This article possibly contains original research .(May 2009) |
Long Live the Kane | ||||
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Studio album by | ||||
Released | June 21, 1988 | |||
Recorded | 1987–1988 | |||
Genre | Golden age hip hop | |||
Length | 46:40 | |||
Label | ||||
Producer | Marley Marl | |||
Big Daddy Kane chronology | ||||
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Singles from Long Live the Kane | ||||
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Long Live the Kane is the debut album by American rapper Big Daddy Kane, released by Cold Chillin' Records on June 21, 1988. [1] [2] It was produced by Marley Marl and established both as premier artists during hip hop's golden age. Kane displayed his unique rapping technique while covering topics including love ("I'll Take You There"), Afrocentricity ("Word to the Mother(Land)") and his rapping prowess ("Set It Off"). Marley Marl and Big Daddy Kane display a sparse production style - creating beats with fast-paced drums and lightly utilized James Brown samples.
Four singles were released in promotion of Kane's first album: "Raw/Word to the Mother (Land)," "Ain't No Half-Steppin'/Get Into It," "I'll Take You There/Wrath of Kane" and "Set It Off/Get Into It." The most commercially successful of these singles were "Ain't No Half-Steppin'", which reached #53 on the Hot R&B/Hip-Hop Singles & Tracks chart, and "I'll Take You There", which reached #73 on the same chart, but also peaked at #21 on the Hot Rap Singles chart. The other two singles did not chart, but "Raw" and "Set It Off" popularized Big Daddy Kane's high-speed style and abundant use of word play. "Raw" and "Ain't No Half Steppin'" are both described as "underground sensation[s]" and "classic[s]" by Allmusic's Steve Huey. [3] "Raw" does not appear on Long Live the Kane, but a remix which utilizes the same beat does.
Big Daddy Kane's debut album contains many tracks that were later featured on greatest hits compilations. "Ain't No Half Steppin'" alone is featured on The Very Best of Big Daddy Kane, Marley Marl's House of Hits, two "best of" Cold Chillin' Records compilations and over five additional hip-hop hit compilations. [4] Notwithstanding "Ain't No Half Steppin'," The Very Best of Big Daddy Kane contains five songs from Kane's debut album. Allmusic's Steve Huey regards "'Raw,' 'Set It Off,' and 'Ain't No Half-Steppin' [as] flawless bids for immortality [that] haven't lost an ounce of energy." [5]
The album is broken down track-by-track by Big Daddy Kane in Brian Coleman's book Check the Technique . [6]
As is the case with many Juice Crew associated projects on the Cold Chillin' label, the production was handled by legendary beatmaker Marley Marl. This has become a source of contention among many former artists on the label, Big Daddy Kane included. According to these artists, Marl was not really responsible for the production on their songs, arguing that he contributed little to no creative input beyond engineering and programming the drums. Marl has countered the artists claims by suggesting that the rappers had limited knowledge of production equipment, and would have not gotten the same signature "boom bap" sound that was unique to the producer.
In reality, many Juice Crew rappers would indeed bring in records that they wished to sample, and choose which parts they wished to rhyme over. Marl would then hook the beat up on a sampler, and give it his characteristic sound. This artistic synergy resulted in songs like "Ain't No Half Steppin'", which according to Kane, Marl initially disapproved of because of its multiple samples. Others were already full songs before being programmed, such as "Just Rhymin' With Biz" and "Set It Off". "Set It Off" was originally made by The 45 King, and was intended for Biz Markie. However, Kane heard it and liked the James Brown sound it had, asking 45 King for the beat. The 45 King sped up the beat, and gave the song its signature sampled hook.
