Live at Last | ||||
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Live album by | ||||
Released | 1978 | |||
Recorded | March 7, 1978 | |||
Venue | Winter Gardens, Bournemouth | |||
Genre | British folk rock | |||
Length | 49:34 | |||
Label | Chrysalis | |||
Steeleye Span chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Live at Last is a live album by the British folk rock band Steeleye Span. It is the first live album the band issued, after eight years of performing and releasing 10 studio albums. It was originally intended to be a farewell album. "This then is our eleventh and final album. Steeleye Span amicably disbanded five days after making this recording for reasons that are irrelevant here.” [2]
It is one of only two albums the band issued on which John Kirkpatrick played (not counting a later live reunion album, The Journey ), making it one of only two albums to employ an accordion as a primary instrument. The album is also notable because only two of the tracks ("Saucy Sailor/Black Freighter" and "False Knight on the Road") were songs that the band had recorded before, so that most of the material on the album is essentially new material. The band went on to release a second live version of "The Maid and the Palmer" on The Journey.
The departure of Bob Johnson and Peter Knight and their replacement by Martin Carthy and Kirkpatrick for this album (and Storm Force Ten ) had taken the band away from its heavily amplified rock sound of the mid-1970s, and back to the cutting edge British folk rock approach reminiscent of the band's origins.
"The Maid and the Palmer" tells the story of a palmer (a pilgrim returning home from Jerusalem with a palm branch) who meets a woman washing clothes. He asks her for a cup of water, but she refuses. He comments that she would certainly give her lover a cup of water, and when she denies having a lover, he tells her that she is lying, and that she has borne nine children, all of whom she has killed and hidden. He condemns her to seven years as a stepping-stone, seven years as a clapper in a bell, and seven years of running as "an ape through Hell". Given the Palmer's supernatural powers, he may be Christ in disguise.
"Hunting the Wren" is a version of the Cutty Wren tradition. On Please to See the King , the band explored this tradition with "The King", and on Time , the band recorded "The Cutty Wren", another song about this tradition.
The version of “The False Knight on the Road” presented in this concert is notably different from the version recorded on Please to See the King (1971). The Live at Last version is much expanded and features the use of odd (but effective) contrasting time signatures.
All tracks are written by Traditional unless otherwise noted.
No. | Title | Writer(s) | Comments | Length |
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1. | "The Atholl Highlanders/Walter Bulwer's Polka" | Instrumental | 5:07 | |
2. | "Saucy Sailor/Black Freighter" | Traditional/Bertolt Brecht, Kurt Weill | Although these songs are listed as a medley, more than a second of silences passes between the fade of "Saucy Sailor" and the opening of "Black Freighter." | 9:50 |
3. | "The Maid and the Palmer" | Traditional: Child ballad 21, Roud 91 | 6:37 | |
4. | "Hunting The Wren" | 3:08 | ||
5. | "Montrose" | 15:16 | ||
6. | "Bonnets So Blue (*)" | Morris dance tune | (*) Original UK and 1997 CD reissue track | 3:30 |
7. | "The False Knight on the Road" | Traditional: Child ballad 3, Roud 20 | New arrangement | 6:06 |
8. | "Rag Doll (*)" | Bob Crewe, Bob Gaudio | (*) Studio recording on the US LP release | 3:03 |
Steeleye Span are an English folk rock band formed in 1969. Along with Fairport Convention, they are among the best known acts of the British folk revival, and were among the most commercially successful, thanks to their hit singles "Gaudete" and "All Around My Hat". They had four Top 40 albums and achieved significant sales of "All Around My Hat".
Madelaine Edith Prior, MBE is an English folk singer, best known as the lead vocalist of Steeleye Span. She was born in Blackpool and moved to St Albans in her teens. Her father, Allan Prior, was co-creator of the police drama Z-Cars. She was married to Steeleye bass guitarist Rick Kemp and their daughter, Rose Kemp, is also a singer. Their son, Alex Kemp, is, like his father, a guitarist and has deputised for his father playing bass guitar for Steeleye Span. She was part of the singing duo 'Mac & Maddy', with Mac MacLeod. She then performed with Tim Hart and recorded two albums with him, before they helped to found the group Steeleye Span, in 1969. She left Steeleye Span in 1997, but returned in 2002, and has toured with them since. With June Tabor she was the singing duo Silly Sisters. She toured with the Carnival Band, in 2007, and with Giles Lewin and Hannah James, in 2012 and 2013. She has released singles and albums as a solo artist, with these bands and in several collaborations. She runs an Arts Centre called Stones Barn, in Bewcastle, in Cumbria, which offers residential courses.
