Live in Europe | ||||
---|---|---|---|---|
Live album by | ||||
Released | July 10, 1967 | |||
Recorded | March 1967 | |||
Genre | ||||
Length | 32:56 | |||
Label | Volt/Atco | |||
Producer | Jim Stewart, Tom Dowd | |||
Otis Redding chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
Rolling Stone | (favorable) [2] |
Encyclopedia of Popular Music | [3] |
Live in Europe is a live album from soul singer Otis Redding. It was Redding's first live album as well as the only live album released during his lifetime, issued exactly five months before his death on December 10, 1967. The album was recorded during the Stax/Volt tour of Europe and Redding is backed by Booker T. & the MG's. Recorded at the Olympia Theatre, Paris; March 21, 1967.[ citation needed ]
The album is currently available on compact disc, digitally remastered by Bill Inglot and Dan Hersch as part of the Atlantic & Atco Remasters Series done on Rhino Records. Alternately, seven of its ten tracks appear as bonus tracks to the 2008 reissue of Otis Blue or the 2016 reissue of The Otis Redding Dictionary of Soul , also on Rhino.
In a 1969 piece called "A Short and Happy History of Rock", published by Stereo Review , Robert Christgau selected Live in Europe as a representative Redding LP in his basic rock "library" of 25 albums. He went on to write of Redding and the album in the context of rock history:
Meanwhile, back where it all started, black music was becoming self-consciously black, returning to blues and gospel, and the late Otis Redding was king. Despite the limitations of in-concert recording, this album is his best because Redding's stage presence was integral to his popularity, and because it contains most of his best songs. Remember that the audience is white. No other black performer has ever been able to bridge the racial barrier so completely while remaining so true to himself and his skin. That's why we miss him so much. [4]
However, Christgau's later appraisals of the album have ranged from it "captur[ing] a sensitive soul man at his toughest and most outgoing" [5] to it being "among [Redding's] worst" due to "too many concessions to an English audience that wanted fast rock and roll songs". [6]
In 2003, Live in Europe was ranked number 474 on Rolling Stone magazine's list of the 500 greatest albums of all time. [7]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Respect" | Otis Redding | 3:00 |
2. | "Can't Turn You Loose" | Redding | 3:20 |
3. | "I've Been Loving You Too Long" | Jerry Butler, Redding | 3:40 |
4. | "My Girl" | Smokey Robinson, Ronald White | 2:44 |
5. | "Shake" | Sam Cooke | 2:51 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "(I Can't Get No) Satisfaction" | Mick Jagger, Keith Richards | 2:53 |
2. | "Fa-Fa-Fa-Fa-Fa (Sad Song)" | Steve Cropper, Redding | 3:37 |
3. | "These Arms of Mine" | Redding | 2:57 |
4. | "Day Tripper" | John Lennon, Paul McCartney | 2:54 |
5. | "Try a Little Tenderness" | James Campbell, Reginald Connelly, Harry M. Woods | 5:00 |
Album
| Singles
|
Forever Changes is the third studio album by the American rock band Love, released by Elektra Records in November 1967. It was the final album recorded by the original band lineup; after its completion, Bryan Maclean left the group acrimoniously and the other members were dismissed by leader Arthur Lee. The album saw the group embrace a subtler folk-oriented sound and orchestration, while primary songwriter Lee explored darker themes alluding to mortality and his creeping disillusionment with the 1960s counterculture.
Music from Big Pink is the debut studio album by the Band. Released in 1968, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The music was composed partly in "Big Pink", a house shared by Rick Danko, Richard Manuel and Garth Hudson in West Saugerties, New York. The album itself was recorded in studios in New York and Los Angeles in 1968, and followed the band's backing of Bob Dylan on his 1966 tour and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan.
Super Fly is the third studio album by American soul musician Curtis Mayfield, released in July 1972 on Curtom Records. It was released as the soundtrack for the Blaxploitation film of the same name. Widely considered a classic of 1970s soul and funk music, Super Fly was a nearly immediate hit. Its sales were bolstered by two million-selling singles, "Freddie's Dead" and the title track. Super Fly is one of the few soundtracks to out-gross the film it accompanied.
Stax Records is an American record label, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in 1961 and shared its operations with Volt Records, a sister label created to avoid the impression of favoritism among radio stations playing their records.
