Book of Armagh

Last updated

Book of Armagh
Codex Ardmachanus
Book of Armagh.jpg
A page of text from the Book of Armagh.
Also known asLiber Ar(d)machanus (Book of Armagh), Canoin Phatraic (Canon of Patrick)
Ascribed to Ferdomnach of Armagh, St Patrick, Sulpicius Severus and others
Language Latin, Old Irish
Date9th century
State of existenceIncomplete
Manuscript(s)TCD MS 52
Length222 folios (folios 1 and 41-44 are missing)

The Book of Armagh or Codex Ardmachanus (ar or 61) (Irish : Leabhar Ard Mhacha), also known as the Canon of Patrick and the Liber Ar(d)machanus, is a 9th-century Irish illuminated manuscript written mainly in Latin. It is held by the Library of Trinity College Dublin (MS 52). The document is valuable for containing early texts relating to St Patrick and some of the oldest surviving specimens of Old Irish, and for being one of the earliest manuscripts produced by an insular church to contain a near complete copy of the New Testament.

Contents

History

The manuscript was once reputed to have belonged to St. Patrick and, at least in part, to be a product of his hand. Research has determined, however, that the earliest part of the manuscript was the work of a scribe named Ferdomnach of Armagh (died 845 or 846). Ferdomnach wrote the first part of the book in 807 or 808, for Patrick's heir (comarba) Torbach, abbot of Armagh. [1] Two other scribes are known to have assisted him.

The people of medieval Ireland placed a great value on this manuscript. Along with the Bachal Isu, or Staff of Jesus, it was one of the two symbols of the office for the Archbishop of Armagh. The custodianship of the book was an important office that eventually became hereditary in the MacMoyre family. It remained in the hands of the MacMoyre family in the townland of Ballymoyer near Whitecross, County Armagh until the late 17th century. Its last hereditary keeper was Florence MacMoyer. By 1707 it was in the possession of the Brownlow family of Lurgan. It remained in the Brownlow family until 1853 when it was sold to the Irish antiquary, Dr William Reeves. In 1853, Reeves sold the Book to John George de la Poer Beresford, Archbishop of Armagh, who presented it to Trinity College, Dublin, [2] where it can be read online from the Digital Collections portal of the Trinity College library. [3]

Manuscript

Folio 32v with symbols of the Evangelists Book of Armagh - Trinity College MS52 f32v (Symbols of evangelists).jpg
Folio 32v with symbols of the Evangelists

The book measures 195 by 145 by 75 millimetres (7.7 by 5.7 by 3.0 in). [4] The book originally consisted of 222 folios of vellum, of which 5 are missing. [5] The text is written in two columns in a fine pointed insular minuscule. The manuscript contains four miniatures, one each of the four Evangelists' symbols. Some of the letters have been colored red, yellow, green, or black. The manuscript is associated with a tooled-leather satchel, believed to date from the fifteenth century. [5]

It contains text of Vulgate, but there are many Vetus Latina readings in the Acts and Pauline epistles. [6]

Illumination

The manuscript has three full-page drawings, and a number of decorated initials in typical Insular style. Folio 32v shows the four Evangelists' symbols in compartments in ink, the eagle of John resembling that of the Book of Dimma. Elsewhere yellow, red, blue and green are used. [7]

Dating

The dating of the manuscript goes back to Rev. Charles Graves, who deciphered in 1846 from partially erased colophons the name of the scribe Ferdomnach and the bishop Torbach who ordered the Book. According to the Annals of the Four Masters Torbach died in 808 and Ferdomnach in 847. As Torbach became bishop in 807 and died in 808 the manuscript must have been written around this time. Unfortunately to make the writing better visible Graves used a chemical solution and this had the effect that the writing related to the scribe and bishop is not readable any more. [4] [8]

Contents

The manuscript can be divided into three parts:

Texts relating to St Patrick

The first part contains important early texts relating to St. Patrick. [1] These include two Lives of St. Patrick, one by Muirchu Maccu Machteni and one by Tírechán. Both texts were originally written in the 7th century. The manuscript also includes other miscellaneous works about St. Patrick, including the Liber Angueli (or the Book of the Angel), in which St. Patrick is given the primatial rights and prerogatives of Armagh by an angel. [9] Some of these texts are in Old Irish and are the earliest surviving continuous prose narratives in that language. The only old Irish texts of greater age are fragmentary glosses found in manuscripts on the continent.

New Testament material

The manuscript also includes significant portions of the New Testament, based on the Vulgate , but with variations characteristic of insular texts. In addition, prefatory matter including prefaces to Paul's Epistles (most of which are by Pelagius), the Canon Tables of Eusebius, and the Letter of Jerome to Pope Damasus are included.

