Live! You Goddamned Son of a Bitch | ||||
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Live album by | ||||
Released | 1988 | |||
Recorded | September 4, 1987 | |||
Venue | Cabaret Metro, Chicago | |||
Genre | Industrial rock | |||
Length | 73:32 | |||
Label | Wax Trax! | |||
Producer | Hypo Luxa, Hermes Pan | |||
Revolting Cocks chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
MusicHound Rock | [2] |
Spin | no score [3] |
Live! You Goddamned Son of a Bitch is a concert album and video by the Revolting Cocks, consisting of live material recorded at the Cabaret Metro in Chicago, on September 4, 1987. However, Al Jourgensen has claimed in his autobiography, that the whole concert was re-recorded in Trax studio in Chicago afterwards. According to Jourgensen both Paul Barker and Chris Connelly thought the live record sounded horrible and they refused to release the original audio recording of the show. Jourgensen thought the recording was perfect but later agreed with Barker and Connelly. It is their second LP release following Big Sexy Land .
No. | Title | Length |
---|---|---|
1. | "You Goddamned Son of a Bitch" | 4:50 |
2. | "Cattle Grind" | 5:58 |
3. | "We Shall Cleanse The World" | 7:09 |
4. | "38" | 4:34 |
5. | "In The Neck" | 5:32 |
6. | "You Often Forget" | 8:50 |
7. | "T.V. Mind" | 7:53 |
8. | "Union Carbide" | 8:49 |
9. | "Attack Ships On Fire" | 7:38 |
10. | "No Devotion" | 12:19 |
Total length: | 73:32 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "You Goddamned Son of a Bitch" | Jourgensen | 4:50 |
2. | "Cattle Grind" | Jourgensen, Barker, Connelly, Rieflin, Van Acker | 5:58 |
3. | "We Shall Cleanse the World" | Jourgensen | 7:09 |
4. | "38" | Jourgensen | 4:34 |
5. | "In The Neck" | Jourgensen, Barker, Connelly, Van Acker, Rieflin | 5:32 |
6. | "You Often Forget" | Jourgensen | 8:50 |
7. | "T.V. Mind" | Jourgensen | 7:53 |
Total length: | 44:46 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Union Carbide" | Jourgensen | 8:49 |
2. | "Attack Ships On Fire" | Jourgensen | 7:38 |
3. | "No Devotion" | Jourgensen | 12:19 |
4. | "Stainless Steel Providers" (Live in The Great State of Texas 1990; from 12") | Jourgensen, Barker, Connelly, Van Acker, Rieflin | 8:04 |
5. | "Public Image" (Live in The Great State of Texas 1990; from 12") | Public Image Ltd | 2:51 |
Total length: | 39:41 |
Ministry is an American industrial metal band founded in Chicago, Illinois in 1981 by producer, singer, and instrumentalist Al Jourgensen. Originally a synth-pop outfit, Ministry evolved into one of the pioneers of industrial metal in the late 1980s. The band's lineup has changed frequently, leaving Jourgensen as the sole original member. Musicians who have contributed to the band's studio or live activities include vocalists Nivek Ogre, Chris Connelly, Gibby Haynes, Burton C. Bell and Jello Biafra, guitarists Mike Scaccia and Tommy Victor, guitarist Cesar Soto, bassists Paul Barker, Paul Raven, Jason Christopher, Tony Campos and Paul D'Amour, drummers Jimmy DeGrasso, Bill Rieflin, Martin Atkins, Rey Washam, Max Brody, Joey Jordison and Roy Mayorga, keyboardist John Bechdel, and rappers and producers DJ Swamp and Arabian Prince.
The Mind Is a Terrible Thing to Taste is the fourth studio album by American industrial metal band Ministry, released on November 14, 1989 by Sire Records. The music took a more hardcore, aggressively guitar-driven direction, with Jourgensen inspired by Stormtroopers of Death and Rigor Mortis to add thrash metal guitars to the album and subsequent Ministry releases. As with most of Ministry's work, the album's lyrics deal mainly with political corruption, cultural violence, environmental degradation, nuclear war, drug addiction, and insanity.
The Land of Rape and Honey is the third studio album by American industrial metal band Ministry, released on October 11, 1988, by Sire Records. This is the first Ministry album to include bassist Paul Barker and marks a departure from the band's previous two synthpop and EBM records. It incorporates heavy metal guitars and industrial music influences, and Al Jourgensen uses distorted vocals in his natural accent, rather than the faux British accent of previous albums. The resulting sound was influential in the industrial metal genre and is Jourgensen's favorite Ministry album. The album was certified gold by the RIAA in January 1996.
