Live preview is a feature that allows a digital camera's display screen to be used as a viewfinder. This provides a means of previewing framing and other exposure before taking the photograph. In most such cameras, the preview is generated by means of continuously and directly projecting the image formed by the lens onto the main image sensor. This in turn feeds the electronic screen with the live preview image. The electronic screen can be either a liquid crystal display (LCD) or an electronic viewfinder (EVF).
The concept for cameras with live preview largely derives from electronic (video) TV cameras. Until 1995 most digital cameras did not have live preview, and it was more than ten years after this that the higher end digital single-lens reflex cameras (DSLR) adopted this feature, as it is fundamentally incompatible with the swinging-mirror single-lens reflex mechanism.
The first digital still camera with an LCD for autogain framing live preview was the Casio QV-10 in 1995.
The first prosumer camera to use live view for both exposure simulation live preview ES-LV control and live preview framing was the fixed-lens Canon PowerShot G1 from 2000 (possibly the first was Canon Powershot Pro70 in 1998), although this was still in the line of compact cameras.
The first DSLR to use live view for framing preview only, like early other live view but non-mirrored digicams, was the fixed-lens Olympus E-10 from 2000. The first interchangeable-lens DSLR to use a live preview for framing was the Fujifilm FinePix S3 Pro, which was launched in October 2004.[1] Its "Live Image" mode could display a live, black-and-white framing preview of the subject that could be magnified for manual focusing purposes, although the preview was limited to a duration of thirty seconds.[2]
The first interchangeable-lens DSLR following ES-LV capabilities of Canon's Powershot G1 (maybe, Canon Powershot Pro70) was in early 2005 with the Canon EOS 20Da, a special version of the Canon EOS 20D with exposure simulation live view modifications for astrophotography, which included a similar focus preview feature, plus first ever for any DSLR the new exposure simulation live view allowed capture of star exposures to selectable brightness 'effects' (Canon ExpSim LV). The first general-use interchangeable-lens DSLRs with live view for both exposure simulated live preview (ExpSim LV) and framing livepreview were the Canon 20Da of 2005, followed by Canon EOS 1Ds Mark III and Canon EOS 40D of 2007. The first general-use interchangeable-lens DSLR with live view for framing preview only like most fixed lens digicams was the Olympus E-330 of 2006.
Types
There are two distinct modes of live-preview, with only a few manufacturers offering both in their digital cameras.
The first is a more rudimentary type of live preview that displays the overall framing on an electronic display and allows a preview of what the camera's sensor will detect before the photograph is taken. This can be particularly helpful when the lighting conditions are too dark for an optical viewfinder. This type of live preview is the autogain/framing live view type (or framing priority display). This requires traditional means of exposure determination requiring metering of the light coming through the lens, and interpreting the light intensity indication on an automatic light meter, and then adjusting exposure parameters for a desired effect.
The second is a more sophisticated type of live preview that displays the exact exposure 'look' on an electronic display and allows the photographer to alter the exposure look via adjustments to parameters such as shutter speed, film speed or ISO, and aperture, before the photograph is taken. This second type of live preview is the exposure simulation live preview type (or exposure priority display). This type of live preview eliminates reliance on traditional light metering usage.
Many modern bridge and compact cameras with movie mode have only an automatic exposure and limited exposure compensation control, and live view that is primarily for framing only.
Bridge cameras in general are higher-end, that is they contain more advanced features, better build quality, larger size, and are more expensive than compacts, but retain a small digital sensor. Mirrorless cameras feature a larger sensor and interchangeable lenses, like DSLRs, but sacrifice the SLR mirror mechanism and viewfinder to save size and cost, and hence only offer live preview.
The SLT, developed by Sony, uses a mirror similar to that found in a DSLR. However, unlike the moving and fully reflective mirror of DSLRs, the SLT mirror is fixed and semi-reflective. New Zealand-based British photographer Gordon Laing describes the technology:
"[A] fixed semi-reflective mirror allows around 70% of the light to pass through to the sensor for full-time live view composition, but reflects the remaining 30% or so to the phase change AF system, allowing quick and continuous autofocusing in Live View and movie modes. 30% is however too little for a traditional optical viewfinder, so Sony doesn't bother, instead using the main sensor to deliver a live image to an electronic viewfinder in addition to the main rear screen for composition."[3]
The same technology was used by Olympus prior to Sony in the Olympus E-10.