Life of St Martin

The manuscript closes with the Life of St. Martin of Tours by Sulpicius Severus. [5]

Related Research Articles

<span class="mw-page-title-main">Book of Kells</span> Illuminated 9th-century Gospel book

The Book of Kells is an illuminated manuscript and Celtic Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created in a Columban monastery in either Ireland or Scotland, and may have had contributions from various Columban institutions from each of these areas. It is believed to have been created c. 800 AD. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is regarded as a masterwork of Western calligraphy and the pinnacle of Insular illumination. The manuscript takes its name from the Abbey of Kells, County Meath, which was its home for centuries.

<span class="mw-page-title-main">Book of Durrow</span> Medieval illuminated manuscript gospel book

The Book of Durrow is an illuminated manuscript dated to c. 700 that consists of text from the four Gospels gospel books, written in an Irish adaption of Vulgate Latin, and illustrated in the Insular script style.

<span class="mw-page-title-main">Codex Usserianus Primus</span> 7th-century Old Latin Gospel Book

Codex Usserianus Primus is an early 7th-century Old Latin Gospel Book. It is dated palaeographically to the 6th or 7th century. It is designated by r.

<span class="mw-page-title-main">Book of Dimma</span>

The Book of Dimma is an 8th-century Irish pocket Gospel Book originally from the Abbey of Roscrea, founded by St. Crónán in County Tipperary, Ireland. In addition to the Gospels of Luke and John, it has an order for the Unction and Communion of the Sick. The surviving illumination of the manuscript contains a number of illuminated initials, three Evangelist portrait pages, and one page with an Evangelist's symbol. The pocket gospel book is a distinctively Insular format, of which the Stowe Missal and Book of Mulling are other leading examples.

<span class="mw-page-title-main">Book of Mulling</span> 8th century Irish manuscript

The Book of Mulling or less commonly, Book of Moling, is an Irish pocket Gospel Book from the late 8th or early 9th century. The text collection includes the four Gospels, a liturgical service which includes the "Apostles' Creed", and in the colophon, a supposed plan of St. Moling's monastery enclosed by two concentric circles.

<span class="mw-page-title-main">Lichfield Gospels</span> 8th-century illuminated gospel book

The Lichfield Gospels is an 8th-century Insular Gospel Book housed in Lichfield Cathedral. There are 236 surviving pages, eight of which are illuminated. Another four contain framed text. The pages measure 30.8 cm by 23.5 cm. The manuscript is also important because it includes, as marginalia, some of the earliest known examples of written Old Welsh, dating to the early part of the 8th century. The art historian Peter Lord dates the book at 730, placing it chronologically before the Book of Kells but after the Lindisfarne Gospels.

<i>Cumdach</i> Medieval Irish case for a reliquary or book

A cumdach or book shrine is an elaborate ornamented metal reliquary box or case used to hold Early Medieval Irish manuscripts or relics. They are typically later than the book they contain, often by several centuries. In most surviving examples the book comes from the peak age of Irish monasticism before 800, and the extant cumdachs date from after 1000, although it is clear the form dates from considerably earlier. The majority are of Irish origin, with most surviving examples held by the National Museum of Ireland (NMI).

<span class="mw-page-title-main">Carpet page</span> Page of geometrical illumination in a manuscript

A carpet page is a full page in an illuminated manuscript containing intricate, non-figurative, patterned designs. They are a characteristic feature of Insular manuscripts, and typically placed at the beginning of a Gospel Book. Carpet pages are characterised by mainly geometrical ornamentation which may include repeated animal forms. They are distinct from pages devoted to highly decorated historiated initials, though the style of decoration may be very similar.

Muirchú moccu Machtheni, usually known simply as Muirchú, was a monk and historian from Leinster. He wrote the Vita sancti Patricii, known in English as The Life of Saint Patrick, one of the first accounts of the fifth-century saint, and which credits Patrick with the conversion of Ireland in advance of the spread of monasticism. This work was dedicated to Bishop Aedh of Slébte, who was also the one who suggested the biography be written, and was the patron for the work. Muirchú's work is of little historical value in relation to the distant fifth century, but is a useful source for the time in which he lived and how Patrick was viewed in the seventh century.

<span class="mw-page-title-main">Saint Patrick</span> Catholic missionary, bishop, and saint

Saint Patrick was a fifth-century Romano-British Christian missionary and bishop in Ireland. Known as the "Apostle of Ireland", he is the primary patron saint of Ireland, the other patron saints being Brigid of Kildare and Columba. Patrick was never formally canonised, having lived before the current laws of the Catholic Church in such matters. Nevertheless, he is venerated as a saint in the Catholic Church, the Lutheran Church, the Church of Ireland, and in the Eastern Orthodox Church, where he is regarded as equal-to-the-apostles and Enlightener of Ireland.

<span class="mw-page-title-main">Insular art</span> Post-Roman British and Irish style of art

Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character.

