Merzbox is a box set compilation by the Japanese noise musician Merzbow. It consists of 50 CDs spanning Merzbow's career from 1979 to 1997. 30 discs are taken from long out of print releases, while 20 are composed mainly of unreleased material. The box also contains two CD-ROMs, six CD-sized round cards, six round stickers, a poster, a black long-sleeve T-shirt, a medallion, and the Merzbook, all packaged together in a "fetish" black rubber box. It is limited to 1000 numbered copies. A Merzbox Sampler was released in 1997.
Venereology is an album by the Japanese noise musician Merzbow. It was inspired by death metal and grindcore.
Frog is an album by the Japanese noise musician Merzbow. It was inspired by frogs and utilizes their sounds. Masami Akita exhibited the audio and images at Yokohama Triennale 2001 in an installation called "Moss Garden". It was reissued on CD in 2002, retitled Frog+, with a bonus disc of additional material and a screensaver.
Material Action 2 N.A.M. is an album by the Japanese noise group Merzbow. It was the first non-cassette Merzbow release. The "2" in the title refers to Yantra Material Action, which was intended as the first Merzbow LP. Chaos was distributed by Eastern Works, which is sometimes listed as the label. The album was later included in the Merzbox.
Cloud Cock OO Grand is an album by the Japanese noise musician Merzbow. It was Merzbow's first CD and showcases his then-new harsh noise style.
Merzbow is a Japanese noise project started in 1979 by Masami Akita. Merzbow is best known for a style of harsh, confrontational noise. Since 1980, Akita has released over 400 recordings and has collaborated with various artists.
Metalvelodrome, subtitled Exposition of Electro-Vivisection, is a box set album by the Japanese noise musician Merzbow. It "mix[es] concept of 'Heavy Metal' and 'Velocity'."
Collection 005 is an album by the Japanese noise musician Merzbow. It is the fifth volume of the Collection series. The first five volumes were recorded for Ylem and consist of studio sessions with Kiyoshi Mizutani, then a member of Merzbow. However, Ylem went out of business before they could be released. Masami Akita then released them himself and recorded five more at home using previous Collection session recordings mixed with new material and effects.
Collection 004 is an album by the Japanese noise musician Merzbow. It is the fourth volume of the Collection series. The first five volumes were recorded for Ylem and consist of studio sessions with Kiyoshi Mizutani, then a member of Merzbow. However, Ylem went out of business before they could be released. Masami Akita then released them himself and recorded five more at home using previous Collection session recordings mixed with new material and effects.
Merzbient is a boxed set album by the Japanese noise musician Merzbow, it is composed of previously unreleased raw material recorded 1987–90.
Storage is an album by the Japanese noise musician Merzbow. Due to issues with sound quality, the original recording was edited for this release. The original full-length recording was issued in the Merzbox in 2000. The working title for the album was War Storage, which was later used for the track titles of the Merzbox version. The full-length version was reissued as a three-sided double LP in December 2016 by Menstrualrecordings.
Ecobondage is an album by the Japanese noise musician Merzbow, it uses "handmade thin metal percussion, with an emphasis on scratched metal noises". The title stands for "Bondage Economy". The album was inspired by Michel Foucault's book The Birth of the Clinic, and Masami Akita wrote Anagram of Perversion, his first book, during the recording of the album.
Pornoise/1 kg is a box set album by the Japanese noise musician Merzbow. Additional material from the sessions was released as Pornoise/Extra.
Le Cuisinier is a studio album by the Japanese noise musician Merzbow. The album consists of improvisations between Masami Akita and Kiyoshi Mizutani. It was recorded on July 3, 1983 at Music Studio Kichijoji, Tokyo and mixed at Merz-Bau. It was released by Stratosphere Music in 1983 on a cassette, and at some point was reissued on cassette. It was reissued on CD by Menstrualrecordings on September 28, 2017.
Mechanization Takes Command is an album by the Japanese noise musician Merzbow. The title is taken from Sigfried Giedion's book. It was released on cassette in 1983 and an edited reissue in 1989. It was partially included in the Merzbox. The full release was included in Lowest Music & Arts 1980–1983.
Dying Mapa III is an album by the Japanese noise band Merzbow, then consisting of Masami Akita and Kiyoshi Mizutani. This is the third installment of the Dying Mapa trilogy inspired by the Nyingmapa school of Tibetan Buddhism.
Batztoutai with Material Gadgets, subtitled De-Composed Works 1985~86, is a double album by the Japanese noise musician Merzbow. It is a remixed reissue of the 1986 album Batztoutai with Memorial Gadgets with a bonus disc of loops recorded at the same time.
Lowest Music & Arts 1980–1983 is a box set compilation by the Japanese noise musician Merzbow, it is composed of recordings from the earliest years of Merzbow. It is released on ten LPs. Some material was partially included in the Merzbox.
Duo, subtitled Masami Akita & Kiyoshi Mizutani Selected Studio Sessions 1987–89, is a box set album by the Japanese noise project Merzbow. It is composed of unreleased studio sessions recorded with Kiyoshi Mizutani. Some of these recordings were used as raw material for solo releases like Scissors for Cutting Merzbow, but the original recordings were unreleased until now. These recordings mirror albums like Ecobondage, Enclosure, and Storage. The art edition comes with a bonus CD with a recording from 1979.
Collection 009 is an album by the Japanese noise musician Merzbow. It is the ninth volume of the Collection series. The first five volumes were recorded for Ylem and consist of studio sessions with Kiyoshi Mizutani, then a member of Merzbow. However, Ylem went out of business before they could be released. Masami Akita then released them himself and recorded five more at home using previous Collection session recordings mixed with new material and effects.