Digital SLRs
Early examples of Exposure Simulation Live View (ES-LV) in advanced prosumer digicams with Full Manual / Manual ISO, such as Canon's PowerShot Pro70 (1998), Powershot G1 (2000) and Powershot Pro90 IS (2001), all feature an optical viewfinder or optical tunnel and display the preview image on their vari-angle swivel screen LCD. This gives a live real-time WYSIWYG (what you see is what you get) exposure simulation preview in Full Manual / Manual ISO mode, and Auto-Exposure (AE) / Manual ISO modes: P (Program), TV (Time Value: shutter speed priority), and Av (Aperture Value). If Auto ISO is used, Autogain (Auto-EV0) framing/focus live view suspends Exposure Simulation live view.
This advanced exposure simulation live (pre-)view ES-LV on Canon's prosumer Powershots was absent on all interchangeable-lens DSLRs till Canon introduced a first ES-LV for an interchangeable-lens DSLR (they dubbed it: "ExpSim LV" version) in its EOS 20Da, to preview star exposures live, which was similar to ES-LV found in its advanced prosumer Powershot digicams. Later, Canon extended its more sophisticated DSLR ExpSim LV all shooting light conditions like its Powershot digicams. The most significant advances and difference in DSLR version of ES-LV was simulating exposure changes effects with chosen aperture changes without stopping down the aperture. The ES-LV of its Powershot digicams always kept its apertures stopped down, so no 'aperture exposure simulation' was needed, and briefly opened aperture to assess focus with shutter button partially depressed before a shot is taken. The ExpSim LV of its EOS lens DSLRs could achieve the same 'exposure simulation' effect in both aperture stop-down mode and aperture wide open of its EOS lenses, even if the aperture selection was narrower than widest diameter (wide open).
In Autogain framing live view, such as in AE modes with Auto ISO in effect, using the dof button can take on two different effects: autogain during aperture stopped down (easy to see dof preview), and autogain-locked or suspended during aperture stopped down (difficult to see dof, just like looking with a non-live view DSLR of optical viewfinder (OVF) preview through-the-lens (TTL).
For ES-LV digicam users and ExpSim LV DSLR users, this advanced method of "Adjustable/Selectable Live Previewable Exposure Evaluation/Determination" shooting in Full Manual / M ISO mode completely eliminated light meter sensor reading TTL common from the film era, making optimally desired exposure selection with live preview rear monitor screens virtually "instant at a glance", and time was saved doing any spot/area evaluative light metering TTL, which non-ES-LV and totally non-LV DSLR users doing the TTL "light meter reading" routine, same as their film SLR counterparts.
The time saved assessing instant optimal exposure choices for any new or changing lit scenario, freed the ExpSim LV DSLR users to spend all their time shooting primarily with their optical viewfinder (OVF).
When interchangeable-lens DSLRs with STILLS only ExpSim LV (APS-C EOS 20Da, APS-H EOS 1DMkIII, Full Frame (FF) EOS 1DsMkIII), with its ExpSim LV having Full Manual / M/Auto-ISO mode and AE / M/Auto-ISO mode, ExpSim LV was extended for the first time in any interchangeable-lens DSLR to Canon's FF ExpSim LV (1080p) video in 5DMkIII, it was only then, did use of OVF shifted over, more to the rear lcd monitor to shoot Cinematic (larger FF sensor frame than pro digital Super35mm and 35mm Cine cameras).
The lesser Autogain Framing/Focus Live preview, borrowed from framing/focus autogain live view digicams, in lesser autogain live view DSLRs does not typically serve as their principal means of framing and previewing before taking a photograph, with this function still being mainly performed with optical viewfinder. The first interchangeable-lens DSLR to feature framing live preview was the 2004 FujifilmFinePix S3 Pro.[4]
While initially largely a novelty feature, framing/focus only live-preview functionality from digicam framing/focus live view has become more common on DSLR cameras, and almost all new DSLRs have had the feature since mid-2008. This is particularly the case since the advent of movie mode common to digicam video features on these cameras.
The following lists, for each brand and DSLR product line, the first camera to have live preview (product lines that did not exist when live preview came into use are not shown; as of August 2014, there is no product line in which live preview has been abandoned after being introduced):
The principal function of live preview on Canon DSLRs from the 20Da onwards has been to allow, via LCD viewing, rapid acquisition of consistent and predictable exposure selection before taking a photograph via its 'exposure simulation' (ExpSim) enabled mode, or exposure priority display. This mode replaces the shortcomings of traditional estimation involved in the through-the-lens (TTL) metering techniques of the older framing type live view DSLRs with autogain/framing only, DSLRs without live view, as well as the shortcomings of optical viewfinders when ambient lighting becomes too low.
Real-time exposure simulation live preview (or exposure priority display) had been available in many prosumer cameras, such as the Canon PowerShot G series, before being available to in live view DSLRs. Some manufacturers of compact cameras, including prosumer models, still lack this exposure simulation live view feature, instead relying on the more rudimentary autogain/framing only live view, where slow focus and slow exposure estimation via TTL metering techniques are relied upon.[6] Real-time exposure simulation capable live preview digital cameras make achieving the desired exposures, especially in manual modes, more quickly available for both still and video photography.
