"Mouldy Old Dough" | ||||
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Single by Lieutenant Pigeon | ||||
from the album Mouldy Old Music | ||||
B-side | "The Villain" | |||
Released | February 1972 | |||
Recorded | Winter 1971 [1] | |||
Genre | Pub rock [2] | |||
Length | 2:45 | |||
Label | Decca | |||
Songwriter(s) |
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Producer(s) | Stavely Makepeace | |||
Lieutenant Pigeon singles chronology | ||||
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"Mouldy Old Dough" is a primarily instrumental song by Lieutenant Pigeon. It reached the number one spot in 1972 on charts in Belgium, the UK, Ireland and New Zealand.
Written by Nigel Fletcher and Rob Woodward and first produced by them under the name of their other band, Stavely Makepeace, [3] it was recorded in the front room of Woodward's semi-detached house in Coventry, and featured his mother Hilda Woodward on piano, [4] in a boogie-woogie, honky-tonk, ragtime style. The only lyrics, 'sung' by Fletcher, are the growled title "Mouldy Old Dough" and "Dirty Old Man". When asked by Fletcher what those words meant, their author, Woodward, said he had no idea. [5]
It is the only British number one single to feature a mother and son. [4]
Originally released in early 1972, it flopped initially. But picked up in Belgium and used on a current affairs programme, it became a hit there, reaching number one in the Belgian singles chart. Decca Records, encouraged by this success, re-released it in the UK, and with the backing of then BBC Radio 1 DJ Noel Edmonds, it became a hit there, and spent four weeks at the top of the UK Singles Chart in October 1972, [6] selling 790,000 copies. In New Zealand, the song was number one for five weeks. [7] The song also reached number one in Ireland and reached the Top 10 in Canada and Australia, but did not chart in the United States.
"Mouldy Old Dough" (the title being an adaptation of the 1920s jazz phrase, "vo-de-o-do") [3] became the second biggest selling UK single of the year, behind The Band of the Royal Scots Dragoon Guards' bagpipe version of "Amazing Grace".
As of April 2019, Hilda Woodward's piano is an exhibit at Coventry Music Museum, [8] where other artefacts belonging to the band are also on display.
Weekly charts
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It was one of the choices of Jarvis Cocker when he appeared on the long-running BBC Radio 4 programme Desert Island Discs .
In a 1990 interview, Norman Quentin Cook (later known as Fatboy Slim) revealed it was the first record he ever bought. [30]
Various cover recordings appear in multiple V/Vm albums, such as the 1999 album AuralOffalWaffleTenPintsOfBitterAndABagOfPorkScratchings. [31]
Since 1972, the track has played over the PA system at the beginning of Oldham Athletic A.F.C. home games, which coincided with the club rising from the fourth Division to the second Division.
The song was covered by British group Shades of Green, and featured on their first album Rockin' Poppin' Ravin', released in 1973 by Windmill Records, London (WMD 164 stereo).
The song is widely regarded as the 'theme song' for the sport of Banger racing, where it is played at the start of races during the 'rolling lap'. [32] [33]
It also became popular in New Zealand in the early 1990s, due to its use in a television advertisement for Instant Kiwi scratchcards.
"Boogie Woogie Bugle Boy" is a World War II jump blues song written by Don Raye and Hughie Prince which was introduced by The Andrews Sisters in the Abbott and Costello comedy film, Buck Privates (1941). The Andrews Sisters' Decca recording reached number six on the U.S. pop singles chart in the spring of 1941 when the film was in release. The song is ranked No. 6 on Songs of the Century. Bette Midler's 1972 recording of the song also reached the top ten on the U.S. Billboard Hot 100.
Lieutenant Pigeon were an English novelty musical group popular in the early 1970s, originating in Coventry.
"Return to Sender" is a song recorded by American singer Elvis Presley and featured in the film Girls! Girls! Girls!. The song was written by Winfield Scott and Otis Blackwell to suit Presley's rock and roll musical style. The singer laments his relationship with a spiteful partner. Released on October 2, 1962, and published by Elvis Presley Music, the song became a commercial hit and received praise for its lyricism and melody.
"Get Off of My Cloud" is a song by the English rock band the Rolling Stones. It was written by Mick Jagger and Keith Richards for a single to follow the successful "(I Can't Get No) Satisfaction". Recorded at RCA Studios in Hollywood, California, in early September 1965, the song was released in September in the United States and October in the United Kingdom. It topped the charts in the US, UK, Canada, and Germany and reached number two in several other countries.
"Oh Girl" is a song written by Eugene Record and recorded by American soul vocal group the Chi-Lites, with Record on vocals and also producing. It was released as a single on Brunswick Records in 1972. Included on the group's 1972 album A Lonely Man, "Oh Girl" centers on a relationship on the verge of break-up.
