"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
"I Will Always Love You" is a song written and originally recorded in 1973 by American singer-songwriter Dolly Parton. Written as a farewell to her business partner and mentor Porter Wagoner, expressing Parton's decision to pursue a solo career, the country single was released in 1974. The song was a commercial success for Parton, twice reaching the top spot of Billboard Hot Country Songs: first in June 1974, then again in October 1982, with a re-recording for The Best Little Whorehouse in Texas soundtrack.
"Back to Life (However Do You Want Me)" is a song by British R&B band Soul II Soul featuring the Reggae Philharmonic Orchestra. It is an alternate version of a song that appears on their secondary debut album, Club Classics Vol. One (1989) (titled Keep On Movin' in the United States), and was released as its second single on 29 May 1989. "Back to Life" is one of two songs on the album featuring British R&B singer Caron Wheeler and gained success in both North America and Europe, topping the charts in the Netherlands and the United Kingdom and peaking at number four in the United States. The group won their first Grammy Award for Best R&B Performance by a Duo or Group with Vocal with the song in 1990. The track was later included on a tenth-anniversary edition of the album.
"Move Any Mountain" is a song by Scottish electronic music group the Shamen, first released under the title "Pro›gen". With an official remix by the Beatmasters, the song was re-released in the UK in summer 1991 and was their first top-10 single, reaching number four in the UK Singles Chart. It was included on the band's second album, En-Tact (1990), and is also their only top-40 hit in the US, where the song peaked at number 38 on the Billboard Hot 100 and number 29 on the Radio and Records Pop chart in February 1992.
"Give It Up, Turn It Loose" is a song by American R&B/pop vocal group En Vogue, released as the fourth single from their second album, Funky Divas (1992). The song's title is a reference to the 1969 James Brown song "Give It Up or Turnit a Loose". Released on November 12, 1992, the single reached number 15 on the US Billboard Hot 100, number 16 on the Billboard Hot R&B Singles chart, and number 22 on the UK Singles Chart. In 1994, it was nominated for a Grammy Award for Best R&B Performance by a Duo or Group with Vocals. This song features Maxine Jones on lead entirely.
"Love Can Move Mountains" is a song by Canadian singer Celine Dion, recorded for her second English-language studio album, Celine Dion (1992). Written by Diane Warren and produced by Ric Wake, it was released as the fourth single in October 1992. It is an up-tempo pop song drawing influence from gospel and dance music, and its lyrics detail the abilities that love has as an emotion. "Love Can Move Mountains" was later included on Dion's greatest hits albums, All the Way... A Decade of Song in 1999 and My Love: Ultimate Essential Collection in 2008.
"Show Me Love" is a song officially credited as being performed by American singer Robin S. and written by Allen George and Fred McFarlane, originally released in October 1990 by Champion Records in the United Kingdom. In 1992, it was remixed by Swedish house music production duo StoneBridge and Nick Nice, and re-released in many European countries as well as the United States and Japan. It became one of the most well known house anthems in the United Kingdom, and Robin's biggest hit to date. It helped to make house more mainstream. In 1993, it was included on Robin S.'s debut album of the same name. Confusion arose with the 1997 hit "Show Me Love" by Swedish singer Robyn, due to their homonymous names and identical titles.
"Motownphilly" is a song by American vocal harmony group Boyz II Men, released in April 1991 as their first single from their debut album, Cooleyhighharmony (1991). The song was a success, peaking at number three on the Billboard Hot 100. Michael Bivins, who co-wrote the song, provides a guest rap during the bridge. The song title etymology involves a combination of two of the group's main musical influences: 1960s Motown and 1970s Philly soul.
"Be Happy" is a song by American singer Mary J. Blige. It was written by Blige, Sean "Puffy" Combs, Arlene DeValle, and Jean-Claude Olivier from duo Poke & Tone for her second studio album, My Life (1994), while production was helmed by Combs and Olivier. "Be Happy" contains an instrumental sample of the song "You're So Good to Me" (1979) by musician Curtis Mayfield and a re-sung vocal portion of the record "I Want You" (1976) by Marvin Gaye.
"Stay" is a song written by Bob Khozouri and Mark Stevens, originally recorded by American singer Glenn Jones and released in 1990. It reached number six on the US Billboard Hot Black Singles chart. The song became a worldwide hit for British girl group Eternal in 1993 and 1994.