Among the DSLRs that do manage to focus using the standard phase-detection sensors used by DSLRs, unlike some compact digital cameras none has managed to show 100% frame coverage. This removes one of the key advantages of live preview over optical viewfinders, especially on more budget cameras. Additionally, 100% coverage optical viewfinders have recently become more common and affordable with the appearance of the Canon EOS 7D, Nikon D300, Olympus E-3 and the Pentax K-7.[7] Still more recently, the (upper) mid-range Nikon D7000 has brought the feature to a somewhat lower price point.
Some real-time exposure simulated capable live preview digital cameras also offer live histogram graphs for tonal balance or color, where the graph changes instantaneously as exposure adjustments are made. Other features include live depth of field (DOF) preview, and live indication of overexposed areas of the image
Almost all modern bridge and compact cameras have a movie mode, while this feature only became available on DSLRs during 2008. The Nikon D90 with 720p video was announced in August 2008, and the Canon EOS 5D Mark II with 1080p video was announced in September 2008. The Canon EOS 5D Mark II was the first DSLR to offer full control over its real-time exposure simulation live preview for video, rather than just autogain/framing only live preview.
Advantages
Live preview can show additional information, such as an image histogram, focal ratio, camera settings, battery charge, and remaining storage space. Some implementations have a focus peaking feature that highlights areas of the frame that are in focus. They are also in several ways more accurate than an optical viewfinder (OVF):
Show the scene from the same viewpoint as the camera lens, without parallax.
Cope with high zoom-ratio lenses, without needing a bulky reflex mirror.
Show approximately how the scene will look under the chosen exposure, including white balance, saturation, effects etc.
Show a low-light scene brighter than it would appear with an OVF, just like the final image will look like.
Show 100% coverage of the final image.
Live view can also be used in video mode (which is not possible in an OVF)
Limitations
The Panasonic Lumix FZ80/82, a bridge camera with a smaller 1/2.3" sensor, tends to perform poorly in low light due to its sensor limitations.
Live preview has the following limitations:
There may be a noticeable lag between the changes in the scene and the live view display.
Very few live preview implementations lack automatic gain control and become virtually blank in low-light conditions.
Live view of compact and bridge cameras with smaller sensors may be difficult to operate in darker environments and tends to lag severely.
Live preview has been in use with bridge cameras for some years but with limited resolution and image quality. They are used in most mirrorless modern system cameras (e.g. Panasonic Micro Four Third System, Sony NEX, Sony SLT, Nikon V1).
Many professional photographers and advanced amateurs prefer DSLR cameras that have a true optical through-the-lens viewfinder (OVF).
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.
A digital camera, also called a digicam, is a camera that captures photographs in digital memory. Most cameras produced today are digital, largely replacing those that capture images on photographic film or film stock. Digital cameras are now widely incorporated into mobile devices like smartphones with the same or more capabilities and features of dedicated cameras. High-end, high-definition dedicated cameras are still commonly used by professionals and those who desire to take higher-quality photographs.
An electronic viewfinder (EVF) is a camera viewfinder where the image captured by the lens is displayed on a small screen which the photographer can look through when composing their shot. It differs from a live preview screen in being smaller and shaded from ambient light, and may also use less power. The sensor records the view through the lens, the view is processed, and finally projected on a miniature display which is viewable through the eyepiece.
Canon EOS is an autofocus single-lens reflex camera (SLR) and mirrorless camera series produced by Canon Inc. Introduced in 1987 with the Canon EOS 650, all EOS cameras used 35 mm film until October 1996 when the EOS IX was released using the new and short-lived APS film. In 2000, the D30 was announced, as the first digital SLR designed and produced entirely by Canon. Since 2005, all newly announced EOS cameras have used digital image sensors rather than film. The EOS line is still in production as Canon's current digital SLR (DSLR) range, and, with the 2012 introduction of the Canon EOS M, Canon's mirrorless interchangeable-lens camera (MILC) system. In 2018 the system was further extended with the introduction of the EOS R camera, Canon's first full frame mirrorless interchangeable lens system.
The Canon EOS 20D is an 8.2-megapixel semi-professional digital single-lens reflex camera, initially announced on 19 August 2004 at a recommended retail price of US$1,499. It is the successor of the EOS 10D, and was succeeded by the EOS 30D in August 2006. It accepts EF and EF-S lenses and uses an APS-C sized image sensor.
A digital single-lens reflex camera is a digital camera that combines the optics and mechanisms of a single-lens reflex camera with a solid-state image sensor and digitally records the images from the sensor.
