Moya (architecture)

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Yellow: moya, white: hisashi , red: mokoshi Mokoshi Moya and Hisashi.jpg
Yellow: moya, white: hisashi , red: mokoshi

In Japanese architecture moya(母屋) is the core of a building. Originally, the central part of a residential building was called moya. After the introduction of Buddhism to Japan in the 6th century, moya has been used to denote the sacred central area of a temple building. It is generally surrounded by aisle like areas called hisashi . [1] In temples constructed in the hip-and-gable style ( irimoya-zukuri ), the gabled part usually covers the moya while the hipped part covers the aisles. [2]

Japanese architecture

Japanese architecture has traditionally been typified by wooden structures, elevated slightly off the ground, with tiled or thatched roofs. Sliding doors (fusuma) were used in place of walls, allowing the internal configuration of a space to be customized for different occasions. People usually sat on cushions or otherwise on the floor, traditionally; chairs and high tables were not widely used until the 20th century. Since the 19th century, however, Japan has incorporated much of Western, modern, and post-modern architecture into construction and design, and is today a leader in cutting-edge architectural design and technology.

Buddhism World religion, founded by the Buddha

Buddhism is the world's fourth-largest religion with over 520 million followers, or over 7% of the global population, known as Buddhists. Buddhism encompasses a variety of traditions, beliefs and spiritual practices largely based on original teachings attributed to the Buddha and resulting interpreted philosophies. Buddhism originated in ancient India as a Sramana tradition sometime between the 6th and 4th centuries BCE, spreading through much of Asia. Two major extant branches of Buddhism are generally recognized by scholars: Theravada and Mahayana.

<i>Hisashi</i> (architecture) architectural feature

In Japanese architecture the term hisashi (廂・庇) has two meanings:

A butsuden's floor plan

A butsuden's floor plan Moya hisashi.svg
A butsuden's floor plan

The drawing shows the floor plan of a typical Zen main butsuden such as the one in the photo above at Enkaku-ji in Kamakura. The core of the building (moya) is 3 x 3 ken wide and is surrounded on four sides by a 1-ken wide hisashi, bringing the external dimensions of the edifice to a total of 5 x 5 ken. [3] Because the hisashi is covered by a pent roof of its own, the butsuden seems to have two stories, but in fact has only one.

This decorative pent roof which does not correspond to an internal vertical division is called mokoshi (裳階・裳層,also pronounced shōkai), literally "skirt story" or "cuff story".

<i>Mokoshi</i>

In Japanese architecture a mokoshi, literally "skirt storey" or "cuff storey", is a decorative pent roof surrounding a building below the true roof. Since it does not correspond to any internal division, the mokoshi gives the impression of there being more floors than there really are. It is usually a ken deep and is most commonly seen in Buddhist temples and pagodas. The mokoshi normally covers a hisashi, a walled aisle surrounding a building on one or more sides, but can be attached directly to the core of the structure, in which case there is no hisashi. The roofing material for the mokoshi can be the same or different as in the main roof.

The same structure can be found in a tahōtō with the same effect: the structure seems to have a second story, but in fact it doesn't. [4]

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<i>Shoin-zukuri</i>

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Main Hall (Japanese Buddhism) main building in Japanese buddhist temples

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<i>Ken</i> (unit) measurement in Japanese architecture; today standardized as 20/11 metres

The ken (間) is a traditional Japanese unit of length, equal to six Japanese feet (shaku). The exact value has varied over time and location but has generally been a little shorter than 2 meters. It is now standardized as ​1 911 meter.

East Asian hip-and-gable roof

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Nagare-zukuri

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Hiyoshi-zukuri

Hiyoshi-zukuri or hie-zukuri (日吉造), also called shōtei-zukuri / shōtai-zukuri (聖帝造) or sannō-zukuri (山王造) is a rare Shinto shrine architectural style presently found in only three instances, all at Hiyoshi Taisha in Ōtsu, Shiga, hence the name. They are the East and West Honden Hon-gū (本殿本宮) and the Sessha Usa Jingū Honden (摂社宇佐神宮本殿). It is characterized by a hip-and gable roof with verandas called hisashi on the sides. It has a hirairi structure, that is, the building has its main entrance on the side which runs parallel to the roof's ridge.

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Zenshūyō

Zenshūyo is a Japanese Buddhist architectural style derived from Chinese Song Dynasty architecture. Named after the Zen sect of Buddhism which brought it to Japan, it emerged in the late 12th or early 13th century. Together with Wayō and Daibutsuyō, it is one of the three most significant styles developed by Japanese Buddhism on the basis of Chinese models. Until World War II, this style was called karayō but, like the Daibutsuyō style, it was re-christened by Ōta Hirotarō, a 20th-century scholar. Its most typical features are a more or less linear layout of the garan, paneled doors hanging from hinges, intercolumnar tokyō, cusped windows, tail rafters, ornaments called kibana, and decorative pent roofs.

Kibitsu-zukuri

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Zuiryū-ji (Toyama) building in Takaoka, Toyama Prefecture, Japan

Zuiryū-ji (瑞龍寺)) is a Buddhist temple in Takaoka, Toyama Prefecture, Japan. The temple belongs to the Sōtō-school of Japanese Zen Buddhism.

Jōdo-ji (浄土寺) is a temple of Shingon Buddhism in Onomichi, Hiroshima Prefecture, Japan. As a site sacred to the boddhisattva Kannon, it is the 9th temple on the Chūgoku 33 Kannon Pilgrimage. The temple, built at the end of the Kamakura period, is noted for two national treasures: the temple's main hall (hondō) and the treasure pagoda (tahōtō). In addition it holds a number of Important Cultural Property structures and artworks.

References

  1. "moya". JAANUS - Japanese Architecture and Art Net User System . Retrieved 2009-11-21.
  2. "irimoya-zukuri". JAANUS - Japanese Architecture and Art Net User System . Retrieved 2009-11-21.
  3. "hisashi". JAANUS - Japanese Architecture and Art Net User System . Retrieved 2009-11-21.
  4. Fujita Masaya, Koga Shūsaku, ed. (April 10, 1990). Nihon Kenchiku-shi (in Japanese) (September 30, 2008 ed.). Shōwa-dō. ISBN   4-8122-9805-9.