Museum Giuseppe Gianetti

Last updated

Museum Giuseppe Gianetti
Museo della ceramica Giuseppe Gianetti
Welcome panel Museum Giusepe Gianetti.jpg
Welcome panel of the museum
Museum Giuseppe Gianetti
Interactive fullscreen map
Established1994;30 years ago (1994)
LocationVia Carcano, 9, 21047 Saronno, (VA), Lombardy, Italy
Coordinates 45°37′30.1″N9°01′58.3″E / 45.625028°N 9.032861°E / 45.625028; 9.032861
Type Ceramics museum
CollectionsGiuseppe Gianetti Collection, Aldo Marcenaro Collection, Contemporary Ceramics Collection
Visitors1370 (2022). [1]
DirectorMara De Fanti [2]
Public transit access Trenord - Saronno railway station : (S1, S3, S9, Regionale R17, R22, R28)
Website www.museogianetti.it

The Museum Giuseppe Gianetti (Italian : Museo della ceramica Giuseppe Gianetti) is a ceramics museum located in Saronno, Italy. The Museum includes collections of different types of porcelain, majolica, and ceramics that belonged to the Italian industrialist Giuseppe Gianetti. [3] These showcase more than 200 pieces of Meissen porcelain, which represents the Museum's most substantial collection. Other collections cover Oriental porcelain, Italian and European majolica, and porcelain. The original collections have been expanded to include the Aldo Marcenaro Collection [4] and a collection of contemporary ceramics. [5]

Contents

Its collections and role in ceramics research make it one of the most important museums of its kind in Italy and Europe. [6]

Location

The museum is located at 9 Via Carcano, in the downtown area of the city of Saronno, in the province of Varese, in Lombardy.

History

Giuseppe Gianetti and the origins of the collection

Giuseppe Gianetti was born on January 29, 1887, and died on April 9, 1950, in Saronno. He was a collector of artistic objects, particularly ceramics. His collection of ceramics began in 1913 with objects from different sources in Europe and China. He had a collection of Meissen porcelain of which he was particularly fond. Throughout his life, he also acquired other artistic pieces such as sculptures, furniture and paintings. [6]

Villa Biffi and the Museum Giuseppe Gianetti

The Museum Giuseppe Gianetti was established in 1994 in the center of Saronno in Villa Biffi, constructed in the 1930s. It previously served as the residence of Nina Biffi, the sister of Giuseppe Gianetti's wife. [7]

The historical villa preserves its original parquet flooring, marble features, staircases, window fixtures, furnishings, paintings, mirrors, and Murano glass chandeliers. The bathrooms retain original fittings, including the original light switches. The handrail adorning the staircase leading to the Museum's second level is meticulously fashioned according to a design conceptualized by Carla Biffi, one of Nina Biffi's siblings. [8]

The COE Foundation and the opening of the museum

In 1994, Villa Biffi was donated to the COE Foundation [9] and opened as the Museum Giuseppe Gianetti. [3]

The COE Foundation, also known as the Center for Educational Guidance, was established in 1976 and is recognized as a "Worship and Religious Institution". It operates under the guidance of evangelical principles, managing hospitality facilities and organizing cultural activities.

The art education initiatives of COE combine a blend of cultural, artistic, and environmental heritage experiences. [10] These initiatives have contributed to establish connections between schools and territories both in Italy and globally. The Association is also involved in international projects. These projects engage a diverse group of authors, insiders, schools, and cultural institutions. [11]

Collections

The Museum's display is categorised into three distinct collections.

Meissen Porcelain Collection Meissen Porcelain.jpg
Meissen Porcelain Collection

First Collection

The first and largest collection contains approximately 200 pieces of porcelain, produced from the 1720s to the early decades of the 18th century in Meissen, Germany. [12]

Second Collection

The second collection contains various Italian, European, and Oriental porcelains. They include distinctive examples of Italian ceramic manufacturing, including Hewelcke, Vezzi, Ginori, and Capodimonte. The collection includes sixty-five items representing European craftsmanship including items from Vienna, Ludwigsburg, Kloster Veilsdorf, Zurich, Saint Cloud, Chantilly, Mennecy, Vincennes-Sèvres, Tournai, and Chelsea. The Oriental section consists of 33 Chinese and Japanese pieces created by the East India Company specifically for the Western market. [12]

Part of the Italian Majolica Collection Room7 Museum Giuseppe Gianetti.jpg
Part of the Italian Majolica Collection