Big Daddy Kane's debut album is one of the most influential hip hop albums from the Golden Era. Kane's lyrics have been sampled and reused, his rapping style has been emulated as well as the beats. Nas' "Where Are They Now" - a tribute to hip hop's unknown legends - not only references Big Daddy Kane's group, the Juice Crew, but uses the same James Brown sample ("Get Up, Get Into It, Get Involved") that Marley Marl used on "Set It Off." In addition, lyrics from "Just Rhymin' with Biz" have been sampled by Pete Rock & CL Smooth ("I Get Physical," "The Main Ingredient," "In the Flesh" and "Get on the Mic"), AMG ("Jiggable Pie"), AZ ("Rather Unique"), the Stieber Twins ("PBB Get's Physical"), Big L ("M.V.P."), Gang Starr ("Here Today, Gone Tomorrow"), the Beastie Boys ("So What'cha Want"), Real Live ("Real Live Shit (Remix)"), RZA ("Cameo Afro") and interpolated by Masta Ace ("Nostalgia" by Marco Polo) and Brother Ali ("Star Quality"). "Ain't No Half Steppin'" has also been sampled by various artists including Nice & Smooth ("No Delayin'"), Ed O.G. & Da Bulldogs ("I'm Different"), The Notorious B.I.G. ("Ready to Die"), Jeru the Damaja ("Frustrated Nigga"), Elzhi ("Talkin' In My Sleep"), People Under The Stairs ("Youth Explosion"), the Hieroglyphics ("One Life, One Love"), Blackalicious ("A To G"), K-Solo ("Letterman") and MF Doom ("Potholderz"). In addition, Gang Starr samples vocals from "Word to the Mother (Land)" on "Manifest", Mr. Lif samples vocals from "Raw (Remix)" on "Live from the Plantation", and Celph Titled and Buckwild sample a vocal from "Rhymin with Biz" on "Eraserheads."
On "The Listening," a 2002 song by Little Brother, rapper Phonte reminisces about the Golden Age and his influences stating:
Review scores | |
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Source | Rating |
AllMusic | [7] |
The Encyclopedia of Popular Music | [8] |
Los Angeles Times | [9] |
MusicHound R&B | [10] |
The Philadelphia Inquirer | [11] |
The Rolling Stone Album Guide | [12] |
The Source | [13] |
The Village Voice | B [14] |
In 1998, the album was selected as one of The Source 's 100 Best Rap Albums. [15] In 1999, ego trip ranked it as the sixth best hip hop album released in 1988. [16] In 1989, Spin placed it at number twenty in their list of the best albums of all time. [17] Nas ranked the album as one of his 25 Favorite Albums. [18]
It was certified as gold by the Recording Industry Association of America in 1989, and it remains as one of only two of Kane's albums to have sold over 500,000 copies. [19] The other Big Daddy Kane album to reach gold status, It's a Big Daddy Thing , is the only album said to rival Long Live the Kane as the rapper's best album. [5] AllMusic's Stanton Swihart contributes the positive reception of Long Live the Kane to Big Daddy Kane's versatility and personality:
Even though he spends a good 90% of the album boasting about his skills and abilities on the microphone, and cutting those of other MCs, Big Daddy Kane consistently proves himself a thrilling artist on his debut album, Long Live the Kane, one of the most appealing creations from the original new school of rap. This debut captures the Big Daddy Kane who rocked the house at hip-hop clubs and verbally cut up any and all comers in the late '80s with his articulate precision and locomotive power – the Big Daddy Kane who became an underground legend, the Big Daddy Kane who had the sheer verbal facility and razor-clean dexterity to ambush any MC and exhilarate anyone who witnessed or heard him perform. There are missteps here, to be sure – especially "The Day You're Mine," on which Kane casts himself as a loverman over a stilted drum machine and lackluster, cheesily seductive singing (offering a glimpse of the particular corner into which he would eventually paint himself). But there are also plenty of legitimate early hip-hop classics, none of which have lost an ounce of their power, and all of which serve as reminders of a time and era when hip-hop felt immediate, exciting, fresh, and a little bit dangerous (in the figurative, rather than literal, sense), and when hip-hop spawned commercial tastes of the moment rather than surrendering to them. Although his next album would be nearly the artistic equal of the debut – and, in many ways, even bettered it – Big Daddy Kane would never sound as compelling or as fresh as on this first effort. [7]
No. | Title | Writer(s) | Length |
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1. | "Long Live the Kane" | A. Hardy | 4:55 |
2. | "Raw" (Remix) | A. Hardy | 5:45 |
3. | "Set It Off" | A. Hardy | 4:07 |
4. | "The Day You're Mine" |
| 5:12 |
5. | "On the Bugged Tip" (featuring Scoob Lover) | A. Hardy | 3:18 |
6. | "Ain't No Half-Steppin'" | A. Hardy | 5:18 |
7. | "I'll Take You There" | A. Hardy | 4:55 |
8. | "Just Rhymin' with Biz" (featuring Biz Markie) | A. Hardy | 4:02 |
9. | "Mister Cee's Master Plan" (featuring Mister Cee) | A. Hardy | 5:24 |
10. | "Word to the Mother (Land)" | A. Hardy | 3:09 |
Total length: | 46:40 |
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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United States (RIAA) [24] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Marlon Lu'Ree Williams, better known by his stage name Marley Marl, is an American DJ, record producer, rapper and record label founder, primarily operating in hip hop music. Marlon grew up in Queensbridge housing projects located in Queens, New York. He performed in local talent shows during the early days of rap music, further fueling his interest.
