"Llorando se fue" | |
---|---|
Single by Los Kjarkas | |
from the album Canto a la mujer de mi pueblo | |
A-side | Wa ya yay [1] |
B-side | "Llorando se fue" |
Released | 1982 2004 (Digital) [2] |
Recorded | 1981 |
Genre | Afro-Bolivian Saya, Andean pop |
Length | 4:03 |
Label | Lauro, EMI (France) |
Songwriter(s) | Ulises Hermosa Gonzalo Hermosa (original music & lyrics) |
"Llorando se fue" (English: They left in tears) is a Bolivian folk song recorded by Los Kjarkas in 1981 on the album Canto a la mujer de mi pueblo [3] and released as a B-side of the "Wa ya yay" single in 1982. [4] The song has been very popular in Latin America since the 1980s and has been covered several times. It obtained international fame with artists such as Wilkins in 1984, Argentine singer Juan Ramón in 1985, Brazilian singer Márcia Ferreira in 1986 and the French-Brazilian pop group Kaoma in 1989. [4] Kaoma's cover "Lambada" was an unauthorized translation of the song and based on the music of Cuarteto Continental group and Márcia Ferreira's Portuguese version that led to a successful lawsuit against Kaoma's producers Olivier Lorsac and Jean Karakos. [4] Recently, the song was adapted by several artists including Ivete Sangalo, Red Fox's "Pose Off", Jennifer Lopez for her 2011 single "On the Floor", [4] Don Omar's "Taboo" and Wisin & Yandel's "Pam Pam".
The song is alternately titled "Lambada" in several cover versions. Its translated title in Portuguese is "Chorando se foi".
According to Gonzalo Hermosa, Los Kjarkas had based "Llorando se fue" on a small, nostalgic Andean melody. Their song in Spanish was written in a sad and slow Saya rhythm, which is a type of Afro-Bolivian music. [5]
The original recording featured an A motif of 3 bars and a B motif of 4 bars, shown here transposed to the key of A minor:
The irregular 3-bar length of the A motif is a distinctive feature that was retained in "Lambada", though some other versions have padded the motif to a more conventional 4 bars. "On the Floor" takes such an approach, and omits the B motif entirely.
By 1990, Los Kjarkas authorized the translation of the song to 42 languages. [6] They also performed a Spanish-Japanese bilingual version of the song (keeping the Saya rhythm) in concerts and for the music video made in 1990. [7] [8] The bilingual version was recorded on their 1996 album Sentimiento Andino, Volume 2 and on their 2001 compilation album 30 Años Sólo Se Vive Una Vez, Volume 1. Los Kjarkas also re-recorded "Llorando se fue" as an upbeat dance version for their 1991 album Tecno Kjarkas (Tecno Andino) and in 2010 with the Bolivian group Voltaje. [9]
Label: B.M. Productions/CBS (1989)
Label: Polydor (1990)
Brazilian singer-songwriter Márcia Ferreira was inspired to cover "Llorando se fue" when she first heard the song in its original Saya by Los Kjarkas on her trip to Tabatinga, and afterwards she bought a vinyl record by the Peruvian group Cuarteto Continental , who included their cover noted for its first upbeat version of the song introducing the accordion and produced by Alberto Maraví. She co-wrote "Chorando se foi" with José Ari as the first legally authorized Portuguese version of "Llorando se fue" and adjusted the song to the Lambada dance rhythm popular in Brazil. She released "Chorando se foi" in 1986 for her self-titled third album, which has been certified platinum. With the success of her cover version and musical career, she became known in Brazil as "A Rainha da Lambada" ("The Queen of Lambada"). [12]
Cover versions of "Chorando se foi" is credited to Márcia Ferreira and José Ari as the original authors for their Portuguese translation, in addition to the original composers Ulises Hermosa and Gonzalo Hermosa. [13]
In 1989, French band Kaoma had a chart-topping hit with their dance music single "Lambada," a cover of Brazilian singer-songwriter Márcia Ferreira's 1986 dance hit "Chorando se foi," which itself was a legally authorized Portuguese-translated rendition of the original 1981 slow ballad, "Llorando se fue" by the Bolivian group Los Kjarkas. [14] [15] Given Kaoma's release of their single without Los Kjarkas' permission, Los Kjarkas successfully sued. [16] Kaoma's "Lambada" was originally credited to a fictitious composer with the pseudonym Chico de Oliveira, and the publishing rights of this composer were registered at the French Société des auteurs, compositeurs et éditeurs de musique. [17] In 1991, a French court ruled that Kaoma's song was a copyright violation and that the correct original authors should appear on all future releases. [18]
In 1984, an upbeat version of the song introducing the accordion was released by the Peruvian group Cuarteto Continental, whose arrangements (produced by Alberto Maravi) were later purchased by Kaoma. [19] [20] The first Portuguese translation and recording of "Llorando se fue" - as "Chorando se foi" - was released by Brazilian singer-songwriter Márcia Ferreira (with co-writer José Ari) in 1986 under her third album. [21]
Prior to Kaoma's 1989 release of the song (and even after it), several covers of "Llorando se fue" have been released:
The music of Argentina includes a variety of traditional, classical, and popular genres. According to the Harvard Dictionary of Music, Argentina also has "one of the richest art music traditions and perhaps the most active contemporary musical life."