The Canon EOS 5 is a semi-professional autofocus, autoexposure 35 mm SLR film camera. It was sold from November 1992 onwards, and was replaced in late 1998 by the Canon EOS 3. As part of the EOS line of cameras, the 5/A2/A2e utilized Canon's EF bayonet lens mount, first introduced in 1987.
A bridge camera is a type of camera that fills the niche between relatively simple point-and-shoot cameras and interchangeable-lens cameras such as mirrorless cameras and single-lens reflex cameras (SLRs). They are often comparable in size and weight to the smallest digital SLRs (DSLR), but lack interchangeable lenses, and almost all digital bridge cameras lack an optical viewfinder system. The phrase "bridge camera" has been in use at least since the 1980s, and continues to be used with digital cameras. The term was originally used to refer to film cameras which "bridged the gap" between point-and-shoot cameras and SLRs.
The Canon EOS 40D is a 10.1-megapixel semi-professional digital single-lens reflex camera. It was initially announced on 20 August 2007 and was released at the end of that month. It is the successor of the Canon EOS 30D, and is succeeded by the EOS 50D. It can accept EF and EF-S lenses. Like its predecessor, it uses an APS-C sized image sensor, resulting in a 1.6x field of view crop factor.
The EOS-1Ds Mark III is a digital SLR camera body by Canon designed for professional photographers. The Canon EOS 1Ds Mark III is successor to the EOS-1Ds Mark II and was announced in August 2007. The camera features a full-frame 21.1 megapixel CMOS sensor with 14-bit analog/digital converters for a total colour depth of 16,384 tones per subpixel. It features a three-inch (76 mm) LCD screen, capable of "Live View," and dual DIGIC III processors allowing it to shoot at up to five frames per second.
This article details lensesfor single-lens reflex and digital single-lens reflex cameras. The emphasis is on modern lenses for 35 mm film SLRs and for "full-frame" DSLRs with sensor sizes less than or equal to 35 mm.
A digital movie camera for digital cinematography is a motion picture camera that captures footage digitally rather than physical film, which shoots on film stock. Different digital movie cameras output a variety of different acquisition formats. Cameras designed for domestic use have also been used for low-budget independent productions.
The Micro Four Thirds system is a standard released by Olympus Imaging Corporation and Panasonic in 2008, for the design and development of mirrorless interchangeable lens digital cameras, camcorders and lenses. Camera bodies are available from Blackmagic, DJI, JVC, Kodak, Olympus, OM System, Panasonic, Sharp, and Xiaomi. MFT lenses are produced by Cosina Voigtländer, Kowa, Kodak, Mitakon, Olympus, Panasonic, Samyang, Sharp, Sigma, SLR Magic, Tamron, Tokina, TTArtisan, Veydra, Xiaomi, Laowa, Yongnuo, Zonlai, Lensbaby, Venus Optics and 7artisans amongst others.
The Panasonic Lumix DMC-GH1 is a digital mirrorless interchangeable lens camera adhering to the Olympus and Panasonic developed Micro Four Thirds System (MFT) system design standard. Panasonic classified the GH1 as a hybrid stills/video camera and the GH1 was introduced and marketed as a higher end camera than Panasonic's first MFT camera, the stills only, non-video capable Lumix DMC-G1.
A mirrorless camera is a digital camera which, in contrast to DSLRs, does not use a mirror in order to ensure that the image presented to the photographer through the viewfinder is identical to that taken by the camera. They have come to replace DSLRs, which have historically dominated interchangeable lens cameras. Other terms include electronic viewfinder interchangeable lens (EVIL) cameras and compact system cameras (CSCs).
The Canon PowerShot S95 is a high-end 10.0-megapixel compact digital camera announced and released in 2010. It was designed as the successor to the Canon PowerShot S90 in the S series of the Canon PowerShot line of cameras.
The Canon EOS 5D Mark III is a professional-grade 22.3 megapixel full-frame digital single-lens reflex (DSLR) camera made by Canon.
The Canon EOS 650D, known as the Kiss X6i in Japan or the Rebel T4i in America, is an 18.0 megapixels digital single-lens reflex camera (DSLR), announced by Canon on 8 June 2012. It is the successor of the EOS 600D/Kiss X5/Rebel T3i and is the predecessor of the EOS 700D/Kiss X7i/Rebel T5i. Sales began on 15 June 2012. At introduction, recommended retail prices for the body were US$849.99, £699.99, and €839.99.
The Canon EOS 6D is a 20.2-megapixel full-frame CMOS digital single-lens reflex camera made by Canon.
The Canon EOS 6D Mark II is a 26.2-megapixel full-frame digital single-lens reflex camera announced by Canon on June 29, 2017.
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