Mimi Coertse, DMS | |
---|---|
Born | Maria Sophia Coertse 12 June 1932 |
Nationality | South African citizenship |
Education | Helpmekaar Kollege |
Occupation | Opera singer (Soprano) |
Spouse(s) | Dawid Engela (1953-57) Diego Brighi (1965-69) Werner Ackerman (1970-1994) |
Children | 2 (adopted) |
Maria Sophia (Mimi) Coertse, DMS (born 12 June 1932) is a South African soprano.
On 26 January 2020, Mimi was also inaugurated as a living legend in the South African Legends Museum. She was one of only 20 South African legends of whom a bust was also made.
Coertse, born in Durban, matriculated at the Helpmekaar Girls High School in Johannesburg. [1] : 5 She began vocal studies in South Africa in 1949. [2] Her first vocal coach in Johannesburg was Aimee Parkerson. [3]
Her debut performance in South Africa was singing Handel's Messiah at the Johannesburg City Hall on 11 December 1951. [3] In July 1953 she married broadcaster and composer Dawid Engela. [1] : 5 She left South Africa in September 1953 for London, and then went via The Hague to Vienna. In January 1954 she started training with Maria Hittorff and Josef Witt. [3]
Coertse made her debut in January 1955 as the "first flower girl" in Wagner's Parsifal at the Teatro San Carlo in Naples, Karl Böhm conducting. She also sang in Basel at the Teatro San Carlo. On 17 March 1956 she made her debut at the Vienna State Opera as the Queen of the Night in Die Zauberflöte by Mozart and remained with the Vienna State Opera until 1978. [1] Her Covent Garden debut was in 1956, in the same role. [2]
Her roles were limited in the United Kingdom as the Equity boycott of South Africa due to Apartheid, prevented its members from having anything to do with South Africa's entertainment industry. [3]
Coertse sang the soprano part in Bach's Matthäus-Passion at Fritz Wunderlich's first appearance in Vienna in 1958, when he performed the tenor arias with Julius Patzak singing the Evangelist. In 1958, Coertse and Fritz Wunderlich again worked together at the Aix-en-Provence festival in Die Zauberflöte.[ citation needed ]
In 1965, she sang Konstanze in Die Entführung aus dem Serail at the Vienna State Opera which also featured Fritz Wunderlich as Belmonte. In 1966, Mimi was honoured by the President of Austria with the title Österreichischer Kammersänger, for her ten years of work as a permanent member at the Vienna State Opera. [1] : 5
Her repertoire also includes:
Since returning to South Africa in 1973, she has been a regular guest on South African stages and also a frequent broadcaster on radio and television. She returned to the Vienna State Opera for a single farewell performance as Elisabetta in Don Carlo on 14 December 1978.
In recent years, she has devoted her time to exposing young South African singers to the neglected art of Lieder singing which can be artistically even more demanding than opera singing. Her support for her fellow South African musicians has been outstanding – as may be witnessed in her Debut with Mimi and through the Mimi Coertse Bursary.
In 1996, Austria's Federal Ministry for Science and Art awarded her the Austrian Decoration for Science and Art (Austrian Honour, first class) honour, the highest honour an artist can receive in that country. [4]
In 1998, she received an honorary doctorate from the University of Pretoria and another in 2013 from the Unisa. [1] In 2002 she would receive the Golden Rathausmann from the mayor of Vienna. [1]
In 1998, Coertse and Neels Hansen founded The Black Tie Ensemble, a development project which enables young, classically trained singers to bridge the gap between training and professional performance. [5]
This project has developed into the most exciting classical singing ensemble in South Africa, and is now on the brink of becoming a vibrant, new, young opera company. A project for future stars of Africa! The Ensemble, sponsored by Sappi, performs operas at the State Theatre (Pretoria), Walter Sisulu National Botanical Garden (Johannesburg) and the Civic Theatre (Johannesburg).[ citation needed ]
On 26 January 2020, Mimi was also inaugurated as a living legend in the South African Legends Museum. She was one of only 20 South African legends of whom a bust was made.
