 1] |
Written by | Jennifer Flackett [lower-alpha 1] |
Produced by | Gavin Polone Arnon Milchan |
Starring | Josh Hutcherson Bradley Whitford Cynthia Nixon Charlie Ray |
Cinematography | Tim Orr |
Edited by | Alan Edward Bell |
Music by | Chad Fischer |
Production companies | |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 90 minutes [1] |
Country | United States |
Language | English |
Box office | $1.1 million [1] |
Little Manhattan is a 2005 American romantic comedy-drama film directed by Mark Levin and written by Jennifer Flackett, starring Josh Hutcherson and Charlotte Ray Rosenberg. [2] [lower-alpha 1] It is set in Manhattan, and follows a ten-year-old boy as he experiences his first love. [3]
Gabe, an adventurous 10-year-old boy, lives in Manhattan with his parents who are on the verge of divorcing. Gabe spends most of his free time exploring the city on his scooter. His daily exploits are followed and encouraged by the friendly concierge at his building. Gabe encounters Rosemary, an 11-year-old classmate whom he's known since kindergarten, in a self-defense class. After being partnered with her for sparring, he suddenly notices her as a girl, not another face. To Gabe's elation, they begin spending time together and he is completely enamored with not only her, but her life. Rosemary lives with her loving upper-class parents on the edge of Central Park. One day, Gabe takes Rosemary on a tour through Central Park, and another day they venture across the city for fun. They travel to Septuaguesimo Uno, Manhattan's smallest park, and try to inspect an apartment for rent, worrying Gabe's nervous parents. Rosemary's parents take them to hear a jazz pianist at The Carlyle, where the young twosome finally hold hands. After the show, Rosemary's parents tell them to say goodnight and her parents go to get milk. After they walk off, Gabe and Rosemary begin talking, and he interrupts her by kissing her.
Rosemary's family's life is in contrast to Gabe's; his parents have declared an awkward truce while waiting for their divorce to be finalized. As their relationship progresses, Gabe begins to question what is happening to him and why he is falling in love with Rosemary. To complicate matters, he discovers Rosemary is going to summer camp for six weeks and her parents are enrolling her in a private school when she returns. When things seem to be going perfectly, Gabe's world is turned upside down when he and Rosemary are assigned new sparring partners. Gabe is jealous of Rosemary's new partner, a tall blonde boy who's much better at self-defense than Gabe is. With their remaining time running out, Gabe tries to get closer to Rosemary, but only drives her away. In a desperate move to win Rosemary back, Gabe attempts to show off and earn his yellow belt, but painfully fractures his hand in the process.
Being crushed with what love really is, he learns from his father that his parents' marriage fell apart because of things left unsaid. Realizing he is running out of time, Gabe goes to find Rosemary at a wedding reception she is attending and declares his love. Taken aback, Rosemary replies she does not think she is ready for love, but is really happy to see Gabe and asks him to dance. As they dance, Gabe muses that he and Rosemary were on different paths—"like two ships that passed in Sheep Meadow". He returns home to find his parents laughing over their honeymoon recollections. Gabe is pleased and surprised when his father says he "cleared out some old stuff" and his parents appear to have reconciled. They happily go out for dinner, and as the movie ends, Gabe, narrating, summarizes what Rosemary meant to him: "...I'm never gonna get another first love. That one's always gonna be her."
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The original idea for the film was just one sentence in a long list of ideas. Levin and Flackett wanted to make a project as directors, and an adolescent love story had the benefit of not being a project led by a star actor. They believed they could make it for a reasonable budget. From concept to completed script, it took about two months and the film was greenlit shortly after that. [4]
Little Manhattan received mostly positive reviews from film critics. On Rotten Tomatoes it has an approval rating of 77% based on reviews from 31 critics. The site's consensus states: "Little Manhattan is a sweet story of young love that provides an enlightening if pragmatic view on love and courtship." [5] Metacritic gave it a score of 52 based on 10 reviews, indicating "mixed or average reviews". [6]
BBC's Stella Papamichael wrote that the film was "sweet but not syrupy and heart-warming without being manipulative, this kid flick stands tall among recent Hollywood love stories". [7] Kevin Thomas, writing for the Los Angeles Times , called the film "a handsome charmer about the avalanche of first love...an endearing, affectionately humorous and even lyrical depiction of the dawning of adolescence amid the privileged". Thomas called the script "problematic...[Gabe's] speech as soundtrack narrator of his own story is precociously improbable". [8] Jeffrey Lyons of NBC called Little Manhattan "one of the sweetest, most touching films you'll see".[ citation needed ] Variety 's Brian Lowry was less positive about the film. He wrote "Resting almost entirely on the shoulders of its young leads, both they and the pic lack the sparkle to sustain what seeks to be a whimsical premise but, except for a few moments, proves ponderous instead." He also believed the film belonged on "youth-targeting basic-cable networks" instead of having a cinematic release. [9]
The film made $36,397 in the opening weekend in the United States. By December 18, 2005, the film had grossed $385,373. It had worldwide box office takings of $1,117,920. [1]
The film's score was composed by Chad Fischer, the guitarist and lead singer of Lazlo Bane.
The film also featured 18 other songs, half of which are covers, by a variety of musicians, from the well-known The Beatles and Elvis Presley to little-known The Meadows and Loston Harris. Chad Fischer contributed several songs to the film both as a performer and producer.
The soundtrack album for the film hasn't been released, making half of the songs used exclusive to the film.
No. | Title | Writer(s) | Artist(s) | Length |
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1. | "Only the Strong Survive [A] " | Jerry Butler | Elvis Presley | 2:42 |
2. | "Birdland" | Ron Aspery | Ron Aspery | |
3. | "When the Saints Go Marching In [C] " | Traditional | The All Star Marching Band | |
4. | "Kung Fu Fighting (Adrian Sherwood On-U-Remix) [A] " | Carl Douglas | Carl Douglas | 4:41 |
5. | "Sleepless in Brooklyn" | Chad Fischer, Timothy Bright and Chris Link | Lazlo Bane | |
6. | "Younger Yesterday [A] " | Todd Herfindal and Kevin Houlihan | The Meadows | 3:15 |
7. | "New Fast [A] " | Jeff Gramm | Aden | 2:27 |
8. | "Miserable Life" | Chad Fischer and Lyle Workman | Chad Fischer and Lyle Workman | |
9. | "Burning Flame [C] " | Richard Friedman | Richard Friedman | |
10. | "Teach Me Tonight [C] " | Sammy Cahn and Gene de Paul | Loston Harris | |
11. | "Map of My Heart [B] " | Chad Fischer | Chad Fischer | 3:24 |
12. | "Lonely Road [A] " | Erik Schrody | Everlast | 3:18 |
13. | "Polly Wolly Doodle [C] " | Traditional | Susannah Blinkoff | |
14. | "The Very Thought of You [A] " | Ray Noble | Nat King Cole | 3:48 |
15. | "Love [A] " | Matt White and Paul Umbach | Matt White | 2:50 |
16. | "At Last [A] " | Mack Gordon and Harry Warren | Etta James | 3:02 |
17. | "Love Grows (Where My Rosemary Goes) [C] " | Barry Mason and Tony Macaulay | Freedy Johnston | |
18. | "In My Life [C] " | John Lennon and Paul McCartney | Matt Scannell |
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