The music of Bolivia has a long history. Out of all the Andean countries, Bolivia remains perhaps the most culturally linked to the indigenous peoples.
Lambada is a dance from State of Pará, Brazil. The dance briefly became internationally popular in the 1980s, especially in the Philippines, Latin America and Caribbean countries. It has adopted aspects of dances such as maxixe, carimbó, forró, salsa, merengue.
Los Kjarkas is a Bolivian band from the Capinota province in the department of Cochabamba, and one of the most popular Andean folk music bands in the country's history. Among the styles they play are Saya, tuntuna, huayno, and carnavales. The instruments they use include the charango, quena, zampoña, ronroco, guitar, and bombo.
Wilkins is a Puerto Rican pop music singer and composer.
Kaoma was a French-Brazilian band formed in January 1989. by French producers Jean Georgakarakos and Olivier Lorsac to promote the song "Lambada". Loalwa Braz was hired to sing lead vocals, other musicians were Chyco Dru (bass), Jacky Arconte (guitar), Jean-Claude Bonaventure (keyboard), Michel Abihssira and Fania. Dru is from Martinique, Arconte from Guadeloupe, and Braz from Brazil.
The Forbidden Dance is a 1990 drama film starring former Miss USA Laura Harring. Made to cash in on the Lambada dance craze by Menahem Golan's 21st Century Film Corporation, it opened on the same day as a similarly themed film, Lambada, produced by Golan's former company Cannon Films and his cousin, Yoram Globus.
Álvaro José Arroyo González was a Colombian salsa and tropical music singer, composer and songwriter. He is considered one of the greatest performers of Caribbean and salsa music in his country and across Latin America. In 2018 Billboard counted Arroyo's song "La Rebelión" as one of the "15 Best Salsa Songs Ever".
"Pam Pam" is a single by Wisin & Yandel from the deluxe edition of their fifth studio album Pa'l Mundo. The song reached big recognition in many Spanish-speaking countries and among Latin community in the United States.
Loalwa Braz Vieira was a Brazilian singer, best known for providing the lead vocals for the French-Brazilian recording act Kaoma for their 1989 cover of the hit "Llorando se fue", later renamed as "Lambada". She was fluent in four languages, and recorded songs in her native Portuguese, as well as in Spanish, French and English.
"Lambada", also known as "Chorando Se Foi (Lambada)", or "Llorando Se Fue (Lambada)" (both meaning "crying, he/she went away" in Portuguese and Spanish, respectively), is a song by French-Brazilian pop group Kaoma. It features guest vocals by Brazilian vocalist Loalwa Braz and was released as the first single from Kaoma's 1989 debut album, Worldbeat. The accompanying music video, filmed in June 1989 in Cocos beach in the city of Trancoso, in the Brazilian state of Bahia, featured the Brazilian child duo Chico & Roberta.
Torch of the Mystics is the fourth studio album by American experimental rock band Sun City Girls. The 1990 LP cover released on Majora differs from the 1993 CD reissue by Tupelo.
"Dançando Lambada" is a song by French-Brazilian group Kaoma with the Brazilian vocalist Loalwa Braz. It was the second single from Kaoma's debut album Worldbeat and followed the smash worldwide hit "Lambada". Released in October 1989, it achieved success, peaking at number four in France, number six in Switzerland and number 11 in Ireland, but was unable to duplicate the success of the band's previous hit single. A dub version of "Lambada" was available on the 12" and CD maxi.
Worldbeat is the debut album by Kaoma, released in 1989. It provided three hit singles, two of them achieving success worldwide: "Lambada", "Dançando Lambada" and "Mélodie d'amour". The album is composed of songs in Portuguese, Spanish and English. It was ranked in the top 25 in Switzerland, Germany, Norway, Australia and Austria. It topped the Billboard Latin Pop in the U.S.
"Baila Esta Cumbia" is a song recorded by American Tejano singer Selena for her second studio album, Ven Conmigo (1990). It was released as the second single by EMI Latin on August 28, 1990, behind "Ya Ves". It was composed by her brother–producer A.B. Quintanilla, and Selena y Los Dinos backup dancer, Pete Astudillo. The recording is an up-tempo Mexican cumbia song. It was well received by music critics who enjoyed its cumbia-feel and rhythm.
"Taboo" is the second single from Don Omar's collaborative album Meet the Orphans released on January 24, 2011 through Universal Latino. The song is re-adapted version from Los Kjarkas's song "Llorando se fue" most commonly known for its use in Kaoma's 1989 hit single "Lambada" fused with Latin beats. The song peaked at number one on the Billboard Latin Songs, becoming his third number one single on the chart.
Bareto is a music group from Peru, famous for making their own versions of classic Peruvian cumbia songs.
Bailão do Ruivão is the third live album by Brazilian band Nando Reis e os Infernais. It is mostly consisted of cover songs. The show was recorded after two months of essays and is composed of Brazilian and international songs selected by Nando, apart from some of his own discography. The song "Could You Be Loved" was performed with Zafenate, the band of Reis' son Theodoro.
Cumbia is a folkloric genre and dance from Colombia.
This article includes an overview of the major events and trends in Latin music in the 2020s, namely in Ibero-America. This includes the rise and fall of various subgenres in Latin music from 2020 to 2029.