"Blackberry Way" is a 1968 single by British band The Move. Written by the band's guitarist/vocalist Roy Wood and produced by Jimmy Miller, "Blackberry Way" was a bleak counterpoint to the sunny psychedelia of earlier recordings. It nevertheless became the band's most successful single, reaching number 1 on the UK Singles Chart in February 1969.
"Clair" is a song by Gilbert O'Sullivan, released in 1972 as the first single from his second album Back to Front. It was written by O'Sullivan and produced by Gordon Mills, and is one of O'Sullivan's biggest-selling singles.
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"It's All Over Now" is a song written by Bobby Womack and his sister-in-law Shirley Womack. It was first released by The Valentinos, featuring Bobby Womack, in 1964. The Rolling Stones heard it on its release and quickly recorded a cover version, which became their first number-one hit in the United Kingdom, in July 1964.
"Bachelor Boy" is a song by Cliff Richard and the Shadows, written by Richard and Bruce Welch. It became a hit when it was released as the B-side of Richard's single "The Next Time". Both sides of the single were regarded as having chart potential so both sides were promoted and in many markets "Bachelor Boy" became the bigger hit. The single spent three weeks at No. 1 in the UK Singles Chart in January 1963 and was a major hit internationally, although it only reached No. 99 in the US. Both sides of the single were included on the accompanying soundtrack album Summer Holiday. On the soundtrack album the Michael Sammes Singers were credited as backing singers, although they were not credited on the single.
"Young Girl" is a RIAA million-selling Gold-certified single that was written, composed, and produced by Jerry Fuller and performed by Gary Puckett & The Union Gap with instrumental backing by members of "The Wrecking Crew". It was released in 1968.
"We'll Sing in the Sunshine" is a 1964 hit song written and recorded by Gale Garnett which reached No. 2 in Canada, and No. 4 on the U.S. Billboard Hot 100 chart for the week ending 17 October 1964. It also enjoyed success on easy listening and country music radio stations, spending seven weeks at No. 1 on the Billboard Easy Listening chart and No. 42 on the country chart. The Cash Box Top 100 ranked "We'll Sing in the Sunshine" at No. 1 for the week of 31 October 1964, and it also reached No. 1 in Garnett's native New Zealand that November. In Australia, "We'll Sing in the Sunshine" afforded Garnett a Top Ten hit with a No. 10 peak in October 1964. Garnett's sole Top 40 hit, "We'll Sing in the Sunshine" won the Grammy Award for Best Ethnic or Traditional Folk Recording in 1965.
"I'd Love You to Want Me" is a song by American singer-songwriter Lobo. It was released in September 1972 as the second single from his second album Of a Simple Man.
"It Doesn't Matter Anymore" is a pop ballad written by Paul Anka and recorded by Buddy Holly in 1958. The song was issued in January 1959, less than a month before Holly's death. "It Doesn't Matter Anymore" reached number 13 as a posthumous hit on the Billboard Hot 100 chart in early 1959, shortly after Holly was killed in a plane crash on February 3, 1959. The single was a two-sided hit, backed with "Raining in My Heart". "It Doesn't Matter Anymore" was Holly's last US Top 20 hit and featured the orchestral backing of Dick Jacobs. It was also successful in the United Kingdom, where it became the country's first posthumous number 1 hit.
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"Only Sixteen" is a song by American singer-songwriter Sam Cooke, released in May 1959. It was a top 15 hit on Billboard's Hot R&B Sides chart and also charted within the top 30 of the Billboard Hot 100 and the UK Singles Chart. In the UK it was covered, and taken to No. 1, by Craig Douglas.
The Scrap Iron Rhythm Revue is a compilation album and the first album overall by English avant-pop band Stavely Makepeace, released in May 2004 by reissue label RPM Records. Compiled by journalist Bob Stanley, it contains a string of singles recorded between 1969 and 1984 that the band recorded in their home studio and released on various record labels. The band, primarily consisting of Rob Woodward and Nigel Fletcher, were influenced by Joe Meek, and started the band in order to explore experimental and disparate ideas within pop music, describing their musical style as the "scrap iron sound" in reference to their incorporation of unusual instruments. Their singles were commercially unsuccessful, though the band would find major success with "Mouldy Old Dough" (1972) under the extended line-up of Lieutenant Pigeon.
"Up in a Puff of Smoke" is a song recorded in 1974 by Polly Brown, released as a non-album single to become an international Top 40 hit in 1975.
Hilda Woodward was a British musician from Coventry. She is best known for playing the piano on the hit song "Mouldy Old Dough", by the band Lieutenant Pigeon.