In the Philippines, the Minus-One (commonly, albeit improperly, spelled "minus one" [1] without the hyphen) is a variant mix of a multi-track recording, wherein the lead vocal track of a song is muted for further use. In the Philippine recording industry of the 1980s, during the heyday of vinyl records, this variant was released as the "flip side" [2] [3] of a commercial song's 7-inch single, but generally never a part of the Long Playing album containing the full-featured song. Succinctly, a B-side selection became referred to as "minus-one" because the lead vocal track is subtracted from the A-Side song's original mix.
The Minus-One is the patented name of the "Sing-Along System" karaoke machine invented by Filipino business executive Roberto del Rosario in 1975. [4] The term and the idea of records without vocals can be traced back to the Music Minus One company in the 1950s. [5]
As a genre of record production in the Philippines, [6] the inclusion of a 'minus-one' Side-B reduced the production cost of a 45 RPM 7-inch "single" by foregoing the need for yet another song to occupy the 7-inch record's flip side. [7] It also encouraged buyers to "sing along" with the bonus accompaniment of the "hit single".
A "minus-one mix" would not necessarily be wholly instrumental, as backing vocals of the song's original mix may be retained. The concept of instrumental B-sides to complement their full versions became a production trend of the Philippine record industry of the 1980s, which was replicated overseas. [8] In the ensuing years, tracks from minus-one flip sides were assembled by production houses for their inclusion in compilations. [9] [10]
The following table illustrates early B-sides of Zsa Zsa Padilla's 45-RPM 7" Vinyl singles released by Blackgold Records. Many such vinyl sides have since been ported to other platforms, including VCD, videoke and free video sharing websites.
Side A song | Side B minus-one | Catalog | Year |
---|---|---|---|
When I'm With You (Rene Novelles) | When I'm With You (minus-one) (Arranged by Dante Trinidad) | BSP-392 | 1985 |
Eversince (Alvina Eileen Sy) | Eversince (minus-one) (Arranged by Dante Trinidad) | BSP-397 | 1985 |
To Love You (Danny Javier) | To Love You (minus-one) (Arranged by Menchu Apostol) | BSP-401 | 1985 |
Hiram (George Canseco) | Hiram (minus-one) (Arranged by Danny Tan) | BSP-404 | 1986 |
Mambobola (Rey-An Fuentes) | Mambobola (minus-one) (Arranged by Homer Flores) | BSP-410 | 1986 |
Ikaw Lamang (Dodjie Simon) | Ikaw Lamang (minus-one) (Arranged by Menchu Apostol) | BSP-413 | 1986 |
Minsan Pa (Jun Sta. Maria & Peewee Apostol) | Minsan Pa (minus-one) (Arranged by Menchu Apostol) | BSP-417 | 1986 |
Maybe This Time (Marlene del Rosario) | Maybe This Time (minus-one) (Arranged by Menchu Apostol) | BSP-432 | 1988 |
Pangako (Dodjie Simon) | Pangako (minus-one) (Arranged by Egay Gonzales) | BSP-447 | 1990 |
Ang Aking Pamasko (Tony Velarde) | Ang Aking Pamasko (minus-one) (Arranged by Egay Gonzales) | BSP-459 | 1990 |
The wave of "Minus-One" vinyl B-sides brought about a genre in the Philippine record industry, harvested by the cousins Vic del Rosario and Orly Ilacad, [12] co-owners and executive producers of Vicor Music Corporation and its offshoot record labels. They released the seminal 7-inch B-sides of minus-one recordings, later grouped together as minus-one compilations on cassette tape format, Compact Disks and later as online material. [13]
As sheer musical content, the instrumentals were a precursor to widespread recreational crooning at home and outside, its provenance [14] effectively traced to the Music Minus One products of the mid-1950s. In 1975, Filipino executive Roberto del Rosario patented his sing-along invention as Minus-One, popularly known as the karaoke machine, an interactive entertainment system without vocals. [4] As a Filipino trait [15] for festivity, [16] the allure for minus-one recordings crossed cultural barriers in the Philippines. [17] [18] [19]