Columba or Colmcille was an Irish abbot and missionary evangelist credited with spreading Christianity in what is today Scotland at the start of the Hiberno-Scottish mission. He founded the important abbey on Iona, which became a dominant religious and political institution in the region for centuries. He is the patron saint of Derry. He was highly regarded by both the Gaels of Dál Riata and the Picts, and is remembered today as a Catholic saint and one of the Twelve Apostles of Ireland.
The Picts were a group of peoples who lived in Britain north of the Forth–Clyde isthmus in the Pre-Viking, Early Middle Ages. Where they lived and details of their culture can be inferred from early medieval texts and Pictish stones. The term Picti appears in written records as an exonym from the late third century AD, but was adopted as an endonym in the late seventh century during the Verturian hegemony. This lasted around 160 years until the succession of the Alpínid dynasty, when the Pictish kingdom merged with that of Dál Riata to form the Kingdom of Alba. The concept of "Pictish kingship" continued for a few decades until it was abandoned entirely as a contemporary signifier during the reign of Caustantín mac Áeda.
A high cross or standing cross is a free-standing Christian cross made of stone and often richly decorated. There was a unique Early Medieval tradition in Ireland and Britain of raising large sculpted stone crosses, usually outdoors. These probably developed from earlier traditions using wood, perhaps with metalwork attachments, and earlier pagan Celtic memorial stones; the Pictish stones of Scotland may also have influenced the form. The earliest surviving examples seem to come from the territory of the Anglo-Saxon kingdom of Northumbria, which had been converted to Christianity by Irish missionaries; it remains unclear whether the form first developed in Ireland or Britain.
The Book of Durrow is an illuminated manuscript dated to c. 700 that consists of text from the four Gospels gospel books, written in an Irish adaption of Vulgate Latin, and illustrated in the Insular script style.
A cumdach or book shrine is an elaborate ornamented metal reliquary box or case used to hold Early Medieval Irish manuscripts or relics. They are typically later than the book they contain, often by several centuries. In most surviving examples the book comes from the peak age of Irish monasticism before 800, and the extant cumdachs date from after 1000, although it is clear the form dates from considerably earlier. The majority are of Irish origin, with most surviving examples now in the National Museum of Ireland (NMI).
A miniature shrine, also referred to in literature as a portable shrine,pocket shrine, or a travel altar, is a small, generally moveable shrine or altar. They vary greatly in size and architectural style, and by which region or culture produced them.
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.
Migration Period art denotes the artwork of the Germanic peoples during the Migration period. It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in Britain and Ireland. It covers many different styles of art including the polychrome style and the animal style. After Christianization, Migration Period art developed into various schools of Early Medieval art in Western Europe which are normally classified by region, such as Anglo-Saxon art and Carolingian art, before the continent-wide styles of Romanesque art and finally Gothic art developed.
Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character.
Scotland was divided into a series of kingdoms in the early Middle Ages, i.e. between the end of Roman authority in southern and central Britain from around 400 AD and the rise of the kingdom of Alba in 900 AD. Of these, the four most important to emerge were the Picts, the Gaels of Dál Riata, the Britons of Alt Clut, and the Anglian kingdom of Bernicia. After the arrival of the Vikings in the late 8th century, Scandinavian rulers and colonies were established on the islands and along parts of the coasts. In the 9th century, the House of Alpin combined the lands of the Scots and Picts to form a single kingdom which constituted the basis of the Kingdom of Scotland.
The Celtic brooch, more properly called the penannular brooch, and its closely related type, the pseudo-penannular brooch, are types of brooch clothes fasteners, often rather large; penannular means formed as an incomplete ring. They are especially associated with the beginning of the Early Medieval period in Ireland and Britain, although they are found in other times and places—for example, forming part of traditional female dress in areas in modern North Africa.
In the early Middle Ages, there were distinct material cultures evident in the different federations and kingdoms within what is now Scotland. Pictish art was the only uniquely Scottish medieval style; it can be seen in the extensive survival of carved stones, particularly in the north and east of the country, which hold a variety of recurring images and patterns. It can also be seen in elaborate metal work that largely survives in buried hoards. Irish-Scots art from the kingdom of Dál Riata suggests that it was one of the places, as a crossroads between cultures, where the Insular style developed.
The Christianisation of Scotland was the process by which Christianity spread in what is now Scotland, which took place principally between the fifth and tenth centuries.
