Look to the Rainbow (Al Jarreau album)

Last updated
Look to the Rainbow
Look to the Rainbow Al Jarreau.jpg
Live album by
ReleasedMay 27, 1977
RecordedJanuary – February 1977
Genre Jazz, rhythm and blues, soul
Length79:15 (original LP)
73:24 (CD version)
Label Warner Bros.
Producer Al Schmitt, Tommy LiPuma
Al Jarreau chronology
Glow
(1976)
Look to the Rainbow
(1977)
All Fly Home
(1978)
Singles from Look to the Rainbow
  1. "Take Five"
    Released: 1977

Look to the Rainbow is a live album by Al Jarreau, released on May 27, 1977, by Warner Bros. Records. It marked a breakthrough for his career in Europe and later also in the US. In 1978 it won the Grammy Award for Best Jazz Vocal Performance.

Contents

Background

In 1976 Jarreau made his first live appearances in Europe, starting with concerts at the jazz festivals in Montreux [1] and Berlin. [2] The following year he began his first tour through 16 cities in Europe starting with a gig at Onkel Pö's in Hamburg. Look to the Rainbow is a set of recordings from that tour.

The title song "Look to the Rainbow" is from the musical Finian's Rainbow , a Broadway production from the late 1940s. The most recognized song on this album is Jarreau's interpretation of Paul Desmond's classic jazz number "Take Five", which was also released as a single in an edited version in 1977.

Both tour and album brought him enthusiastic reviews in Germany, where he immediately became a darling of the public, while his recognition in the US remained low until he received his first Grammy in 1978.

Style

Look to the Rainbow is a jazz-oriented album which is characterized by a unique light and open sound. With no guitar or brass instruments, accompanied by Tom Canning's Fender Rhodes (in some places supported by an ARP String Ensemble) and Lynn Blessing's vibraphone, Al Jarreau's voice is the main lead instrument and he uses it intensely as such.

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [3]
Melody Maker favourable [4]
NME unfavourable [5]
Sounds Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [6]

AllMusic states that of the albums from Jarreau's Warner Brothers period, this is "easily the most jazz-oriented". It further cites his abilities "as a brilliant scat singer (able to emulate practically any instrument)" and also a "superior ballad interpreter" as evident on this recording. [3]

Reviews in the UK's music press were mixed. Melody Maker was full of praise for the album, claiming that Jarreau "has taken the seemingly well-worn genre of the freely improvising jazz singer and conjured it, miraculously, back to life". The review observed that "like all the best artists, Jarreau does not work in a vacuum, but as the successor to a great tradition. When he performs, you can hear the expected echoes of King Pleasure and Jon Hendricks, upon whose foundation he is building so sensationally, and you can also hear a number of contemporary singers, mostly black, with whom he is so obviously in touch." It concluded, "There is not one second of the four sides that is not the purest magic... at last, [Jarreau] has an album worthy of his monster talent". [4] Sounds also gave the record a positive review, stating that "Al's always crisply precise: intense but not passionate up until the climax of, say, 'Take Five', when his scat shoots blind/wild, like a flock of demented starlings whizzing round a cage", and describing the album as "a great sophisticates' record, sensual petals of music unfold and furl again with Cartier elegance". [6] However, NME was less enthusiastic, saying that "Look to the Rainbow is a good representation of Jarreau live. It's relaxed and intimate, the mood hardly varies throughout and the pace never gets more frantic than a light, funky backbeat that creeps in for some of the songs... The result is homogenous and patently easy to listen to. Therein lies the problem. If you weren't looking for a memento of Jarreau's concert [...] there wouldn't be much here to attract attention. Jarreau's unusual voice is at first beguiling, but soon becomes gimmicky, like a hipper male version of Cleo Laine. When he gets funky (as on 'So Long Girl') there's little to complain about but on the slower songs the combination of his voice and the milky sentimentality becomes irritating... Look to the Rainbow is too close to MOR for comfort." [5]

In Germany Der Spiegel stated, "In einem Verwirrspiel der Phrasen und Silben werden Tonfiguren zu Sinnträgern, wandeln sich Wörter zu reinem Klang" ("In a deliberately confusing game of phrases and syllables tone-figures become meaning, words transform into pure sound"). [7]

Die Zeit was also enthusiastic: "Es sollte nicht wundern, wenn hier der Sammy Davis jr. von morgen die Szene betreten hätte" ("It wouldn't surprise us if we've seen the new Sammy Davis Jr. arrive on the scene"). [2]

Track listing

All tracks are written by Al Jarreau except where noted.