Coertse was married three times. Coertse's first marriage was to South African composer Dawid Engela in 1953 but the marriage ended in divorce in 1957. [1] : 5 Her second marriage was to Italian businessman Diego Brighi in 1965 but this marriage ended in divorce in 1969. [1] : 5 Her last marriage was to a South African businessman, Werner Ackerman, in 1970 and lasted until 1994. [1] : 5 After five miscarriages, she adopted a son and daughter, Werner and Mia. [1]
Christa Ludwig was a German mezzo-soprano and sometime dramatic soprano, distinguished for her performances of opera, lieder, oratorio, and other major religious works like masses, passions, and solos in symphonic literature. Her performing career spanned almost half a century, from the late 1940s until the early 1990s.
The German Fach system is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices. It is used worldwide, but primarily in Europe, especially in German-speaking countries and by repertory opera houses.
The Canadian Opera Company (COC) is an opera company in Toronto, Ontario, Canada. It is the largest opera company in Canada and one of the largest producers of opera in North America. The COC performs at the Four Seasons Centre for the Performing Arts, which was purpose-built for opera and ballet and is shared with the National Ballet of Canada. For forty years until April 2006, the COC had performed at the O'Keefe Centre.
Elisabeth Grümmer was a German soprano. She has been described as "a singer blessed with elegant musicality, warm-hearted sincerity, and a voice of exceptional beauty".
Leopoldine Rysanek was an Austrian dramatic soprano.
Hilde Güden was an Austrian soprano who was one of the most appreciated Straussian and Mozartian sopranos of her day. Her youthful and lively interpretations made her an ideal interpreter of roles such as Zerbinetta in Ariadne auf Naxos and Susanna in Le nozze di Figaro.
Lucia Popp was a Slovak operatic soprano. She began her career as a soubrette, and later moved into the light-lyric and lyric coloratura soprano repertoire and then the lighter Richard Strauss and Wagner operas. Her career included performances at Vienna State Opera, the Metropolitan Opera, Covent Garden, and La Scala. Popp was also a highly regarded recitalist and lieder singer.
Soile Marja Isokoski is a Finnish lyric soprano, active in opera, concert works and lieder.
Anja Harteros is a German soprano. Since winning the 1999 Cardiff Singer of the World competition she has been particularly associated with the Bavarian State Opera and enjoyed an international career.
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system.
Gerhardus Petrus "Gert" Potgieter was a South African opera tenor who had a great influence on Afrikaans culture.
Esther Réthy was a Hungarian operatic soprano who had a major career in Europe from 1934 through 1968. She was notably a principal artist at the Vienna State Opera for over a decade and was a frequent performer at the Salzburg Festival. She performed a broad opera repertoire that encompassed French, German, Italian, Czech, and Hungarian operas. The latter part of her career was dedicated mainly to performing the German operetta literature at the Vienna Volksoper. A very beautiful woman, she was a greatly admired Angele in Richard Heuberger’s Der Opernball.
Lisa Della Casa was a Swiss soprano most admired for her interpretations of major heroines in operas by Wolfgang Amadeus Mozart and Richard Strauss, and of German lieder. She was also described as “the most beautiful woman on the operatic stage”.
Kay Griffel is an American operatic spinto soprano.
Hilde Rössel-Majdan was an Austrian contralto in opera and concert. She was a member of the Vienna State Opera and is known for early recordings of Bach's music including his cantatas. She was an influential voice teacher in Graz and Vienna.
Aura Twarowska is a Romanian mezzo-soprano. She was soloist of the Romanian Opera in Timișoara (1997–2010) and at the Vienna State Opera (2007–2016).
Ruth-Margret Pütz was a German operatic coloratura soprano and an academic voice teacher. She was a member of the Staatsoper Stuttgart for many decades, a frequent guest at the Vienna State Opera, and appeared at other major international opera houses and festivals. One of her signature roles was Konstanze in Mozart's Die Entführung aus dem Serail. She is regarded as one of the leading coloratura sopranos of the 1960s.
Emmy Bettendorf was a German operatic soprano.
Marita Napier was a South African operatic soprano, known internationally as a performer of music by Strauss and Wagner. She performed in 19 productions of Wagner's Der Ring des Nibelungen. In 1989, a recording of Wagner's Die Walküre with her in a Metropolitan Opera production was awarded the Grammy Award for Best Opera Recording. Napier was considered one of the best Turandot, having performed the role for over 70 times including 1989 production by Franco Zeffirelli at the Met.
Urve Tauts is an Estonian opera singer (mezzo-soprano).