Shawn Moltke, better known by his stage name MC Shan, is an American rapper, singer and record producer from New York City. He is best known for his guest appearance and production on Canadian singer Snow's 1993 single "Informer", which peaked atop the Billboard Hot 100. Shan is also known for his 1986 single "The Bridge," which was produced by Marley Marl and entered the Hot R&B/Hip-Hop Songs chart.
Antonio Hardy, better known by his stage name Big Daddy Kane, is an American rapper, producer and actor who began his career in 1986 as a member of the Juice Crew. He is widely regarded as one of the most influential and skilled MCs in hip hop. Rolling Stone ranked his song "Ain't No Half-Steppin'" number 25 on its list of The 50 Greatest Hip-Hop Songs of All Time, calling him "a master wordsmith of rap's late-golden age and a huge influence on a generation of MCs".
Duval Clear, better known by his stage name Masta Ace, is an American rapper and record producer from New York City. A lead member of Mr. Magic's hip hop collective Juice Crew, he is best known for his guest appearance alongside Kool G Rap, Craig G and Big Daddy Kane on the group's 1988 posse cut "The Symphony". He is noted for his distinct voice and rapping proficiency.
It's a Big Daddy Thing is the second full-length album by American rapper Big Daddy Kane. It was released on September 19, 1989, by Cold Chillin' Records and Warner Bros. Records.
The Juice Crew was an American hip hop collective made up largely of Queensbridge, New York–based artists in the mid-to-late 1980s. Founded by radio DJ Mr. Magic, and housed by Tyrone Williams' record label Cold Chillin' Records, the Juice Crew helped introduce New School artists MC Shan, Big Daddy Kane, Biz Markie, Roxanne Shante, Masta Ace, Tragedy, Craig G and Kool G Rap. The crew produced many answer records and engaged with numerous "beefs" – primarily with rival radio jock Kool DJ Red Alert and the South Bronx's Boogie Down Productions, as well as the "posse cut", "The Symphony".
Cold Chillin' Records was a record label that released music during the golden age of hip hop from the late 1980s to the early 1990s. A producer-and-crew label founded by manager Tyrone Williams and run by Len Fichtelberg, most of the label's releases were by members of the Juice Crew, a loosely knit group of artists centered on producer Marley Marl. In 1998, the label shut down, and the majority of its expansive catalog was bought by Massachusetts-based LandSpeed Records.
Road to the Riches is the debut album by hip hop duo Kool G Rap & DJ Polo, which was released in 1989 on then-prominent hip hop label Cold Chillin' Records. The album is notable for being one of the blueprints for the mafioso rap trend with the title track "Road to the Riches," which received strong rotation on the TV show Yo! MTV Raps, and was later featured on the old-school hip hop radio station Playback FM from the game Grand Theft Auto: San Andreas. Most of the songs, however, are not crime-related. Other popular songs included "It's a Demo" and "Poison." In 1998, Road to the Riches was selected as one of The Source's "100 Best Albums".
