Mag Earwhig! | ||||
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Studio album by | ||||
Released | May 20, 1997 | |||
Recorded | 1997 | |||
Studio | Cro-Magnon Studios (Dayton, Ohio) | |||
Genre | Alternative rock, progressive rock | |||
Length | 45:52 | |||
Label | Matador | |||
Producer |
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Guided by Voices chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Pitchfork Media | (8.0/10) [2] |
Mag Earwhig! is the 10th studio album by American indie rock band Guided by Voices. Following the dissolution of the group's "classic" lineup, band-leader Robert Pollard recruited Cleveland group Cobra Verde as his backing band, while retaining the Guided by Voices name. It was the second release to feature future long-term collaborator Doug Gillard. Gillard had previously played on and co-wrote the song "Mice Feel Nice (In My Room)" on the Tigerbomb EP. Most of Mag Earwhig! was recorded in a professional studio in Cleveland by the new lineup and marked a departure from band's trademark lo-fi sound; additional songs were also recorded in Dayton, Ohio.
The album touches on elements of hard rock and progressive rock on tracks such as "Portable men's society" and "Little Lines", alongside typical shorter lo-fi tracks.
All songs written by Robert Pollard unless otherwise noted.
Guided by Voices (GBV) is an American indie rock band formed in 1983 in Dayton, Ohio. It has made frequent personnel changes but always maintained the presence of principal songwriter Robert Pollard. The most well-known lineup of the band consisted of Pollard, his brother Jim, Mitch Mitchell, Tobin Sprout, Kevin Fennell (drums), and bassist Greg Demos. Noted at first for its lo-fi aesthetic and Portastudio four-tracks-to-cassette production methods, Guided by Voices' music was influenced by early post–British Invasion garage rock, psychedelic rock, progressive rock, punk rock and post-punk. The band has had a prolific output, releasing 35+ full-length albums along with many other releases, and has garnered a dedicated cult following. Their songs are known for their frequent brevity and for ending abruptly or intertwining with homemade sound effects.
Jubilation is the tenth and final studio album by Canadian/American rock group the Band. Recorded in the spring of 1998 in Levon Helm's home studio in Woodstock, New York, it was released on September 15, 1998. For the first time since the group reformed without guitarist and songwriter Robbie Robertson, there were more originals than covers. Songs include "Last Train to Memphis", featuring guest guitarist Eric Clapton, Garth Hudson's solo instrumental closer "French Girls", Rick Danko's "High Cotton" and the ode to Ronnie Hawkins, "White Cadillac".
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Gold is a 2005 greatest hits collection by American shock rock band Kiss. This two-disc set covers the band's recordings from 1974 to 1982. All tracks are previously available.
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Isolation Drills is the 12th studio album by American indie rock band Guided by Voices. It was their second and final LP released under TVT Records and their second to feature a major rock producer in Rob Schnapf. The album was also their first to chart on the Billboard 200, peaking at number 168. The album notably features instrumental contributions from Elliott Smith and David Sulzer. Previous longtime band member Tobin Sprout also returned as a guest and contributed with playing piano. While Jim MacPherson plays drums on the album, his replacement Jon McCann is featured in the cover photos, as MacPherson had left the band immediately after the recording to focus on his home life.
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Douglas Scott Gillard is an American guitarist and songwriter. He has been a member of major indie pop and punk bands, most notably Guided by Voices, Nada Surf, Bambi Kino, Death of Samantha, and Cobra Verde.
Same Place the Fly Got Smashed is the fourth album by American indie rock band Guided by Voices.
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Change of Season is the fourteenth studio album by American pop music duo Daryl Hall & John Oates. The album was released in October 1990, by Arista Records. The lead single "So Close" peaked at No. 11 on the Billboard Hot 100 and was their last Top 40 hit, while the second single "Don't Hold Back Your Love" just missed the Top 40 reaching #41. It was their second and final album for Arista.
Superman Was A Rocker is the ninth studio album from singer-songwriter Robert Pollard. It was released on January 29, 2008. Superman Was a Rocker marks the first LP released by Pollard's Happy Jack Rock Records label. It differs from Pollard's past solo albums in that it is very lo-fi in comparison to his more polished releases.
Anthology is a compilation album by the progressive rock band the Moody Blues. It was released in the US on 20 October 1998. It was not released in the UK until 2001 under the title The Collection with different artwork but with the same tracks as the US release.
I Prefer the Moonlight is the twentieth studio album by American country music singer Kenny Rogers released in 1987. The album was Rogers' final studio album for RCA Records. It peaked at number 18 on the country charts and number 163 in the Billboard 200. It contained three top five singles: the title track, the Grammy-winning duet with Ronnie Milsap, "Make No Mistake, She's Mine" and "The Factory".
Giddy is a compilation album by Irish band Pugwash, featuring tracks from their four previous studio albums. It was released by Ape Records on 29 September 2009.
Mist King Urth is the second collaboration album between American indie rock musicians Robert Pollard and Doug Gillard under the name Lifeguards released in 2003.
Space Gun is the 26th studio album by American indie rock band Guided by Voices. It was released on March 23, 2018 under Guided by Voices, Inc.
Surrender Your Poppy Field is the 30th studio album by American rock band Guided by Voices.
Scalping the Guru is a 2022 compilation album by American indie rock band Guided by Voices. The collection includes tracks from the extended plays Static Airplane Jive, Get Out of My Stations (Siltbreeze), Fast Japanese Spin Cycle, and Clown Prince of the Menthol Trailer (Domino), released in 1993 and 1994 and has received positive reviews from critics.