No.TitleWriter(s)Length
1."Letter Perfect" 5:16
2."Rainbow in Your Eyes" Leon Russell 6:17
3."One Good Turn" 6:30
4."Could You Believe" 6:49
5."Burst In with the Dawn" 7:24
6."Better Than Anything"Bill Loughborough, David Wheat 5:08
7."So Long Girl" 3:44
8."Look to the Rainbow" Yip Harburg, Burton Lane 7:54
9."You Don't See Me" 6:44
10."Take Five" Paul Desmond 7:20
11."Loving You" 5:00
12."We Got By" 6:57

Note : CD issues feature minor edits to tracks in relation to the original LP release. Official download releases restore the original full-length versions.

Personnel

Production

Charts and awards

Chart (1977)Position
Norwegian Albums (VG-lista) [8] 20
Billboard 200 [9] 49
Jazz Albums (Billboard) [9] 5
R&B Albums (Billboard) [9] 19

The album was certified gold by the RIAA on August 24, 2001. [10] The single "Take Five" peaked at #91 R&B Singles in 1977. [11]

In 1978 Al Jarreau won the best Jazz performance Grammy for Look to the Rainbow. [12]

Charting singles

YearSongPeak chart positions [13]
US R&B
1976"Take Five"91

Related Research Articles

Count Basie American jazz musician, bandleader, and composer

William James "Count" Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.

The 20th Annual Grammy Awards were held February 23, 1978, and were broadcast live on American television. They were hosted by John Denver and recognized accomplishments by musicians from the year 1977.

Gil Evans Canadian-American jazz pianist

Ian Ernest Gilmore Evans was a Canadian–American jazz pianist, arranger, composer and bandleader. He is widely recognized as one of the greatest orchestrators in jazz, playing an important role in the development of cool jazz, modal jazz, free jazz, and jazz fusion. He is best known for his acclaimed collaborations with Miles Davis.

Jan Hammer Czech-American musician

Jan Hammer is a Czech-American musician, composer and record producer. He first gained his most visible audience while playing keyboards with the Mahavishnu Orchestra in the early 1970s, as well as his film scores for television and film including "Miami Vice Theme" and "Crockett's Theme", from the 1980s television program Miami Vice. He has continued to work as both a musical performer and producer.

David Sanborn American saxophonist

David William Sanborn is an American alto saxophonist. Though Sanborn has worked in many genres, his solo recordings typically blend jazz with instrumental pop and R&B. He released his first solo album Taking Off in 1975, but has been playing the saxophone since before he was in high school.

Al Jarreau American rhythm and blues singer

Alwin Lopez Jarreau was an American singer and musician. His 1981 album Breakin' Away spent two years on the Billboard 200 and is considered one of the finest examples of the Los Angeles pop and R&B sound. The album won Jarreau the 1982 Grammy for Best Male Pop Vocal Performance. In all, he won seven Grammy Awards and was nominated for over a dozen more during his career.

Phil Woods Musical artist

Philip Wells Woods was an American jazz alto saxophonist, clarinetist, bandleader, and composer.

Eddie Harris Musical artist

Eddie Harris was an American jazz musician, best known for playing tenor saxophone and for introducing the electrically amplified saxophone. He was also fluent on the electric piano and organ. His best-known compositions are "Freedom Jazz Dance", popularized by Miles Davis in 1966, and "Listen Here."

The Grammy Award for Best Jazz Vocal Album is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality works in the vocal jazz music genre. Awards in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

The Thad Jones/Mel Lewis Jazz Orchestra was a jazz big band formed by trumpeter Thad Jones and drummer Mel Lewis in New York in 1965. The band performed for twelve years in its original incarnation, including a 1972 tour of the Soviet Union during the height of the Cold War. The band won a Grammy Award for the album Live in Munich and in 2009 for the album Monday Night Live at the Village Vanguard. The collaboration ended in 1978 with Jones suddenly moving to Copenhagen, Denmark, after which the band became the Mel Lewis Jazz Orchestra. Since the death of Lewis in 1990 it has been known as the Vanguard Jazz Orchestra. They have maintained a Monday-night residency at the Village Vanguard jazz club in New York for five decades.

