The Prophet Isaiah | |
---|---|
Artist | Raphael |
Year | 1511-1512 |
Type | Fresco |
Dimensions | 250 cm× 155 cm(98 in× 61 in) |
Location | Basilica di Sant'Agostino, Rome |
The Prophet Isaiah is a fresco located in Basilica di Sant'Agostino, an early Renaissance church in Rome. It is an Italian Renaissance painting, influenced by Michelangelo's work on the Sistine Chapel ceiling.
Isaiah, a powerful figure, gives the illusion of a three-dimensional character, flanked by putti figures. He carries a scroll inscribed with a supplication in Hebrew for entry into Heaven (Isaiah XXVI:2–3). [1] Above him is a dedication in Greek to Saint Anne. Due to wear, Raphael's work has been retouched by other painters over time. In 1960, the fresco was restored to Raphael's vision. [2]
Johann of Goritz (also Gorizius), from Luxembourg, commissioned Raphael to paint the prophet Isaiah in fresco on a pillar in the Basilica di Sant'Agostino. [3] Soon after his arrival in Rome, his name was Latinised to Janus Corycius. He held the office of receiver of requests. [4]
Janus was a patron of the arts. Wishing to leave a mark in Rome, he had a chapel built in the Sant'Agostino basilica, with an altar commissioned in 1512 honoring his patron saint Saint Anne. [4] The altar included this fresco of Isaiah and a marble grouping of Virgin with St. Anne by Andrea Sansovino. [3] The Saint Anne altar was intended as his tomb. [5]
At the dedication of the church, a steady stream of literary friends honored Corycius with verses that were later published in the 1524 book Coryciana by Blosius Palladius, later Bishop of Foligno. The book named 120 poets who contributed verses. [4]
During a renovation of the church in the 18th century, the sculpture by Sansovino was separated from Raphael's fresco. In the late 20th century the fresco was conserved and the sculpture was restored to its original position below. [6]
Much comparison is made of the Raphael fresco Prophet Isaiah to the work of Michelangelo, Ernst Gombrich going as far to suggest that Michelangelo may have hired Raphael to work on Ezekiel for the Sistine Chapel, which he believes is much more reflective of Raphael than of Michelangelo. This would have allowed Raphael to both gain influence by Michelangelo and also contribute to the decoration of the Sistine Chapel. [7]
Within the Prophet of Isaiah, noted influences by Michelangelo include:
Legend has it that Corycius complained to Michelangelo that he had been overcharged for the fresco, to which Michelangelo responded, "the knee alone is worth the price demanded." [8]
Michelangelo di Lodovico Buonarroti Simoni, known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era.
Raffaello Sanzio da Urbino, now generally known in English as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period.
The Sistine Chapel is a chapel in the Apostolic Palace, the pope's official residence in Vatican City. Originally known as the Cappella Magna, it takes its name from Pope Sixtus IV, who had it built between 1473 and 1481. Since that time, it has served as a place of both religious and functionary papal activity. Today, it is the site of the papal conclave, the process by which a new pope is selected. The chapel's fame lies mainly in the frescoes that decorate its interior, most particularly the Sistine Chapel ceiling and The Last Judgment, both by Michelangelo.
Jacopo d'Antonio Sansovino was an Italian Renaissance sculptor and architect, best known for his works around the Piazza San Marco in Venice. These are crucial works in the history of Venetian Renaissance architecture. Andrea Palladio, in the Preface to his Quattro Libri was of the opinion that Sansovino's Biblioteca Marciana was the best building erected since Antiquity. Giorgio Vasari uniquely printed his Vita of Sansovino separately.
The Sistine Chapel ceiling, painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art.
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Pope Julius II, commissioned a series of highly influential art and architecture projects in the Vatican. The painting of the Sistine Chapel ceiling by Michelangelo and of various rooms by Raphael in the Apostolic Palace are considered among the masterworks that mark the High Renaissance in Rome. His decision to rebuild St Peter's led to the construction of the present basilica.
Florentine painting or the Florentine school refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the leading school of Western painting. Some of the best known painters of the earlier Florentine School are Fra Angelico, Botticelli, Filippo Lippi, the Ghirlandaio family, Masolino, and Masaccio.
Leopold David Ettlinger was a Warburg Institute historian of the Italian Renaissance and UC Berkeley Art Department Chair, from 1970 to 1980. He wrote some of his books together with his third wife Helen Shahrokh Ettlinger.
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas.
Events from the year 1512 in art.
Ezekiel's Vision is a c. 1518 painting by Raphael showing the prophet Ezekiel's vision of God in majesty. It is housed in the Palatine Gallery of Palazzo Pitti, Florence, central Italy.
The Renaissance in Rome occupied a period from the mid-15th to the mid-16th centuries, a period which spawned such masters as Michelangelo and Raphael, who left an indelible mark on Western figurative art. The city had been a magnet for artists wishing to study its classical ruins since the early 15th century. A revived interest in the Classics brought about the first archaeological study of Roman remains by the architect Filippo Brunelleschi and the sculptor Donatello, both Florentines. This inspired a corresponding classicism in painting and sculpture, which manifested itself in the paintings of Masaccio and Uccello. Pisanello and his assistants also frequently took inspiration from ancient remains, but their approach was essentially cataloguing, acquiring a repertoire of models to be exploited later.
The Prophet Jonah is one of the seven Old Testament prophets painted by the Italian High Renaissance master Michelangelo on the Sistine Chapel ceiling in the Vatican Palace of Vatican City.
The Prophet Jeremiah is one of the seven Old Testament prophets painted by the Italian High Renaissance master Michelangelo on the Sistine Chapel ceiling. The Sistine Chapel is in Vatican Palace, in the Vatican City.
The Prophet Isaiah is one of the seven Old Testament prophets painted by the Italian High Renaissance master Michelangelo on the Sistine Chapel ceiling. The Sistine Chapel is in Vatican Palace, in the Vatican City. Elements of this fresco have inspired various artists, including Caravaggio and Norman Rockwell in his famous Rosie the Riveter illustration.
Johannes Goritz (1457–1527), Latinised as Janus Corycius, was a Roman Catholic Church official and patron of the arts.