"Shoop" is the lead single released from American hip hop group Salt-N-Pepa's fourth studio album, Very Necessary (1993). The song was produced by group members Sandra 'Pepa' Denton and Salt with Mark Sparks. It features an uncredited verse by rapper Otwane "Big Twan Lov-Her" Roberts. Released in September 1993 by Next Plateau, the song became one of the group's more successful singles, reaching number four on the US Billboard Hot 100 and topping the Hot Rap Singles chart at number one. Two months after its release, "Shoop" was certified gold by the RIAA; it went on to sell 1.2 million copies. Its accompanying music video was directed by Scott Kalvert. The success of both this single and the follow-up single "Whatta Man" propelled Very Necessary to sell over 5 million copies in the US, becoming the group's best-selling album.
"Keep It Comin' (Dance Till You Can't Dance No More)" is a song by American musical group C+C Music Factory featuring vocals by Q-Unique and Deborah Cooper. In the US, the single went to number one on the Billboard Hot Dance Club Play chart. It is featured in the film, Buffy the Vampire Slayer, and its accompanying soundtrack.
"Stay with Me" is a soul song co-written by Jerry Ragovoy and George David Weiss. It was first recorded in 1966 by Lorraine Ellison, and produced by Ragovoy.
"It Should Have Been Me" is a 1963 song written by William "Mickey" Stevenson and Norman Whitfield for Kim Weston. It has been performed by Yvonne Fair, Gladys Knight & the Pips and Adeva among others. Knight's version peaked at number 40 on the Billboard Hot 100 in 1968. Fair had her only hit single with her recording of the song in 1976, reaching number 5 in the UK, number 85 in the US and number 10 in Australia.
"Inside That I Cried" is a song by American singer CeCe Peniston, released as the fifth and last single from her debut album, Finally (1992), on A&M Records. The single release includes "Hitmix", a medley of her songs "Finally", "We Got a Love Thang", "Keep On Walkin'", "Lifeline" and "It Should Have Been You", all taken from the album. "Inside That I Cried" reached the top 10 of the American Billboard Hot R&B Singles & Tracks chart and peaked at number 94 on the US Billboard Hot 100. In the United Kingdom, the song reached number 42 on the UK Singles Chart.
"Colour My Life" is a song by British band M People, released as the second single from their first album, Northern Soul (1991). It was written by band members Mike Pickering and Paul Heard. The single was originally released in May 1991 and was given a full release on 24 February 1992. It peaked at number thirty five on the UK Singles Chart and number 13 on the UK Dance Singles Chart.
"Take Me Back to Love Again" is a 1992 song by American singer-songwriter Kathy Sledge. It was written by Kenny Harris and Mark Holden, and was the first single from Sledge's first solo album, Heart (1992). The producers were Charles Farrar and Troy Taylor. The single went to number-one on the US Billboard dance chart for one week. It did not make the Billboard Hot 100 but went to number 24 on the Billboard soul singles chart. In Europe, it peaked at number 62 on the UK Singles Chart and number 12 on the UK Dance Singles Chart.
"Pennies from Heaven" is a song by American electronic music group Inner City, released in 1992 as the third single from their fourth album, Praise (1992). Despite the title, it is not a cover of the 1936 song of the same name. It became the duo's fifth and final number-one single on the US Billboard Hot Dance Club Play chart, reaching the top of the chart in August 1992 for two weeks. In the UK, it peaked at number 24 on the UK Singles Chart, while reaching number two on the UK Dance Singles Chart. British magazine Mixmag ranked it number 62 in its "100 Greatest Dance Singles Of All Time" list in 1996.
"Willing to Forgive" is a song by American singer-songwriter Aretha Franklin from her seventh compilation album, Greatest Hits: 1980–1994 (1994). It was released as the album's second single in May 1994 by Arista Records. Written and produced by Babyface and Daryl Simmons, it became a hit in the, reaching number 26 on the Billboard Hot 100 and number five on the Billboard Hot R&B/Hip-Hop Songs chart. It also charted in the UK, reaching number 17. On the Eurochart Hot 100, "Willing to Forgive" peaked at number 49 in July 1994.
"A Dream's a Dream" is a song by British musical collective Soul II Soul, released in 1990 by Virgin as the second single from the collective's second album, Vol. II: 1990 – A New Decade (1990). The song features American-born British singer Victoria Wilson-James and received favorable reviews from music critics. It was successful all over Europe, reaching number-one in Greece and the top 10 in Finland, Italy, the Netherlands, Norway and the UK. Additionally, it was a top 20 hit in Austria, Belgium, Germany, Ireland, Sweden and Switzerland. Outside Europe, it peaked at number three on the Billboard Dance Club Songs chart in the US, number eight in New Zealand and number 27 in Australia.