Mel Lewis Musical artist

Melvin Sokoloff, known professionally as Mel Lewis, was an American jazz drummer, session musician, professor, and author. He received fourteen Grammy Award nominations.

Jon Hendricks Musical artist

John Carl Hendricks, known professionally as Jon Hendricks, was an American jazz lyricist and singer. He is one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists, such as the big-band arrangements of Duke Ellington and Count Basie. He is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. Jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz", while Time dubbed him the "James Joyce of Jive". Al Jarreau called him "pound-for-pound the best jazz singer on the planet—maybe that's ever been".

Al Schmitt American recording engineer and record producer

Albert Harry Schmitt was an American recording engineer and record producer. He won twenty Grammy Awards for his work with Henry Mancini, Steely Dan, George Benson, Toto, Natalie Cole, Quincy Jones, and others. He also won 2 Latin Grammys, and a Trustees Grammy for Lifetime Achievement.

Paul McCandless Musical artist

Paul Brownlee McCandless Jr. is an American multi-instrumentalist and founding member of the American jazz group Oregon. He is one of the few jazz oboists. He also plays bass clarinet, English horn, flute and soprano saxophone.

Victor Feldman English jazz musician

Victor Stanley Feldman was an English jazz musician who played mainly piano, vibraphone, and percussion. He began performing professionally during childhood, eventually earning acclaim in the UK jazz scene as an adult. Feldman emigrated to the United States in the mid-1950s, where he continued working in jazz and also as a session musician with a variety of pop and rock performers.

Randy Brecker American flugelhorn and trumpet player (1945–)

Randal Edward Brecker is an American trumpeter, flugelhornist, and composer. His versatility has made him a popular studio musician who has recorded with acts in jazz, rock, and R&B.

Jay Graydon Musical artist

Jay Joseph Graydon is an American songwriter, recording artist, guitarist, singer, producer, arranger, and recording engineer. He is the winner of two Grammy Awards with twelve Grammy nominations, among them the title "Producer of the Year" and "Best Engineered Recording". He has mastered many different music styles and genres, and his recordings have been featured on record, film, television and the stage.

<i>Miles & Quincy Live at Montreux</i> 1993 live album by Miles Davis and Quincy Jones

Miles & Quincy: Live at Montreux is a collaborative live album by American jazz trumpeter Miles Davis and conductor Quincy Jones. It was recorded at the 1991 Montreux Jazz Festival and released by Warner Bros. Records in 1993.

Onkel Pö

Onkel Pös Carnegie Hall, better known as Onkel Pö, was a music venue in Hamburg in the 1970s and the early 1980s.

Neil Larsen is an American jazz keyboardist, musical arranger and composer. He was born in Cleveland, Ohio and grew up in Sarasota, Florida before relocating to New York and then, in 1977, Los Angeles.

References

  1. "Montreux setlist database".
  2. 1 2 Rothschild, Thomas (November 12, 1976). "Auf der Suche nach frischen Klängen". Die Zeit (in German). Retrieved September 19, 2014.
  3. 1 2 Yanow, Scott. "Review: Al Jarreau – Look to the Rainbow".
  4. 1 2 Dallas, Karl (4 June 1977). "Review: Al Jarreau – Look to the Rainbow". Melody Maker . London, England: IPC Media: 24.
  5. 1 2 Rambali, Paul (18 June 1977). "Review: Al Jarreau – Look to the Rainbow". NME . London, England: IPC Media: 32–33.
  6. 1 2 Goldman, Vivien (11 June 1977). "Review: Al Jarreau – Look to the Rainbow". Sounds . London, England: Spotlight Publications: 30.
  7. "Start bei Onkel Pö". Der Spiegel (in German). November 15, 1977. Retrieved September 19, 2014.
  8. "Norwegiancharts.com – Al Jarreau – Look to the Rainbow – Live". Hung Medien. Retrieved October 6, 2014.
  9. 1 2 3 "Look to the Rainbow: Live in Europe – Al Jarreau - Awards - Allmusic". AllMusic . Retrieved October 6, 2014.
  10. "RIAA – Searchable Database: Al Jarreau". Archived from the original on February 1, 2013. Retrieved September 16, 2014.
  11. "Look to the Rainbow - Charts and Awards at Allmusic".
  12. "Jarreau wins Jazz Grammy (Milwaukee Sentinel, 02/24/1978)".
  13. "Al Jarreau – Chart history – Billboard".