Tour by U2 | |
Location |
|
---|---|
Associated album | Rattle and Hum |
Start date | 21 September 1989 |
End date | 10 January 1990 |
Legs | 2 |
No. of shows | 47 |
U2 concert chronology |
The Lovetown Tour was a concert tour by the Irish rock band U2, which took place in late 1989 and early 1990 following the release of Rattle and Hum . It was documented by noted rock film director Richard Lowenstein in the "LoveTown" documentary.
While the tour was limited in scope, it reached places that The Joshua Tree Tour had missed, all the while avoiding the United States entirely. [1]
The tour's opening night was on 21 September 1989 at the Entertainment Centre in Perth, Australia. The first leg took place over the next 10 weeks in Australia, New Zealand, and Japan. A brief second leg hit four countries in Europe for four weeks, ending on 10 January 1990 at the Sport Paleis Ahoy in Rotterdam, Netherlands. Of the tour's 47 concerts, 23 were played in Australia. [2] [3]
Songs played on the tour largely coincided with those played on The Joshua Tree Tour, also including then-new songs from Rattle and Hum including a nightly cover of Bob Dylan's All Along the Watchtower in a version obviously influenced by that of Jimi Hendrix. The band, however, delighted fans by sometimes shifting its setlist from night to night and with uncharacteristic guitar soloing by The Edge. Many songs performed on the tour would not be performed again for many years, if ever, as the band subsequently shifted its sound dramatically on the album Achtung Baby with tours in the 1990s that featured more choreographed performances and largely emphasized newer material. The tour marked the end of the band's long-time practice of concluding nearly every concert with the song "40", which featured the band leaving the stage one-by-one and the audience chanting the chorus. This practice was not resurrected until 15 years later, during the Vertigo Tour. Notably absent from the tour was the song Sunday Bloody Sunday, which had been a live staple and which would be featured in all subsequent tours. Other songs performed included "Slow Dancing" and "She's a Mystery to Me", written for Willie Nelson and Roy Orbison, respectively. Both artists would go on to record the respective songs, with Orbison's recording being featured on his final, posthumously released album, Mystery Girl , which was named for the song. B. B. King toured with the band and played the first set each night. At the end of U2's set, King and his band joined them for a short encore.
The tour was plagued by troubles with Bono's voice due to both excessive use and illness - he stated in concert that he caught "some pretty psychedelic germs" in Australia and that they were "having their Annual General Meeting" in his throat. These vocal troubles meant three Sydney concerts had to be postponed. Later, severe troubles meant concerts in Dortmund and Amsterdam had to prematurely conclude; two other Amsterdam shows were cancelled and replaced by four shows in Rotterdam, causing the tour to spill over into 1990 instead of ending on New Year's Eve at Dublin's Point Depot as planned. However, when Bono's voice was not troubling him, he had an impressive singing range, with the falsetto later mastered starting to seriously appear, but without sacrificing the powerful depth of his lower singing range.
As with all U2 tours from 1983 on, the stage and lighting design was done by Willie Williams. The tour name, possibly a contraction of the Rattle and Hum song "When Love Comes to Town", was the first not to be named for the band's then-current album; as of 2018 [update] , all of their subsequent tours have also had different names from any album, with the exception of the 30th anniversary tours of The Joshua Tree .
This set list is representative of the tour's average setlist as conducted by Setlist.fm, which represents all concerts for the duration of the tour. [4]
The "LoveTown" documentary featured performances filmed primarily on 18 November 1989 at Sydney Entertainment Centre in Sydney, Australia. The film opened with "Hawkmoon 269", and featured live renderings of "Desire", "All Along the Watchtower", "MLK", "All I Want Is You", "Van Diemen's Land," "God Part II", "When Love Comes to Town", and "Love Rescue Me". The documentary was interspersed with interviews with the band members and Sydney locals, as well as a radio performance of an early version of "Slow Dancing," a song Bono wrote for Willie Nelson.
