| Moody | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1956 | |||
| Recorded | January 8, April 12 and September 29, 1954 | |||
| Studio | Van Gelder Studio, Hackensack, New Jersey | |||
| Genre | Jazz | |||
| Label | Prestige PRLP 7072 | |||
| James Moody chronology | ||||
| ||||
Moody (also released as Moody's Workshop) is an album by saxophonist James Moody composed of sessions from 1954 with a septet arranged by Quincy Jones. The LP was released on the Prestige label. [1] [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
Scott Yanow, writing for AllMusic, stated: "In the mid-'50s James Moody led a four-horn septet that played music falling somewhere between bop and rhythm & blues. The danceable rhythms and riffing made its recordings somewhat accessible but the solos of Moody (on tenor and alto) and trumpeter Dave Burns also held listener's interests". [3]
King Pleasure was an American jazz vocalist and an early master of vocalese, where a singer sings words to a well-known instrumental solo.
Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by the trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor March”.
The Genius After Hours is an album by American musician Ray Charles, released in 1961. The songs featured on the album were taken from the same three studio sessions that created his 1957 album The Great Ray Charles, which featured the use of both a trio and a septet; the latter was arranged by Quincy Jones. Also appearing on The Genius After Hours is David "Fathead" Newman on tenor and alto saxophone, alongside trumpeter Joseph Bridgewater.
This Is How I Feel About Jazz is a 1957 album by American musician Quincy Jones, his first full-length album as a bandleader after a recording debut with the 1955 split album Jazz Abroad.
Charles Mingus and Friends in Concert is a live album by the jazz bassist and composer Charles Mingus, recorded at the Philharmonic Hall of the Lincoln Center for the Performing Arts in 1972 and released on the Columbia label. The CD release added five previously unreleased performances from the concert, but did not include the opening track, Fats Waller's "Honeysuckle Rose", present in the LP version and on former Japanese CD editions.
Plenty, Plenty Soul is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1957 and released on the Atlantic label.
Big Bags is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.
The Art Farmer Septet is an album by trumpeter Art Farmer, featuring performances recorded in 1953 and 1954, arranged by Quincy Jones and Gigi Gryce, and released by Prestige Records in 1956. It is his earliest recorded full-length album, but was his third issued. The cover art was by cartoonist Don Martin.
Wail, Moody, Wail is an album by saxophonist James Moody recorded in 1955 and released on the Prestige label. The CD reissue added two bonus tracks which originally appeared on James Moody's Moods.
Hi Fi Party is an album by saxophonist James Moody recorded in 1955 and released on the Prestige label. The CD reissue added a bonus track which originally appeared on James Moody's Moods.
James Moody's Moods is an album by saxophonist James Moody composed of sessions recorded in 1954 and 1955, released on the Prestige label.
Akilah! is the third album by soul jazz guitarist Melvin Sparks recorded for the Prestige label in 1972.
Salute to the Flute is an album by American jazz flautist Herbie Mann featuring tracks recorded in 1957 for the Epic label.
The Birth of a Band! is an album by Quincy Jones that was released by Mercury with performances by Zoot Sims, Clark Terry, Harry Edison, and Phil Woods.
The Great Wide World of Quincy Jones is an album by Quincy Jones that was released by Mercury.
Quincy's Home Again is an album by Quincy Jones with performances by Harry Arnold's Orchestra. The album was recorded in Sweden in 1958 and released by Metronome label. The album was also released in the U.S. as Harry Arnold + Big Band + Quincy Jones = Jazz! by EmArcy.
The Kenton Era is a compilation album by pianist and bandleader Stan Kenton featuring recordings from 1940 to 1954 which was originally released in two limited edition box sets, as fifteen 7 inch 45 rpm discs and four 12 inch LPs, on Capitol in 1955.
Quincy Plays for Pussycats is an album by Quincy Jones featuring sessions recorded between 1959 and 1965 which was released on the Mercury label.
I/We Had a Ball is an album consisting of jazz versions of songs from Jack Lawrence and Stan Freeman's musical I Had a Ball performed by Art Blakey, Milt Jackson, Oscar Peterson, Dizzy Gillespie, Quincy Jones and Chet Baker which was released by Limelight in 1965.
Earl Coleman Returns is an album by American jazz singer Earl Coleman recorded in 1956 and released on the Prestige label. The 1994 CD reissue added four additional tracks originally released on 78 RPM singles.