Forglen House is a mansion house that forms the centrepiece of the Forglen estate in the parish of Forglen, north-west of Turriff, Aberdeenshire, in the north-east of Scotland. The lands were given to the abbots of the Abbey of Arbroath by King William the Lion before 1211 and the Monymusk Reliquary was held there. The original castle, built around 1346, was replaced by a vernacular harled house that was later extended. Significant development of the estate began when it was acquired by the family of Lord Banff and they started the work of landscaping and planting trees. It became their main family seat during the 18th century. After the death of William Ogilvy, the eighth and final Lord Banff, the estate passed by marriage to the Abercromby baronets who continued to enhance the property and maintained it as their main residence. Sir Robert Abercromby, 5th Baronet commissioned the Aberdeen City Architect, John Smith to design the present house in 1839.
The Galloway Hoard, currently held in the National Museum of Scotland, is a hoard of more than 100 gold, silver, glass, crystal, stone, and earthen objects from the Viking Age discovered in the historical county of Kirkcudbrightshire in Dumfries and Galloway in Scotland in September 2014. Found on Church of Scotland land, the hoard has been described by experts as "one of the most significant Viking hoards ever found in Scotland". With years of extensive study and research, scholars are still not certain who buried the hoard, why they did so and whether they were Vikings or Anglo-Saxons. During the Viking Age, Galloway found itself squeezed between two Viking kingdoms and essentially cut off from other Anglo-Saxons in Britain - "Galloway is where these different cultures were meeting. It’s not just Scandinavians, but people from Britain and Ireland as well."
The Soiscél Molaisse is an Irish cumdach that originated from an 8th-century wooden core embellished in the 11th and 15th centuries with metal plates decorated in the Insular style. Until the late 18th century, the shrine held a now-lost companion text, presumed to be a small illuminated gospel book associated with Saint Laisrén mac Nad Froích, also known as Molaisse or "Mo Laisse". In the 6th century, Molaisse founded a church on Devenish Island in the southern part of Lough Erne in County Fermanagh, with which the cumdach is associated.
House-shaped shrine are early medieval portable metal reliquary formed in the shape of the roof of a rectangular building. They originate from both Ireland and Scotland and mostly date from the 8th or 9th centuries. Typical example consist of a wooden core covered with silver and copper alloy plates, and were built to hold relics of saints or martyrs from the early Church era; a number held corporeal remains when found in the modern period, presumably they were parts of the saint's body. Others, including the Breac Maodhóg, held manuscripts associated with the commemorated saint. Like many Insular shrines, they were heavily reworked and embellished in the centuries following their initial construction, often with metal adornments or figures influenced by Romanesque sculpture.
The Traprain Law treasure is a hoard of late Roman hacksilver, found on the hillfort of Traprain Law during excavations in 1919. It is the largest hoard of Roman hacksilver currently known, weighing just over 23 kg. It consists mostly of Roman silver vessels, a few of which are complete but most of which had been cut into fragments or crushed. There are a few items of personal equipment and coins. The hoard was probably buried in the early fifth century AD. Early interpretations saw it as loot; more recent views prefer to see it as diplomatic gifts or payment for military service. It is currently on display in the National Museum of Scotland in Edinburgh.
The Shrine of Saint Lachtin's Arm is an early 10th century Irish arm-shrine type reliquary made of wood and metal shaped as an outstretched forearm and clenched fist. St. Lachtin's dates to between 1118 and 1121 and is associated with his church in the village of Stuake, Donoughmore, County Cork, but probably originates from Kilnamartyra, also in Cork. It consists of a yew-wood core lined with decorated bronze and silver plates. The wood at the hand is hollowed out to create a reliquary cavity which once held the arm bone of St. Lachtin, but is now empty. The circular cap at its base contains a large transparent gemstone and is inlayed with silver decorated with filigree.
An Insular crozier is a type of processional bishop's staff (crozier) produced in Ireland and Scotland between 800 and 1200. Such items can be distinguished from mainland European types by their curved and open crooks, and drop. By the end of the 12th century, production of Irish croziers had largely ended, but examples continued to be reworked and added to throughout the Romanesque and Gothic periods. Although many of the croziers are associated with 5th- and 6th-century saints, the objects were not made until long after the saints had died. A majority originate from around the 9th century, and were often used as embellishment between the 11th and 13th centuries.