Third Collection

The third section is dedicated to 18th century Italian and European majolica, compromises of approximately 230 pieces manufactured in Milan. [12]

Aldo Marcenaro's Collection

In 2004 the Museum incorporated Aldo Marcenaro's artworks in its collection to mark the 20th anniversary of opening to the public. Aldo Marcenaro (1931–2011) was a professor at the San Martino Hospital of Genova and was a collector specializing in ceramics from the 18th century. The foremost segment among the 24 artworks included original pieces from Meissen, Germany. Within this collection, there are also several pieces designed for tea and coffee, along with a dish embellished with Kakiemon decorative elements and European majolica. [13]

Contemporary Ceramics Collection

Several Italian artists' works are showcased in the contemporary section, including those of F. Dusi, G. Spector and G. Robustelli. [14]

Museum's Sections

The Museum is organised into nine distinct sections, each designated to accommodate a specific collection. These sections are separated into five segments dedicated to the varied typologies and origins of porcelain (Oriental, Meissen, European, Italian, and contemporary), while the remaining four are devoted to the diverse classifications of Majolica (Milanese, Italian, European, and the Chamber of the Triton).

Part of the 18th-century Oriental Porcelain Collection. Oriental Porcelain.jpg
Part of the 18th-century Oriental Porcelain Collection.

Room 1 - Oriental Porcelains

The room represents the widespread European fascination with Japanese art and culture called Japonisme in the late 19th century. This led to an increase in the popularity of Chinese and Japanese ceramics in affluent European homes and gatherings in cities like Milan, Genoa, and Venice. Gianetti also indulged in acquiring 18th century Oriental porcelain from both China and Japan, although his main interest remained in European ceramics. [15] The room contains a collection of Chinese Qing and Japanese Edo artifacts, focusing on small sculptures. Despite the limited quantity, the collection includes a diverse array of works, ranging from Celadon to Blanc de Chine. It incorporates pieces from both the Green Family and the Rose Family, along with porcelain items from the East India Company.

Room 2 - Meissen Porcelains

This room represents Western porcelain production, created in Meissen near Dresden, Saxony, through the efforts of Johann Friedrich Böttgerand with the support of Augustus II, Elector of Saxony. The first European porcelain factory was established in Meissen in 1710. The manufacturing method remained a secret until 1719 when it was acquired and spread across Europe. [16]

Part of the European Porcelain Collection Museum Giuseppe Gianetti, ROOM 3.jpg
Part of the European Porcelain Collection

Room 3 and Room 4 - European and Italian Porcelains

These two rooms represent the spread of porcelain production across Europe during the 18th century, as the technique for making hard-paste porcelain spread across Europe as skilled workers left Meissen and chemists found kaolin-rich clays elsewhere. Various factories arose under different European courts, evolving as entrepreneurs established factories driven by industrial goals. [17]

The collection includes Italian porcelain manufactured in Venice, Nove, Este, and Treviso, concentrated near the main high-quality Italian kaolin quarry, situated in Veneto, near Vicenza. The absence of pure kaolin quarries prevented the country's porcelain from matching the material quality of German or French counterparts, although Italian porcelain holds its own in terms of artistic merit. [18]

Italian Majolica Italian Maiolica Museum Gianetti.jpg
Italian Majolica

Room 5, Room 6 and Room 7 - Italian and European Majolica

Three rooms include collections representing the development and spread of fine majolica production across multiple Italian regions and workshops in the 18th century. [19] These included Ferniani in Faenza, Clerici in Milan, Rubati in Turin, Finck in Bologna, [20] Casali and Callegari in Pesaro, Roletti in Urbino, Fuina in Castelli, Cialli in Rome, and Barone Malvica's workshop in Palermo. Major porcelain factories like those of Ginori and Cozzi also had adjoining workshops for majolica.

The collection provides examples of how these workshops exchanged design ideas, leading to shared decorative patterns. [21] These included: motifs like "blanser" from Novese origins appearing in Bologna and Urbino majolica; and, motifs like "fruit decorations," perhaps influenced by Lombardian models, appearing in Milan and Nove. The French-inspired "Berain-style" decorations, with variations, were also seen in majolica from various origins. [22]

The Bathtub Bathroom Museum Giuseppe Gianetti.jpg
The Bathtub

Room 8 - Contemporary Porcelains

Since the inception of the "Artemondo Gallery", [23] the Museum has assembled a collection of contemporary ceramics, endeavoring to cultivate scholarly exploration and meaningful discourse in conjunction with the original pieces from its 18th century collection. [24]

Room 9 - Chamber of Triton

The first-floor bathroom, in which the original bath is still visible, presents a luminous space decorated with large yellow Siena marble slabs on the walls, with a floor of black African marble. A barrel-vaulted ceiling is adorned with stucco craftsmanship depicting the majestic presence of a Triton. [25] The bathtub, still featuring its original taps, was installed within a niche under a recessed glass ceiling light embellished with decorations inspired by marine themes.