Below the Salt is the fourth studio album by Steeleye Span and their first after they joined the Chrysalis label. The album takes medieval influence and combines it with the band's British folk rock style. The lineup on the album includes Bob Johnson and Rick Kemp making their debuts in the band. By this point, Ashley Hutchings had left the band, leaving Tim Hart and Maddy Prior as the only remaining founding members.
Tim Hart was an English folk singer and multi-instrumentalist, best known as a founding member of British folk rock band Steeleye Span.
John Michael Kirkpatrick is an English player of free reed instruments.
Hark! The Village Wait is the debut album by the British folk rock band Steeleye Span, first released in 1970. It is the only album to feature the original lineup of the band as they broke up and reformed with an altered membership immediately after its release, without ever having performed live. Therefore, it is one of only two Steeleye Span studio albums to feature two female vocalists, the other being Time (1996). A similar sound was apparent years later when Prior teamed up with June Tabor to form Silly Sisters. Overall, the album's sound is essentially folk music with rock drumming and bass guitar added to some of the songs. The banjo features prominently on several tracks, including "Blackleg Miner", "Lowlands of Holland" and "One Night as I Lay on My Bed".
Please to See the King is the second album by Steeleye Span, released in 1971. A major personnel change following their previous effort, Hark! The Village Wait, brought about a substantial change in their overall sound, including a lack of drums and the replacement of one female vocalist with a male vocalist. The band even reprised a song from their debut, "The Blacksmith", with a strikingly different arrangement making extensive use of syncopation. Re-recording songs would be a minor theme in Steeleye's output over the years, with the band eventually releasing an entire album of reprises, Present – The Very Best of Steeleye Span.
Ten Man Mop or Mr. Reservoir Butler Rides Again is the third album by Steeleye Span, recorded in September 1971. It was issued on the short-lived Pegasus label, and then the Mooncrest label, also in 1971. It was not initially issued in the US until Chrysalis acquired the group's first three albums in 1975, when it reissued all three in the UK and US. Tracks like "Four Nights Drunk", "Marrowbones", and "Wee Weaver" are essentially pure folk. It was the last album to feature founding member Ashley Hutchings; he left the band in November 1971, just after its completion, partly because he felt that the album had moved too far toward Irish music and away from English music. The band was also considering touring America, and Hutchings was reluctant to make the trip.
All Around My Hat is a 1975 album by Steeleye Span, their eighth and highest-charting; it reached number 7 on the UK Albums Chart, and stayed on the chart for six months. It was produced by Mike Batt, who also produced their follow-up album Rocket Cottage. It briefly made the band a household name in the UK. In the United States it became the band's first album to chart, reaching number 143.
Commoners Crown is an album by British folk rock band Steeleye Span, their seventh release overall and the second album with the band's most commercially successful line-up. It reached number 21 in the UK album charts.
Rocket Cottage is a 1976 album by British folk rock band Steeleye Span.
Storm Force Ten is an album by British folk rock band Steeleye Span, the band's 10th effort, released in 1977.
Sails of Silver is an album by British folk rock band Steeleye Span.
Back in Line is an album by British folk rock band Steeleye Span.
"The Maid and the Palmer" or "The Well Below The Valley" is a murder ballad. Because of its dark and sinister lyrics, the song was often avoided by folk singers.
Time is an album by Steeleye Span. The album was released in 1996, after a seven-year hiatus, and was their first on the Park Records label.
Gay Woods is an Irish singer. She was one of the original members of Steeleye Span.
Tonight's the Night...Live is the second live album by British folk rock band Steeleye Span.
Spriguns of Tolgus were a British folk rock group formed in 1972. They managed to obtain a record deal with a major label and the attention of some significant figures in the folk rock world. They produced four albums with growing originality and recognition but were unable to attain mainstream success and disbanded in 1978. Their lead singer, Mandy Morton, continued her solo career in Scandinavia and the band have now obtained a cult following.
Parcel of Rogues is an album by British folk rock band Steeleye Span. It was their most successful album thus far, breaking into the Top 30.