Elizabeth Cavendish, later Elizabeth Talbot, Countess of Shrewsbury, known as Bess of Hardwick, of Hardwick Hall, Derbyshire, was a notable figure of Elizabethan English society. By a series of well-made marriages, she rose to the highest levels of English nobility and became enormously wealthy. Bess was reportedly a shrewd businesswoman, increasing her assets with business interests including mines and glass-making workshops.
William Hogarth was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian".
Titus Groan is a novel by Mervyn Peake, first published in 1946. It is the first novel in the Gormenghast series.
Marriage A-la-Mode is a series of six pictures painted by William Hogarth between 1743 and 1745, intended as a pointed skewering of 18th-century society. They show the disastrous results of an ill-considered marriage for money or social status, and satirize patronage and aesthetics. The pictures are held in the National Gallery in London.
A Harlot's Progress is a series of six paintings and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image. After painting a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and allegory are reminiscent of John Bunyan's Pilgrim's Progress.
The Tête à Tête is the second canvas in the series of six satirical paintings known as Marriage A-la-Mode, painted by William Hogarth.
Four Times of the Day is a series of four oil paintings by English artist William Hogarth. They were completed in 1736 and in 1738 were reproduced and published as a series of four engravings. They are humorous depictions of life in the streets of London, the vagaries of fashion, and the interactions between the rich and poor. Unlike many of Hogarth's other series, such as A Harlot's Progress, A Rake's Progress, Industry and Idleness, and The Four Stages of Cruelty, it does not depict the story of an individual, but instead focuses on the society of the city in a humorous manner. Hogarth does not offer a judgment on whether the rich or poor are more deserving of the viewer's sympathies. In each scene, while the upper and middle classes tend to provide the focus, there are fewer moral comparisons than seen in some of his other works. Their dimensions are about 74 cm (29 in) by 61 cm (24 in) each.
Sarah Pridden, commonly known as Sally Salisbury, was a celebrated prostitute in early 18th-century London. She was the lover of many notable members of society, and socialised with many others.
The Marriage Settlement is the first in the series of six satirical paintings known as Marriage A-la-Mode painted by William Hogarth.
The Inspection is the third canvas in the series of six satirical paintings known as Marriage à-la-mode by William Hogarth.
The Toilette, called The countess's morning levee on the frame, is the fourth canvas in the series of six satirical paintings known as Marriage A-la-Mode painted by William Hogarth.
The Bagnio is the fifth canvas in the series of six satirical paintings known as Marriage A-la-Mode painted by William Hogarth.
Annabella of Scotland, was a Scottish princess, a member of the House of Stewart and by her two marriages Countess of Geneva and Countess of Huntly. Both of her marriages were annulled, the first without being consummated and the second on grounds of consanguinity.
The Enraged Musician is a 1741 etching and engraving by English artist William Hogarth which depicts a comic scene of a violinist driven to distraction by the cacophony outside his window. It was issued as companion piece to the third state of his print of The Distrest Poet.
Beer Street and Gin Lane are two prints issued in 1751 by English artist William Hogarth in support of what would become the Gin Act. Designed to be viewed alongside each other, they depict the evils of the consumption of gin as a contrast to the merits of drinking beer. At almost the same time and on the same subject, Hogarth's friend Henry Fielding published An Inquiry into the Late Increase in Robbers. Issued together with The Four Stages of Cruelty, the prints continued a movement started in Industry and Idleness, away from depicting the laughable foibles of fashionable society and towards a more cutting satire on the problems of poverty and crime.
Sigismunda mourning over the Heart of Guiscardo, fully titled Sigismunda mourning over the Heart of Guiscardo, her murder'd Husband, is an oil painting by British artist William Hogarth. Finished in 1759, it was the principal piece of the eight works he displayed in an exhibition in 1761. It was the final and most ambitious of his attempts to secure for himself a reputation as a history painter. It depicts a dramatic moment in one of the novelle in Boccaccio's Decameron. While Hogarth had expected this work to be acclaimed as a masterpiece of dramatic painting, the work was met with criticism and ridicule. In the catalogue of the exhibition of Hogarth's works at the Tate Gallery in 2007, the criticism was described as "some of the most damning critical opprobrium the artist ever suffered".
Henrietta Ponsonby, Countess of Bessborough, born Lady Henrietta Frances Spencer, was the wife of Frederick Ponsonby, 3rd Earl of Bessborough; the couple were the parents of Lady Caroline Lamb. Her father, John Spencer, 1st Earl Spencer, was a great-grandson of John Churchill, 1st Duke of Marlborough. Her sister was Georgiana Cavendish, Duchess of Devonshire.
Ela of Salisbury, 3rd Countess of Salisbury was an English peeress. She succeeded to the title in her own right in 1196 upon the death of her father, William FitzPatrick, 2nd Earl of Salisbury.
The Graham Children is an oil painting completed by William Hogarth in 1742. It is a group portrait depicting the four children of Daniel Graham, apothecary to King George II. The youngest child had died by the time the painting was completed.