Temporary Collection "The Legend of "Pacifiers & Fishes"

The temporary collection "The Legend of "Pacifiers & Fishes" (November 25, 2023 - December 21, 2023) was inspired by Lucia Cuozzo's Amalfi legend. The project comprised 18 artists creating 18 illustrated plates using diverse techniques. Salerno-based ceramist and visual designer Gianluca Tesauro contributed brown-decorated ceramics that, when combined, depict imaginative creatures merging donkeys and fish. The initiative also includes a limited edition hand-sewn book featuring the artists' graphic works. [26] The Legend is adapted for different Italian locations. It was initially translated into the Varese dialect by Angelo Zilio for the Lombard exhibition, and later illustrated by four local artists. Originating in Vietri sul Mare, the exhibition had been showcased in Savona during the Majolica Festival and scheduled to visit Veneto in 2024. The individuals who contributed to the creation of the artworks include Alex Raso, Alfredo Guarracino Alboy, Daniela Giorgina Scalese, David&Golia, Elisa d'Arienzo, Fabio Taramasco, Francesco Carbone, Gabriele MrCorto Resmini, Gianluca Tesauro and many others. [27]

Exhibitions

The permanent collection of the Museum includes a number of distinct exhibits:

[28]
Work nameOriginal Italian NameAgeMaterialStyle
"Figure of Guanyin""Figura di Guanyin"1662 - 1722PorcelainJaponisme
"The sale of the dark slave""La vendita dello schiavo moro"1770Hard porcelain painted in polychrome Enlightenment
"Oriental man with high turban""Uomo orientale con alto turbante"1760 - 1780Hard porcelain painted in polychrome and gildedRecueil Ferriol
"Container in the shape of a partridge""Contenitore a forma di pernice"1756 - 1790Majolica Trompe-l'œil
"Watch holder with yellow dress""Portaorologio con veste gialla"1770 - 1776Painted porcelain Imari
"Harlequin plays with a bird and a cat""Arlecchino gioca con un uccello e con un gatto"1743 - 1760Hard porcelain painted in polychrome and gold Rococo

"Figure of Guanyin"

The Guanyin ("Figura di Guanyin" in italian) is a refined example of the small white porcelain sculptures (called 'Blanc de Chine') produced between the late 17th and early 18th centuries in the Chinese Dehua region. The figure depicts the divine figure of Buddhist origin, seated in the sacred mudra position: the regal repose. The piece reflects the increasing European interest in Chinese and Japonise porcelain art from the late 19th century, and the presence of 'Blanc de Chine' in several Italian porcelain Museums. [29]

"The sale of the dark slave"

This group, known as "The Human Trafficking" ("Trafficanti di Uomini" in Italian) in the inventory of the manufacturer, belongs to the plastic production of the finest Swiss porcelain factory led by Adam Spengler from 1763 to 1790. Spengler was an interpreter of the Enlightenment taste that propelled the European avant-garde. He conceived nearly 400 models of small sculptures, among which this one is regarded as one of the most unique and rare. [30]

"Oriental man with high turban"

This sculpture ("Un uomo orientale con alto turbante" in Italian) belongs to a series derived from the set of engravings known as "Recueil Ferriol", depicting Oriental costumes. In the production of the Doccia porcelain factory, founded by Marquis Carlo Ginori in 1741, plastic production played a significant role and this theme is revisited multiple times, as evidenced by the variations in the base of this sculpture. [31]

"Container in the shape of a partridge"

This example of trompe-l'œil ceramics ("Contenitore a forma di pernice" in Italian) reflects a successful theme of European manufacturers during the 18th century, used to adorn festive tables and characterized by the use of large cabbages, pumpkins, lemons, artichokes, bunches of asparagus alongside turkeys and hens. This exhibit exemplifies the fine "deceptive" majolica from the two most notable factories in Milan. [32]

Watch holders with blue and yellow dress Portaorologio con veste gialla e blu.jpg
Watch holders with blue and yellow dress