The 31 December 1989, Dublin concert was broadcast on RTÉ and BBC radio around the world, giving many fans their only taste of the tour; it was widely bootlegged and ultimately officially released in digital form in 2004 as Live from the Point Depot . It was during the 30 December Dublin show the night before, however, that Bono, apparently dissatisfied with the band's stagnation, famously said:
This foreshadowed the abrupt directional changes the band would take in the 1990s, beginning with Achtung Baby and the Zoo TV Tour. [5]
Date | City | Country | Venue | Opening Act(s) |
---|---|---|---|---|
Leg 1: Oceania and Asia [6] | ||||
21 September 1989 | Perth | Australia | Perth Entertainment Centre | Weddings Parties Anything B.B. King |
22 September 1989 | ||||
23 September 1989 | ||||
27 September 1989 | Sydney | Sydney Entertainment Centre | ||
28 September 1989 | ||||
29 September 1989 | ||||
2 October 1989 | Brisbane | Brisbane Entertainment Centre | ||
3 October 1989 | ||||
4 October 1989 | ||||
7 October 1989 | Melbourne | National Tennis Centre | ||
8 October 1989 | ||||
9 October 1989 | ||||
12 October 1989 | ||||
13 October 1989 | ||||
14 October 1989 | ||||
16 October 1989 | ||||
20 October 1989 | Sydney | Sydney Entertainment Centre | ||
21 October 1989 | ||||
27 October 1989 | Adelaide | Memorial Drive Park | ||
28 October 1989 | ||||
4 November 1989 | Christchurch | New Zealand | Lancaster Park | B.B. King |
8 November 1989 | Wellington | Athletic Park | ||
10 November 1989 | Auckland | Western Springs Stadium | ||
11 November 1989 | ||||
17 November 1989 | Sydney | Australia | Sydney Entertainment Centre | Weddings Parties Anything B.B. King |
18 November 1989 | ||||
19 November 1989 | ||||
23 November 1989 | Yokohama | Japan | Yokohama Arena | |
25 November 1989 | Tokyo | Tokyo Dome | ||
26 November 1989 | ||||
28 November 1989 | Osaka | Osaka-jō Hall | ||
29 November 1989 | ||||
1 December 1989 | ||||
Leg 2: Europe [7] | ||||
11 December 1989 | Paris | France | Palais Omnisports Bercy | B.B. King |
12 December 1989 | ||||
14 December 1989 | Dortmund | West Germany | Westfalenhalle | |
15 December 1989 | ||||
16 December 1989 | ||||
18 December 1989 | Amsterdam | Netherlands | RAI Europe Hal | |
26 December 1989 | Dublin | Ireland | Point Depot | |
27 December 1989 | ||||
30 December 1989 | ||||
31 December 1989 | ||||
5 January 1990 | Rotterdam | Netherlands | Ahoy | |
6 January 1990 | ||||
9 January 1990 | — | |||
10 January 1990 | — |
Achtung Baby is the seventh studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records. After criticism of their 1988 release Rattle and Hum, U2 shifted their direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound. Thematically, Achtung Baby is darker, more introspective, and at times more flippant than their previous work. The album and the subsequent multimedia-intensive Zoo TV Tour were central to the group's 1990s reinvention, by which they abandoned their earnest public image for a more lighthearted and self-deprecating one.
Rattle and Hum is a hybrid live/studio album by Irish rock band U2, and a companion rockumentary film directed by Phil Joanou. The album was produced by Jimmy Iovine and was released on 10 October 1988, while the film was distributed by Paramount Pictures and was released on 27 October 1988. Following the breakthrough success of the band's previous studio album, The Joshua Tree, the Rattle and Hum project captures their continued experiences with American roots music on the Joshua Tree Tour, further incorporating elements of blues rock, folk rock, and gospel music into their sound. A collection of new studio tracks, live performances, and cover songs, the project includes recordings at Sun Studio in Memphis and collaborations with Bob Dylan, B. B. King, and Harlem's New Voices of Freedom gospel choir.
"Where the Streets Have No Name" is a song by Irish rock band U2. It is the opening track from their 1987 album The Joshua Tree and was released as the album's third single in August 1987. The song's hook is a repeating guitar arpeggio using a delay effect, played during the song's introduction and again at the end. Lead vocalist Bono wrote the lyrics in response to the notion that it is possible to identify a person's religion and income based on the street on which they lived, particularly in Belfast. During the band's difficulties recording the song, producer Brian Eno considered erasing the song's tapes to have them start from scratch.
The Zoo TV Tour was a worldwide concert tour by rock band U2. Staged in support of their 1991 album Achtung Baby, the tour visited arenas and stadiums from 1992 to 1993. It was intended to mirror the group's new musical direction on Achtung Baby. In contrast to U2's austere stage setups from previous tours, the Zoo TV Tour was an elaborately staged multimedia spectacle, satirising television and media oversaturation by attempting to instill "sensory overload" in its audience. To escape their reputation for being earnest and over-serious, U2 embraced a more lighthearted and self-deprecating image on tour. Zoo TV and Achtung Baby were central to the group's 1990s reinvention.
The PopMart Tour was a worldwide concert tour by rock band U2. Staged in support of the group's 1997 album Pop, the tour's concerts were performed in stadiums and parks in 1997 and 1998. Much like the band's previous Zoo TV Tour, PopMart was an elaborate production. Its lavish stage design had a 165-foot-wide (50 m) LED screen, a 100-foot-high (30 m) golden arch, and a large mirror-ball lemon. As with the Zoo TV Tour, the band delivered an image and performance that were ironic and self-mocking on PopMart, deviating from their earnest performances of the 1980s; the band performed in costumes that, along with the stage design, poked fun at the themes of consumerism and pop culture.
"When Love Comes to Town" is a song by Irish rock band U2 featuring blues guitarist B.B. King. It is the twelfth track from U2's 1988 album, Rattle and Hum, and was released in 1989 as the record's third single. The song was recorded at the historic Sun Studio in Memphis. "When Love Comes to Town" reached number one in the Irish Singles Chart, number six in the UK Singles Chart, number ten in the Dutch Top 40, and number two in the US Mainstream Rock Tracks chart.