The Rolling Stones, Now! is the third American studio album by the English rock band the Rolling Stones, released in February 1965 by their initial American distributor, London Records. Although it contains two previously unissued songs and an alternative version, the album mostly consists of songs released earlier in the United Kingdom, plus the group's recent single in the United States, "Heart of Stone" backed with "What a Shame". Mick Jagger and Keith Richards wrote four of the songs on the album, with the balance composed by American rhythm and blues and rock and roll artists.
Greatest Hits is a compilation album by American recording group Sly and the Family Stone. It was first released on November 21, 1970, by Epic Records. Comprising five singles and their b-sides along with one additional single and one album track, it includes all of the singles from the albums Dance to the Music (1968), Life (1968), and Stand! (1969), and all of their charting B-sides.
Otis Blue/Otis Redding Sings Soul is the third studio album by American soul singer and songwriter Otis Redding. It was first released on September 15, 1965, as an LP record through the Stax Records subsidiary label Volt.
More Fun in the New World is the fourth studio album by American rock band X, released in September 1983 by Elektra Records. It was reissued with four bonus tracks by Rhino Records in 2002. It was the last X album produced by Ray Manzarek.
That Nigger's Crazy is the third album by American comedian Richard Pryor. It was recorded live at Don Cornelius' Soul Train nightclub in early 1974. This album won the Grammy for Best Comedy Album for 1974. The album's title was derived from a remark made by Pryor himself in Wattstax.
Moby Grape is the 1967 debut album by rock band Moby Grape. Coming from the San Francisco scene, their reputation quickly grew to immense proportions, leading to a bidding war and a contract with Columbia Records. The album peaked at #24 on the Billboard 200 albums chart in September 1967.
The Great Otis Redding Sings Soul Ballads, simply referred to as Soul Ballads or Sings Soul Ballads, is the second studio album by American soul singer-songwriter Otis Redding, released in 1965. The album was one of the first issued by Volt Records, a sub-label of Stax Records, and Redding's first on the new label. Like Redding's debut Pain in My Heart (1964), Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mix made by engineer Tom Dowd, replacing the early mono mix.
King & Queen is a studio album by American recording artists Otis Redding and Carla Thomas. It is Thomas' fourth album and Redding's sixth and the final studio album before his death on December 10, 1967. Influenced by Marvin Gaye's duets, the album features ten covers of soul classics and the eleventh finishing song co-written by Redding.
The Immortal Otis Redding is a posthumous studio album by American soul recording artist Otis Redding, released in June 1968 by Atco Records. It compiles 11 songs recorded by Redding in a three-week stretch of sessions that concluded days prior to his death in December 1967. "The Happy Song (Dum-Dum)" was the only song previously released, having been a single in April 1968. The Immortal Otis Redding featured four charting singles including "The Happy Song", "I've Got Dreams to Remember", "Amen", and "Hard to Handle".
Hard Again is a studio album by American blues singer Muddy Waters. Released on January 10, 1977, it was the first of his albums produced by Johnny Winter. Hard Again was Waters's first album on Blue Sky Records after leaving Chess Records and was well received by critics.
Historic Performances Recorded at the Monterey International Pop Festival is a live album recorded at the Monterey Pop Festival in June 1967. A split artist release, it documents performances by the Jimi Hendrix Experience on side one and Otis Redding on side two.
Love Man is the third posthumous album by American soul recording artist Otis Redding. It was released in June 1969 and featured songs Redding had recorded in 1967. The album was produced by Steve Cropper, and featured Booker T. and the M.G.'s.
This is the discography of American soul singer Otis Redding.
Otis Ray Redding Jr. was an American singer and songwriter. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.
Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The album has two sides: the first mainly contains cover versions, and the second songs mainly written by Redding.
Get It – Get It is an album by R&B duo Ike & Tina Turner released on Cenco Records circa 1966. The album contains two previously released singles. "Strange," written by Billy Preston was released from Ike Turner's own label Sonja Records in 1964, and a live version of "I Can't Believe What You Say " was released from Kent Records in 1964. The latter single reached No. 95 on the Billboard Hot 100. The title track "Get It – Get It" was released as a single from Cenco in 1967.