"Watch holder with yellow dress"

This exhibit ("Portaorologio con veste gialla" in Italian) is representative of the production known as "Chinese Imari", produced in the 18th century by two factories in Milan. It is characterized by various decorative motifs painted in a trichrome palette (deep blue in grand feu, red and gold in petit feu). This term refers to a Chinese serial production inspired by Japanese ornamental formulas. The "ostrich" and "casotto" (known as "carabiniere") patterns are among the most renowned of these decorative styles. [33]

"Harlequin plays with a bird and a cat"

One of the most celebrated figures in the history of European porcelain is Johann Joachim Kändler, the chief modeler of the Meissen manufactory from 1733 to 1775. A highly skilled sculptor in the Rococo style, he revolutionized small-scale porcelain sculpture in Europe, giving new vitality into the figures and collaborating with other artistic talents, such as Johann Friedrich Eberlein, the creator of this particular model ("Arlecchino gioca con un uccello e con un gatto" in Italian). [34]

Library

Giuseppe Gianetti's book collection encompasses approximately a thousand texts related to art. The collection comprises works on:

The consultation of books in the library is possible by reservation. [35]

Internal Organization

The Museum is governed by the Board of Directors of the COE Foundation and the Artistic Committee. This Committee is composed of seven members, which includes the Director, Conservator, and a representative from the Municipality of Saronno.

Mara De Fanti is both the Director and the Curator of the Museum. [36] From 1993 to 1998, De Fanti studied at the Brera Academy of Fine Arts in Milan, and from 2010 to 2011 pursued a course in antiquarian art.

The Museum staff includes a Head of Education Services, a Technical Safety Officer, and a Custodian and the Museum engages volunteer staff.

Ceramics Festival

From June 23 to June 25, 2023, the third Ceramics Festival took place in Saronno, [37] organized by the museum with the assistance of the municipality of Saronno and Faenza, the Lombardy Region, the province of Varese and AICC (Associazione Italiana Città della Ceramica). It focused exclusively on high-quality ceramics, with the goal of promoting awareness of the significance of this material and showcasing national excellence.

The keyword of the festival was "Fragile". The approaches towards a fragile subject/object can vary, from care and conservation to restoration, mishandling any of these actions may result in fractures or breakage. Artistic heritage itself follows this logic: if properly tended to, these treasures continue to recount their stories and history. [38]

Several exhibitions and installations were organized in the city, particularly in the streets of the historic center, with the participation of national and international artists. Workshops on clay manipulation, engobe decoration, ceramic painting, demonstrations on the potter's wheel, raku firing and dripping time workshop were organized within the museum.

See also

Related Research Articles

<span class="mw-page-title-main">Nuoro</span> Comune in Sardinia, Italy

Nuoro is a city and comune (municipality) in central-eastern Sardinia, Italy, situated on the slopes of Mount Ortobene. It is the capital of the province of Nuoro. With a population of 36,347 (2011), it is the sixth-largest city in Sardinia. Its frazione (borough) of Lollove is one of I Borghi più belli d'Italia.

<span class="mw-page-title-main">Lodi, Lombardy</span> Comune in Lombardy, Italy

Lodi is a city and comune (municipality) in Lombardy, northern Italy, primarily on the western bank of the River Adda. It is the capital of the province of Lodi.

<span class="mw-page-title-main">Faenza</span> Comune in Emilia-Romagna, Italy

Faenza is an Italian city and comune of 59,063 inhabitants in the province of Ravenna, Emilia-Romagna, situated 50 kilometres southeast of Bologna.

<span class="mw-page-title-main">Maiolica</span> Renaissance-era Italian tin-glazed pottery

Maiolica is tin-glazed pottery decorated in colours on a white background. The most renowned Italian maiolica is from the Renaissance period. These works were known as istoriato wares when depicting historical and mythical scenes. By the late 15th century, multiple locations, mainly in northern and central Italy, were producing sophisticated pieces for a luxury market in Italy and beyond. In France, maiolica developed as faience, in the Netherlands and England as delftware, and in Spain as talavera. In English, the spelling was anglicised to majolica, but the pronunciation usually preserved the vowel with an i as in kite.

<span class="mw-page-title-main">Saronno</span> Comune in Lombardy, Italy

Saronno is a comune of Lombardy, Italy, in the province of Varese. It received the honorary title of city with a presidential decree in 1960. With an estimated population of 39351 inhabitants, it is the most densely populated among the big municipalities in its province.