Prince of Darkness is the fourth album by rapper Big Daddy Kane, released in 1991 on Cold Chillin' Records. The album features guest appearances from Q-Tip and Busta Rhymes, and features the singles "Groove with It", "Raw ’91" and "The Lover in You".
Goin' Off is the debut studio album by American hip hop musician Biz Markie. The album was released by Cold Chillin' Records, and produced by Marley Marl. Big Daddy Kane wrote the lyrics of the album's first five songs. The album also showcased Biz's talent as a human beatbox on the song "Make the Music with Your Mouth, Biz", and his skill in the game of dozens on the track "Nobody Beats the Biz". One of his most widely known songs, "Vapors", was on the album.
In Control, Volume 1 is the debut studio album by American hip hop record producer Marley Marl, of the Juice Crew. It was released on September 20, 1988, through Cold Chillin' Records with distribution via Warner Bros. Records.
Bad Sister is the debut album by Roxanne Shanté, released in 1989 on Cold Chillin' Records. The album peaked at No. 52 on the Top R&B/Hip-Hop Albums chart.
The following is a discography of production credited to Marley Marl.
The discography of Big Daddy Kane, an American rapper, consists of seven studio albums and fourteen singles.
"Ain't No Half-Steppin'" is a 1988 hip-hop song written and performed by American rapper Big Daddy Kane. Released as a single from Kane's debut album Long Live the Kane, it peaked at No. 53 on the Billboard Hot Black Singles chart. The song samples "Ain't No Half Steppin'" by Heatwave, "UFO" by ESG, and "Blind Alley" by The Emotions.
"The Symphony" is a rap song produced by Marley Marl featuring Juice Crew members Masta Ace, Kool G Rap, Craig G and Big Daddy Kane. The track appears on Marley Marl's 1988 Cold Chillin' Records release In Control, Volume 1. Rolling Stone ranked "The Symphony" the 48th greatest hip-hop song of all time, calling it "the first truly great posse cut".
"Poison" is the first single from American hip hop duo Kool G Rap & DJ Polo's 1989 debut album Road to the Riches. It would later feature on the compilation albums Killer Kuts (1994), The Best of Cold Chillin (2000), Greatest Hits (2002) and Street Stories: The Best of Kool G Rap & DJ Polo (2013).
Osten S. Harvey Jr., better known by his stage name Easy Mo Bee, is an American hip hop and R&B record producer and DJ, known for his production work for artists such as Big Daddy Kane and Miles Davis, as well as his affiliation with Bad Boy Records in its early years, and his production involvement in The Notorious B.I.G.'s debut album, Ready to Die. He also produced two songs on 2Pac's album, Me Against the World.
A number of hip hop artists in the United States are followers of Islam. Although some Muslims believe some or most forms of music are haram, these artists do not necessarily consider themselves as practicing orthodox Muslims.
In Control Volume II (For Your Steering Pleasure) is the second studio album by American hip hop record producer Marley Marl. It was released on October 1, 1991, via Cold Chillin' Records. Recording sessions took place at Marley's House Of Hits in Chestnut Ridge, New York. Production was handled by Marley Marl himself, with Benny Medina, Francesca Spero and Tyrone Williams serving as executive producers. It features guest appearances from Tragedy Khadafi, Big Daddy Kane, Craig G, Heavy D, Kool G Rap and Masta Ace, who contributed on In Control, Volume 1, as well as Big Money Wiz, Chubb Rock, Chuck D, Def Jef, Eclipse, Grand Puba, Kev-E-Kev & AK-B, King Tee, Little Daddy Shane, LL Cool J, MC Amazing, MC Cash, Mike Nice, Nexx Phase, Perfection, Portia Kirkland, Pure Cane Sugar, Rap Industry For Social Evolution and The Flex. Action, Biz Markie, MC Shan and Roxanne Shanté did not appear on this album.