William Frederick Rieflin was an American musician. Rieflin came to prominence in the 1990s mainly for his work as a drummer with groups such as Ministry, the Revolting Cocks, Lard, KMFDM, Pigface, Swans, Chris Connelly, and Nine Inch Nails. He worked regularly with R.E.M. following the retirement of Bill Berry in 1997. He was a member of King Crimson from 2013 until his death in 2020.
Revolting Cocks, also known as RevCo, are an American-Belgian industrial rock band, and sometimes supergroup, that began as a musical side project for Richard23 of Front 242, Luc van Acker, and Al Jourgensen of Ministry.
Beers, Steers + Queers is the second studio album by American–Belgian industrial rock band Revolting Cocks. Released in May 1990, the album was supported by three singles and was reissued several times. Its sound is industrial and built upon repetitive percussion and samples. David Jeffries of AllMusic described Beers, Steers + Queers as dominating college radio and clubs. The album's supporting tour was recalled by Chris Connelly as "ridiculous" and particularly chaotic.
Chris Connelly is a Scottish musician and author who became famous for his industrial music work of the late 1980s and early 1990s, particularly his involvement with the Revolting Cocks and Ministry. He has since established himself as an alternative singer-songwriter, and continues to release solo albums, as well as perform on collaborations.
Alain David Jourgensen is a Cuban-American singer, musician and music producer. Closely related with the independent record label Wax Trax! Records, his musical career spans four decades. He is best known as the frontman and lyricist of the industrial metal band Ministry, which he founded in 1981 and of which he remains the only constant member. He was the primary musician of several Ministry-related projects, such as Revolting Cocks, Lard, and Buck Satan and the 666 Shooters. He (Jourgensen) is regarded as one of the most prominent figures of industrial music, influencing numerous other groups and musicians, both in alternative and industrial-associated acts.
Paul Gordon Barker, also referred to as Hermes Pan, is the former bass guitarist, producer and engineer of the industrial metal band Ministry from 1986 to 2003. Prior to Ministry, Barker provided bass for the Seattle post-punk ensemble The Blackouts alongside future Ministry drummer Bill Rieflin and his brother, one-time Ministry touring keyboardist/saxophonist Roland Barker, from 1979 until 1985.
Pailhead was a short-lived side project of Al Jourgensen of Ministry that featured Dischord Records founder and former Minor Threat frontman Ian MacKaye on vocals. The band's sound was a combination of industrial beats and hardcore punk, presaging what Ministry would later do with Jello Biafra in another side project, Lard.
Twitch is the second studio album by American industrial band Ministry, released on March 12, 1986 by Sire Records. Recorded mostly in London and West Berlin during 1985, it was largely produced by On-U Sound Records owner Adrian Sherwood, while the band's frontman Al Jourgensen co-produced two tracks. It stepped away from the synthpop-oriented form of Ministry's 1983 debut studio album, With Sympathy, and moved toward a darker, more aggressive sound, heavily influenced by industrial dance groups Cabaret Voltaire and Front 242.
Rantology is a compilation album by American industrial metal band Ministry. The album is made up of remixes of the band's singles and best known songs - with the exception of track 2 which was first released here and became a live staple.
Linger Ficken' Good ... and Other Barnyard Oddities is the third studio album by American industrial rock band Revolting Cocks. The title is a satirical spoonerism of the advertising slogan employed by KFC in the 1970s—"FingerLickin' Good."
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Gub is the debut studio album by American rock band Pigface. It is notable for featuring contributions from Trent Reznor of Nine Inch Nails, with Reznor later re-recording the song "Suck" for the Nine Inch Nails EP, Broken, released in 1992.
Welcome to Mexico... Asshole is the first live album from Pigface. Trent Reznor of Nine Inch Nails is featured on "Suck", but Ogre is the primary lead vocalist.
The industrial band PTP was a short-lived side project of Wax Trax! Records finest talent.
The Blackouts were a punk rock band formed in Seattle in 1979 by singer/guitarist Erich Werner, bassist Mike Davidson, and drummer Bill Rieflin, who were all former members of a local punk band, The Telepaths. They were joined by Roland Barker, first on synthesizer and later on saxophone.
The Skatenigs are a punk industrial metal band from Texas which formed in the late 1980s.
Toronto 1986 is a live CD/vinyl release by American rock band Ministry that was recorded live at the RPM club in Toronto, Ontario on April 10th, 1986, during the tour in support of the band's second studio album, Twitch. Parts of this performance were broadcast on FM radio, resulting in some tracks showing up on various bootlegs throughout the years. The complete master recording was located by archivists and it saw official release in 2015 via the band's official Bandcamp website. It was the first Ministry album chronologically to feature bassist Paul Barker and drummer Bill Rieflin, both of whom would become heavily involved in the band in subsequent years.