"Desire" is a song by Irish rock band U2 and the third track on their 1988 album, Rattle and Hum. It was released as the album's lead single on 19 September 1988, and became the band's first number-one single in the United Kingdom and Australia. It reached number three on the Billboard Hot 100 in the United States, and topped both the Modern Rock Tracks and Mainstream Rock Tracks charts, making it the first song to reach number one on both charts simultaneously. It reached number two on the Dutch Top 40. At the 31st Annual Grammy Awards, "Desire" won the 1988 Grammy Award for Best Rock Performance by a Duo or Group with Vocal.
The Joshua Tree Tour was a concert tour by Irish rock band U2. Staged in support of their 1987 album The Joshua Tree, the tour visited arenas and stadiums across North America and Europe from April to December 1987. The tour was depicted on the video and live album Live from Paris, and on the 1988 album and documentary film Rattle and Hum.
The Unforgettable Fire Tour was a concert tour by Irish rock band U2 that took place in 1984 and 1985 in support of band's album The Unforgettable Fire. Beginning in August 1984 with the band's first tour to Australia and New Zealand, the tour spanned four further legs which included 43 concerts in Europe and 50 in North America.
"Bad" is a song by Irish rock band U2 and the seventh track on their 1984 album, The Unforgettable Fire. Thematically, the song is about heroin addiction, though lead vocalist Bono has given varying accounts of who was the inspiration behind his lyrics. "Bad" is considered a fan favourite and is one of U2's most frequently performed songs in concert. The band's 12-minute performance of the song at the Live Aid charity concert in 1985 was a breakthrough moment for them.
"God Part II" is a song by rock band U2, and the 14th track from their 1988 album Rattle and Hum.
"October" is the seventh and title track from U2's 1981 album, October. It is a departure from U2's classic sound, as it is a quiet, almost instrumental piece. It was included as a hidden track on The Best of 1980–1990 compilation. It is the only track from October included in the compilation.
"MLK" is a song by Irish rock band U2, and is the tenth and final track on their 1984 album, The Unforgettable Fire. An elegy to Martin Luther King Jr., it is a short, pensive piece with simple lyrics. It was because of this song and "Pride ", another tribute to King, that lead vocalist Bono received the highest honor of the King Center for Nonviolent Social Change, an organization founded by Coretta Scott King.
This is a timeline of the history of rock band U2:
From the Sky Down is a 2011 American documentary film directed by Davis Guggenheim about rock band U2 and the production of their 1991 album Achtung Baby. The film documents the album's difficult recording period, the band members' relationships, and the group's creative process. Guggenheim, who was commissioned by U2 to create the film to commemorate the record's 20th anniversary, spent several months in 2011 developing the documentary. The band were filmed during a return visit to Hansa Studios in Berlin where parts of the album were recorded, and during rehearsals in Winnipeg for the Glastonbury Festival 2011. The film contains unreleased scenes from the group's 1988 motion picture Rattle and Hum, along with archival footage and stills from the Achtung Baby recording sessions. Development of the album's emblematic song "One" is recounted through the replaying of old recording tapes.
"One Tree Hill" is a song by Irish rock band U2 and the ninth track on their 1987 album The Joshua Tree. In March 1988, it was released as the fourth single from the album in New Zealand and Australia, while "In God's Country" was released as the fourth single in North America. "One Tree Hill" charted at number one on the New Zealand Singles Chart and was the country's second-most-successful hit of 1988.
"Acrobat" is a song by rock band U2, and is the eleventh track on their 1991 album Achtung Baby. The song developed from a riff created by guitarist the Edge, and is played in a 12
8 time signature. Lyrically, the song expresses themes of hypocrisy, alienation, and moral confusion. Although "Acrobat" was rehearsed prior to the third leg of the Zoo TV Tour, it had not been performed live until its debut on the Experience + Innocence Tour on 2 May 2018.
"Love Is Blindness" is a song by rock band U2, and the twelfth and final track on their 1991 album Achtung Baby. The song was written on piano by lead singer Bono during the recording sessions for U2's 1988 album Rattle and Hum. Originally intending to give the song to singer Nina Simone, the band decided to keep it for Achtung Baby after playing it together. Thematically, the song describes a failing romance, mixing personal themes with imagery of metaphorical acts of terrorism. During the recording sessions for Achtung Baby, guitarist the Edge separated from his wife, Aislinn O'Sullivan. The separation had a major effect on the development of the song; Bono said that the ending guitar solo was a cathartic experience for the Edge, as he snapped several guitar strings during the recording.
"Stay " is a song by rock band U2. It is the fifth track on their 1993 album, Zooropa, and was released as the album's third single on 22 November 1993. The song reached number one in Ireland and reached the top 10 in Australia, Iceland, the United Kingdom, and several other countries. The music video was shot in Berlin, Germany. The earliest incarnation of the song developed during sessions for the group's 1991 album Achtung Baby. It was written for and inspired by Frank Sinatra and bore his surname as the original working title. An alternative recording was used in the Wim Wenders film Faraway, So Close!.