Pulse Vegan | ||||
---|---|---|---|---|
EP by | ||||
Released | March 28, 2014 | |||
Recorded | September 2013 | |||
Studio | Munemihouse, Tokyo | |||
Genre | Noise | |||
Length | 8:36 | |||
Label | Elevator Bath | |||
Producer | Masami Akita | |||
Merzbow chronology | ||||
|
Pulse Vegan is a 7" release by the Japanese noise musician Merzbow. [1] [2] It is available exclusively to backers of a Kickstarter campaign to fund a vegan food trailer in Austin, Texas being opened by the owner of Elevator Bath. The business is named Pulse Vegan after the recording. [3] [4]
The first news of the release came on October 15, 2013 when the tracks were posted on Merzbow's SoundCloud. [5]
All music is composed by Masami Akita.
No. | Title | Length |
---|---|---|
1. | "Pulse Vegan 1" | 4:08 |
No. | Title | Length |
---|---|---|
1. | "Pulse Vegan 2" | 4:28 |
Pulse Vegan comes on a clear, square lathe-cut 7" record packaged in a die-cut, laser-engraved wooden sleeve held together with screws. It also includes a collage print by Masami Akita and an MP3 download coupon. It is limited to 26 lettered copies and two unlettered. Only 20 copies are available to the public.
Region | Date | Label | Format | Quantity | Catalog | Sold Out |
---|---|---|---|---|---|---|
United States | March 28, 2014 | Elevator Bath | 7" | 28 | eeaoa044 | Yes |
Merzbox is a box set compilation by the Japanese noise musician Merzbow. It consists of 50 CDs spanning Merzbow's career from 1979 to 1997. 30 discs are taken from long out of print releases, while 20 are composed mainly of unreleased material. The box also contains two CD-ROMs, six CD-sized round cards, six round stickers, a poster, a black long-sleeve T-shirt, a medallion, and the Merzbook, all packaged together in a "fetish" black rubber box. It is limited to 1000 numbered copies. A Merzbox Sampler was released in 1997.
Pulse Demon is an album by the Japanese noise musician Merzbow, released 28 May 1996. The album was reissued on vinyl in May 2018 by Bludhoney Records, and again in November 2019 by Relapse, with a bonus track.
Merzbuddha is an album by the Japanese noise musician Merzbow. The album was inspired by dub and contains "deep bass riffs, electronic vibes and beats."
Venereology is an album by the Japanese noise musician Merzbow. It was inspired by death metal and grindcore.
Remblandt Assemblage is an album by the Japanese noise musician Merzbow. This is the first Merzbow album to use tape manipulations. Only a few copies were made and distributed on cassette in 1981, but otherwise it was not widely available until being partially reissued on the Merzbox in 2000. The complete album was reissued as a double LP by Urashima in November 2016.
Scissors for Cutting Merzbow is an album by the Merzbow side project SCUM. It was the last LP record released by ZSF Produkt. The project's name is a play on the SCUM Manifesto, and the track titles were influenced by American post-war art. The artwork are collages including images from Human Sex Anatomy by Robert Latou Dickinson. An expanded version was later included in the Merzbox. Some of the original studio sessions were included on Duo.
Noisembryo, subtitled Psycho-Analytic Study of Coital Noise Posture, is an album by the Japanese musician Merzbow.
Merzbow is a Japanese noise project started in 1979 by Masami Akita. Merzbow is best known for a style of harsh, confrontational noise. Since 1980, Akita has released over 400 recordings and has collaborated with various artists.
Microkosmos | Volume 1 is an album by the Japanese noise musician Merzbow, the first in an announced series of five. The series features artwork from a collection of visual collages created by Masami Akita from 1982–83. As of July 2016, no further volumes have been released.
Merzbient is a boxed set album by the Japanese noise musician Merzbow, it is composed of previously unreleased raw material recorded 1987–90.
Yaho-Niwa is an album by the Japanese noise musician Merzbow. The first 50 copies came with a signed and numbered postcard.
Pornoise/1 kg is a box set album by the Japanese noise musician Merzbow. Additional material from the sessions was released as Pornoise/Extra.
Uzu Me Ku is an album by the Japanese noise musician Merzbow. It features the Koto, a traditional Japanese instrument, "manipulated through granular synthesis by digital and analogue electronics devices." According to Masami Akita, "Uzume Hikoyuzu" means "spiral generating" and "Itsu Akitsu" means "generating of particles". The album photos were taken at the Nagasawa Purification Plant in Kawasaki, Japan, which was designed by Mamoru Yamada.
Ko To No O To is a 7" release by the Japanese noise musician Merzbow. It is the first in a series of 7"s by seven different artists on the label.
Merzbuddha Variations is an album by the Japanese noise musician Merzbow. It features outtakes from the Merzbuddha sessions.
Kibako is a studio album by the Japanese noise musician Merzbow. It was released on December 12, 2012 by the Italian label Rustblade, and is his second release on the label. Rustblade describes the album as consisting of "tribal wooden instruments, violent analogue synths and ambient soundscapes".
Samidara is an album by the Japanese noise musician Merzbow, released as both an LP and a cassette. It was made available for pre-order on December 5, 2012, but didn't start shipping until July 2013.
Tamayodo is an album by the Japanese noise musician Merzbow. It is described as "monotonic electro pulse-noise works by all analogue equipments."
Nezumimochi is an album by the Japanese noise musician Merzbow. It is a picture disc LP and a CD set. It is described as "monotonic electro pulse-noise works by all analogue equipments."
Full of Hell & Merzbow is a collaborative studio album between the American grindcore band Full of Hell and the Japanese noise artist Merzbow. The album was released on November 24, 2014 through Profound Lore Records. The CD version of the album was also packaged with a five-song, 35-minute bonus disc titled Sister Fawn that was described as an "extension" of Full of Hell & Merzbow; it was later released in a digital format as well.