The Madonna dell'Impannata is an oil on panel painting by the Italian High Renaissance painter Raphael, executed c. 1513–1514. It has been preserved at the Palatine Gallery in Florence.
Christ Falling on the Way to Calvary, also known as Lo Spasimo or Il Spasimo di Sicilia, is a painting by the Italian High Renaissance painter Raphael, of c. 1514–16, now in the Museo del Prado in Madrid. It is an important work for the development of his style.
The Madonna Colonna is an oil on poplar painting by the Italian Renaissance artist Raphael. It was painted c. 1507–1508, near the end of Raphael's Florentine period.
The Madonna of the Rose is a 1518-1520 painting, now in the Museo del Prado in Madrid. Its attribution as by Raphael is uncertain, and the involvement of Giulio Romano cannot be excluded. The rose and the lower portion were added at a later date by an unknown artist. A second autograph version of this painting, without the added rose and lower strip, painted on wood panel, is owned by real estate magnate Luke Brugnara. In 2022, the painting was included in an exhibition held by the National Gallery.
The Holy Family is a 1518 painting of the Holy Family, Saint Elisabeth, an infant John the Baptist and two angels. It is signed by Raphael, but most of the work was delegated to his workshop assistants. It was commissioned by Pope Leo X as a gift to Claude, wife of Francis I of France, hence its name. It is now in the Louvre.
The Madonna with Beardless Saint Joseph is an early painting by Raphael, executed c. 1506, now at the Hermitage Museum. It depicts Saint Joseph, the Virgin Mary, and the Christ Child.
The Barbadori Altarpiece is a painting by Filippo Lippi, dated to 1438 and housed in the Louvre Museum of Paris. It is a sacra conversazione that contains flow between each figure to depict a coronation.
The Madonna of the Rose Garden is a tempera painting on panel by the Italian Renaissance painter from Florence, Sandro Botticelli between 1469 and 1470. It is one of his earliest paintings and is now in the Uffizi Gallery in Florence, Italy.
La Perla is a 1518-1520 oil on canvas painting by Raphael. It depicts the Madonna and Child with John the Baptist, Saint Anne and in the background St Joseph. At this stage clearly influenced by his encounter with Leonardo (1513-1516) the pyramidal arrangement of the characters, the light contrasts and the recreation of a landscape that is no longer idealized but realistic are proof of it.
Mary Magdalene is an oil on panel painting of Mary Magdalene, dating to around 1500 and now in the Galleria Palatina in Florence - it has featured in its inventory since 1641. It is now attributed to Perugino. It is modelled on his wife Chiara Fancelli, who also modelled for several of his Madonnas. It is comparable to his Madonna and Child with St John the Baptist and St Catherine of Alexandria (Louvre), of similar date and with a similar dark background.
Madonna and Child with St John the Baptist and St Augustine is a c.1494 painting by Perugino of the Madonna and Child enthroned between John the Apostle and Augustine of Hippo. It is in the church of Sant'Agostino in Cremona. It was commissioned in 1493 by the rich Roncadelli family, and the following year he painted it at his Florence studio before shipping it to Cremona. It is signed and dated on the throne Petrus Perusinus pinxit MCCCCLXXXXIIII.
Madonna and Child is a tempera on panel painting of the enthroned Madonna and Child by the Italian late medieval artist Gentile da Fabriano. At its base are small angel musicians. It is now in the Galleria Nazionale dell'Umbria in Perugia.
Holy Family under an Oak Tree or Madonna of the Oak Tree is an oil-on-panel painting by the Italian Renaissance artist Giulio Romano using a composition or underdrawing by Raphael. It is now in the Prado in Madrid. It is dated to c. 1518 by its stylistic similarities to other works produced by the two artists around that time such as La Perla (Prado). In the background is a valley reminiscent of that of the River Tiber, with a ruin on a hill to the left based on the Basilica of Maxentius or the Baths of Caracalla.
Saint John the Baptist as a Boy is a c. 1518-1519 oil on canvas painting by the studio of Raphael, now in the Uffizi in Florence.
The 'Diotallevi Madonna is an oil on panel painting by Raphael, created c. 1504. It is held in the Bode Museum, in Berlin, where it entered in 1841-1842 from Marquess Diotallevi's collection in Rimini. Previously attributed to Raphael's teacher Perugino, almost all art historians now attribute it to Raphael, with the exception of Adolfo Venturi who attributes it and parts of Perugino's Madonna della Consolazione to an anonymous, "Master of the Diotallevi Madonna".
The Bridgewater Madonna is a religious painting by Raphael, dated 1507. Originally on oil and wood, but later transferred to canvas, it measures 81 by 55 cm. The picture is part of the permanent collection of the Scottish National Gallery in Edinburgh, on loan from the Duke of Sutherland Collection.
Madonna and Child Enthroned with Saint James and Saint Jerome is a 1489 oil painting by Cima da Conegliano, originally painted on panel and later transferred to canvas. It shows James the Great and Jerome either side of an enthroned Madonna and Child and now hangs in the Pinacoteca civica in Vicenza, housed in the Palazzo Chiericati.
The Old Woman is a 1506 oil on canvas painting by Giorgione, still in its original frame and now in the Gallerie dell'Accademia in Venice.
The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th. This new figurative language was linked to a new way of thinking about humankind and the world around it, based on the local culture and humanism already highlighted in the 14th century by Petrarch and Coluccio Salutati, among others. Filippo Brunelleschi, Donatello and Masaccio's innovations in the figurative arts at the very beginning of the 15th century were not immediately accepted by the community, and for some twenty years remained misunderstood and in the minority compared to International Gothic.
The Renaissance in Urbino was one of the most fundamental manifestations of the early Italian Renaissance.
