| Artificial Invagination | ||||
|---|---|---|---|---|
 | ||||
| EP by | ||||
| Released | 1991 | |||
| Recorded | 1990–1991 | |||
| Genre | Noise | |||
| Length | 20:55 | |||
| Label | Vanilla | |||
| Producer | Masami Akita | |||
| Merzbow chronology | ||||
| ||||
Artificial Invagination is an EP by the Japanese noise musician Merzbow. [1]
| Artificial Invagination | ||||
|---|---|---|---|---|
| | ||||
| EP by | ||||
| Released | 1991 | |||
| Recorded | 1990–1991 | |||
| Genre | Noise | |||
| Length | 20:55 | |||
| Label | Vanilla | |||
| Producer | Masami Akita | |||
| Merzbow chronology | ||||
| ||||
Artificial Invagination is an EP by the Japanese noise musician Merzbow. [1]
All music is composed by Masami Akita.
| No. | Title | Length |
|---|---|---|
| 1. | "Wing Over" | 20:55 |
Merzbox is a box set compilation by the Japanese noise musician Merzbow. It consists of 50 CDs spanning Merzbow's career from 1979 to 1997. 30 discs are taken from long out of print releases, while 20 are composed mainly of unreleased material. The box also contains two CD-ROMs, six CD-sized round cards, six round stickers, a poster, a black long-sleeve T-shirt, a medallion, and the Merzbook, all packaged together in a "fetish" black rubber box. It is limited to 1000 numbered copies. A Merzbox Sampler was released in 1997.
Sphere is an album by the Japanese noise musician Merzbow.
Venereology is an album by the Japanese noise musician Merzbow. It was inspired by death metal and grindcore.
Live CBGB's NYC 1998 is a live album by the German digital hardcore pioneer Alec Empire and the Japanese noise artist Merzbow. It was recorded on November 4, 1998, at the Digital Hardcore Festival at CBGB's in New York City and was released by Digital Hardcore Recordings in 2003.
This is a comprehensive discography of the Japanese noise musician Masami Akita, best known for his project Merzbow. Since 1980 he has released hundreds of recordings, collaborated with dozens of musicians, contributed over two hundred exclusive tracks to compilations, and made numerous guest appearances on recordings by other artists.
Animal Magnetism is an album by the Japanese noise musician Merzbow. The cover depicts Masami Akita's pet silkie chickens. Pier 39 is a pier in San Francisco taken over by sea lions.
Aqua Necromancer is an album by the Japanese noise musician Merzbow. It is one of his first releases to use sampled beats. Door Open at 8 am is from the same sessions, but samples jazz instead of progressive rock.
Live Destruction at No Fun 2007 is a live album by Japanese noise musician Merzbow, recorded at No Fun Fest in Brooklyn.
Electric Salad is an album by the Japanese noise musician Merzbow. It was recorded at the same time as Pulse Demon. The album photos were taken at Toba hihōkan – SF miraikan (鳥羽秘宝館・ＳＦ未来館), a sci-fi themed sex museum.
Hard Lovin' Man is an album by the Japanese noise musician Merzbow. The album is a deconstruction of the song "Hard Lovin' Man" by Deep Purple from their album Deep Purple in Rock. The first track was recorded live at the Avanto 2000 festival in Helsinki, Finland and was later remixed at Merzbow's home studio. The second track is a studio recording from a month earlier.
Fantail is an album by the Japanese noise musician Merzbow. It is named after the fantail breed of pigeon, which Masami Akita raises.
Mini Cycle / Yoshino Tamago / Yonos Bigfoot is a live EP by the Japanese noise musician Merzbow. It is a live radio performance featuring material from several studio recordings including Cycle and Tamago.
Merzbow is a Japanese noise project started in 1979 by Masami Akita. Merzbow is best known for a style of harsh, confrontational noise. Since 1980, Akita has released over 400 recordings and has collaborated with various artists.
Merzbient is a boxed set album by the Japanese noise musician Merzbow, it is composed of previously unreleased raw material recorded 1987–90.
Ecobondage is an album by the Japanese noise musician Merzbow, it uses "handmade thin metal percussion, with an emphasis on scratched metal noises". The title stands for "Bondage Economy". The album was inspired by Michel Foucault's book The Birth of the Clinic, and Masami Akita wrote Anagram of Perversion, his first book, during the recording of the album.
Uzu Me Ku is an album by the Japanese noise musician Merzbow. It features the Koto, a traditional Japanese instrument, "manipulated through granular synthesis by digital and analogue electronics devices." According to Masami Akita, "Uzume Hikoyuzu" means "spiral generating" and "Itsu Akitsu" means "generating of particles". The album photos were taken at the Nagasawa Purification Plant in Kawasaki, Japan, which was designed by Mamoru Yamada.
Gman//HJYUGTF2 is an album by the Japanese noise musician Merzbow. According to the label, it mixes noise and drone with clean drumming and Jew's harp. It is from the same sessions as Uzu Me Ku, and the cover photo was taken at the same location.
Merzphysics is a box set album by the Japanese noise musician Merzbow, it is composed of previously unreleased recordings from 1993–95.
Kookaburra is a live album by the Japanese noise musician Merzbow. It was recorded at the Riverside Theatre Parramatta, Sydney, Australia during the 2012 Aurora Festival.
Keio Line is a collaborative studio album by the French electronic rock guitarist Richard Pinhas and the Japanese noise musician Merzbow. The album was released in September 2008, on double CD by Cuneiform Records in the US and on triple LP by Dirter Promotions in the UK. It is the first of several collaborations between Pinhas and Merzbow.
