Monk's Hermitage in a Cave | |
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Artist | Joos de Momper |
Year | 1579–1635 |
Catalogue | INV 1116 |
Medium | Oil on panel |
Dimensions | 46 cm× 75 cm(18.1 in× 29.5 in) |
Location | Louvre, Paris |
Mountainous Landscape with a Bridge and Four Horsemen (French : Ermitage de moines dans une grotte) is an oil painting on panel by the Flemish painter Joos de Momper. Its date of execution is unknown. The painting was once attributed to Paul Bril. [1] It is part of the permanent collection of the Louvre in Paris. [2] [3] [1]
The painting depicts a frequent theme in 16th- and 17th-century Flemish painting, explored by Cornelis van Dalem, Pieter Bruegel the Elder, and Lucas van Valckenborch. [2]
The work was acquired by the French state from the monarchy. It was part of the collection of Louis XIV, who acquired it from Eberhard Jabach in 1671. [2] The painting was attributed to Paul Bril in 1824, but is now considered to be the work of de Momper. [2]
Jan Brueghelthe Elder was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the Flemish Baroque painting of the first three decades of the 17th century.
Paul Bril was a Flemish painter and printmaker principally known for his landscapes. He spent most of his active career in Rome. His Italianate landscapes had a major influence on landscape painting in Italy and Northern Europe.
Dieric Bouts was an Early Netherlandish painter. Bouts may have studied under Rogier van der Weyden, and his work was influenced by van der Weyden and Jan van Eyck. He worked in Leuven from 1457 until his death in 1475.
Joos de Momper the Younger or Joost de Momper the Younger was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momper's paintings. His work is situated at the transition from late 16th-century Mannerism to the greater realism in landscape painting that developed in the early 17th century. He achieved considerable success during his lifetime.
Marten Ryckaert or Maerten Ryckaert, was a Flemish landscape painter. He was known for his small, usually imaginary landscapes in an Italianate style.
Jan Wildens was a Flemish painter and draughtsman specializing in landscapes. His Realist landscapes show an eye for detail and have a serene character. He was a regular collaborator with Rubens and other leading Flemish Baroque painters of his generation in whose compositions he painted the landscapes.
Jacques Fouquier, Jacques Fouquières or Jacob Focquier was a Flemish landscape painter. After training in Antwerp he worked in various places where he often obtained appointments as a painter to the court including that of the French kings. He earned great success and a very high reputation during his lifetime and was even referred to as the 'Flemish Titian'. Very few of his paintings have been preserved. His work was influential in his time and was widely circulated thanks to reproductions by various contemporary engravers.
Frans de Momper was a Flemish landscape painter who, after training in Antwerp, worked for a while in the Dutch Republic. Here he was exposed to the work of Dutch landscape painters such as Jan van Goyen. His later paintings prefigure the imaginative landscapes of Hercules Segers.
Village Fête is an oil-on-canvas by French artist of the Baroque Claude Lorrain, painted in 1639 and given to Louis XIV in 1693 together with its companion Seaport at Sunset, by landscape architect and gardener André Le Nôtre. It is currently held and exhibited at the Louvre in Paris.
Marie Frédéric Eugène de Reiset was a French art collector, art historian and curator. He served as curator of the department of prints and drawings at the Louvre and as director-general of France's Musées Nationaux.
Flemish Market and Washing Place is an oil-on-canvas painting by Flemish painter Joos de Momper. It was painted in the 1620s, and it might be a collaboration between de Momper and Jan Brueghel the Elder
Landscape with a View of the Sea at Sunset is a pen and ink wash drawing by Flemish painter Joos de Momper. It was painted in 1610, and is now in the British Museum in London. The drawing is valuable in that it is the only drawing signed and dated by de Momper.
Mountainous Landscape with a Bridge and Four Horsemen is an oil painting on canvas by the Flemish landscapist Joos de Momper. Its date of execution is unknown. The painting is kept in the Louvre in Paris.
Landscape with a Mountain Pass is a large oil-on-canvas painting by Flemish painter Joos de Momper. It was completed sometime between 1600 and 1625. The painting was acquired by Prince Karl Eusebius von Liechtenstein from the art dealer Peter Bousin between 1674 and 1680, and is currently part of the private collection of the Liechtenstein Museum in Vienna.
Mountain Landscape with Castle is an oil-on-panel painting by Flemish painter Joos de Momper. It was probably completed in the 1600s.
Mountain Landscape is a large oil-on-canvas painting by Flemish painter Joos de Momper. The painting was probably completed in the 1620s and is currently housed at the Kunsthistorisches Museum in Vienna.
View of Bracciano is an oil-on-canvas painting by Flemish painter Paul Bril. It was painted in the early 1620s, and is currently housed at the Art Gallery of South Australia in Adelaide. The painting was acquired by the Art Gallery of South Australia in 2007.
Mountainous Landscape with Saint Jerome is an oil on copper painting by Flemish painter Paul Bril. It was painted in 1592, and is currently housed at the Mauritshuis in The Hague. The painting was acquired by the Mauritshuis in March 2013. The painting is signed and dated, and represents the earliest dated cabinet painting by Bril. The painting belongs to the period when Bril associated with Jan Brueghel the Elder in Rome, in the last decade of the 16th century. Bril's work from the 1590s has some affinity to the work by Brueghel from the same period, and in fact the painting was originally considered a Brueghel.
Stag Hunt is an oil on canvas painting by Flemish painter Paul Bril. It was probably painted in the 1590s, and is currently housed at the Louvre in Paris. The painting was once part of the collection of Louis XIV.
Landscape with Venus and Adonis is an oil-on-canvas painting by Flemish painter Tobias Verhaecht. The work was probably painted in the 1600s, and is now in the Thyssen-Bornemisza Museum in Madrid.