Tírechán was a 7th-century Irish bishop from north Connacht, specifically the Killala Bay area, in what is now County Mayo.

<span class="mw-page-title-main">Ferdomnach</span> Irish illustrator

Ferdomnach was an Irish illuminator who is responsible for the Book of Armagh.

The Garland of Howth, also known as the Codex Usserianus Secundus, designated by r2 or 28, is a fragmentary 8th to 10th century Latin Gospel Book now in Trinity College Dublin as MS. 56.

<span class="mw-page-title-main">Ricemarch Psalter</span>

The Ricemarch Psalter is an 11th-century Welsh illuminated psalter, in a late Insular style, that has been described as "Hiberno-Danish", instead of the usual "Hiberno-Saxon", as it reflects Viking influence. Its 159 pages are vellum, and include the following sections: Letter of St. Jerome to Chromatius and Elidorus; Breviarius Apostolorum; Martyrologium Hieronymianum, and Various Tables. It is one of two surviving manuscripts from the scriptorium at Llanbadarn Fawr in Wales, established by the father of the scribe and the first owner. The other is a manuscript of St. Augustine's De Trinitate in Cambridge, by the same scribe. The psalter is now at Trinity College Dublin as MS 50.

<span class="mw-page-title-main">Literature of Northern Ireland</span> Literature written by inhabitants of Northern Ireland

That part of the United Kingdom called Northern Ireland was created in 1922, with the partition of the island of Ireland. The majority of the population of Northern Ireland wanted to remain within the United Kingdom. Most of these were the Protestant descendants of settlers from Great Britain.

<span class="mw-page-title-main">Declán of Ardmore</span> 5th-century Irish Christian missionary saint

Declán of Ardmore, also called Déclán, was an early Irish saint of the Déisi Muman, who was remembered for having converted the Déisi in the late 5th century and for having founded the monastery of Ardmore in what is now County Waterford. The principal source for his life and cult is a Latin Life of the 12th century. Like Ailbe of Emly, Ciarán of Saigir and Abbán of Moyarney, Declán is presented as a Munster saint who preceded Saint Patrick in bringing Christianity to Ireland. He was regarded as a patron saint of the Déisi of East Munster.

Florence MacMoyer, a native of Ballymoyer, County Armagh, Ireland was the last hereditary keeper of the Book of Armagh, a 9th-century Irish manuscript written mainly in Latin. The document is valuable for containing early texts relating to St Patrick and some of the oldest surviving specimens of Old Irish, and for being one of the earliest manuscripts produced by an insular church to contain a near complete copy of the New Testament.

<span class="mw-page-title-main">John Gwynn (Syriacist)</span>

John Gwynn was an Irish Syriacist. He was Regius Professor of Divinity at Trinity College Dublin from 1888 to 1907.

Rachel Moss is an Irish art historian and professor specialising in medieval art, with a particular interest in Insular art, medieval Irish Gospel books and monastic history. She is the current head of the Department of the History of Art at Trinity College Dublin, where she became a fellow in 2022.

References

  1. 1 2 "Beyond the Book of Kells: The Book of Armagh". www.tcd.ie. Retrieved 4 October 2017.
  2. Atkinson, E. D., R.S.A.I. (1911). Dromore, An Ulster Diocese, p. 19.
  3. "DRIS Trinity College Library Dublin". digitalcollections.tcd.ie. Retrieved 4 October 2017.
  4. 1 2 Sharpe, Richard (1982). "Palaeographical Considerations in the Study of the Patrician Documents in the Book of Armagh". Scriptorium: International Review of Manuscript Studies. 36: 3–28. doi:10.3406/scrip.1982.1240.
  5. 1 2 3 Duffy, Sean (2017). Routledge Revivals: Medieval Ireland (2005): An Encyclopedia. Taylor & Francis. p. 30. ISBN   9781351666176.
  6. Bruce M. Metzger, The Early Versions of the New Testament, Oxford University Press, 1977, pp. 305, 341.
  7. Mitchell, George Frank, Treasures of Irish art, 1500 B.C.-1500 A.D.: from the collections of the National Museum of Ireland, Royal Irish Academy, Trinity College, Dublin (etc), Metropolitan Museum of Art, 1977, ISBN   0394428072, 9780394428079, No. 43, p. 143, with f.43v illustrated on a full page shortly before. Fully online (PDF) from the Metropolitan Museum of Art
  8. Esposito, Mario (1954). "St Patrick's ' Confessio ' and the ' Book of Armagh '". Irish Historical Studies. 9 (33): 1–12. doi:10.1017/s0021121400028509. JSTOR   30006384. S2CID   163281610.
  9. "St Patrick". Archdiocese of Armagh. 8 November 2007. Retrieved 4 October 2017.

Sources