<span class="mw-page-title-main">Vietri sul Mare</span> Comune in Campania, Italy

Vietri sul Mare is a comune (municipality) in the province of Salerno, in the Italian region of Campania. It is situated just west of Salerno, separated from the Port of Salerno by only a harbour wall. The town is known for its polychrome ceramics, a tradition since at least the 15th century, and is considered to be the gateway to the Amalfi Coast.

<span class="mw-page-title-main">Medici porcelain</span>

Medici porcelain was the first successful attempt in Europe to make imitations of Chinese porcelain, though it was soft-paste porcelain rather than the hard-paste made in Asia. The experimental manufactory housed in the Casino of San Marco in Florence existed between 1575 and 1587 under the patronage of Francesco I de' Medici, Grand Duke of Tuscany. Surviving examples are extremely rare, numbering 59 according to the Metropolitan Museum of Art.

<span class="mw-page-title-main">Doccia porcelain</span> Italian porcelain manufactory founded in 1735

Doccia porcelain, now usually called Richard-Ginori, at Doccia, a frazione of Sesto Fiorentino, near Florence, was in theory founded in 1735 by marchese Carlo Ginori near his villa, though it does not appear to have produced wares for sale until 1746. It has remained among the most important Italian porcelain factories ever since.

<span class="mw-page-title-main">Ceramics museum</span> Type of museum

A ceramics museum is a museum wholly or largely devoted to ceramics, usually ceramic art. Its collections may also include glass and enamel, but typically concentrate on pottery, including porcelain. Most national collections are in a more general museum covering all of the arts, or just the decorative arts. However, there are a number of specialized ceramics museums, with some focusing on the ceramics of just one country, region or manufacturer. Others have international collections, which may be centered on ceramics from Europe or East Asia or have a more global emphasis.

<span class="mw-page-title-main">Porcelain Museum (Florence)</span> Ceramics museum in Italy

The Porcelain Museum is located in the Casino del Cavaliere, one of the highest points of the Boboli Gardens at the Pitti Palace in Florence, Italy.

<span class="mw-page-title-main">Museum Correale</span> Museum in Sorrento, Italy

Museum Correale is a museum in Sorrento in the south of Italy.

<span class="mw-page-title-main">Bruno Ceccobelli</span> Italian painter and sculptor

Bruno Ceccobelli is an Italian painter and sculptor. He currently resides and works in Todi, Italy. Ceccobelli was one of the six artists of the Nuova Scuola Romana or Scuola di San Lorenzo, an artistic movement that grew out of the Arte Povera and Transavanguardia movements of the latter twentieth century.

<span class="mw-page-title-main">Luigi de Lerma</span>

Eugenio Luigi Umberto Giovanni Maria de Lerma was an Italian painter and ceramist, who since 1934 worked in the Netherlands.

Luigi Fabris was an Italian sculptor and ceramist.

<span class="mw-page-title-main">National Museum of Ceramics, Naples</span>

The National Museum of Ceramics Duca Di Martina is a historical and artistic site situated inside of the Villa Floridiana Park in Naples, Italy. The building used to be one of Campania’s Bourbon royal residences and since 1927 this residence has hosted the museum.

The Istituto superiore regionale etnografico is an institution based in Nuoro (Sardinia), established in 1972 by the Regional Council of Sardinia.

<span class="mw-page-title-main">Gabbianelli</span> Italian ceramics company

Gabbianelli is an Italian ceramics company specializing in ceramic wall and floor tiles. It was founded in 1939 by Enrico Gabbianelli with its manufacturing plant in Cusano Milanino. During the 1960s and 70s it also produced a series of ceramic objects for the home by prominent Italian designers. The company was bought by Ceramica Bardelli in 1996, although the two companies maintained their own production and brand names. In 2000, following a further period of consolidation and restructuring in the Italian ceramics industry, Bardelli, Gabbianelli, and several other brands became subsidiaries of the Biella-based Altaeco Group.

<span class="mw-page-title-main">Lodi ceramics</span> Italian ceramic

Lodi ceramics are ceramics produced in Lodi, a city in the Lombardy region of Northern Italy. Their artistic quality reached its peak in the 18th century.

<span class="mw-page-title-main">Basilio Cascella Civic Museum</span>

The Basilio Cascella Civic Museum is an Italian pinacotheca based in Pescara in the Porta Nuova district. The museum is located in the former lithographic establishment established at the end of the nineteenth century by the painter Basilio Cascella. The building, for half a century the center of artistic production and meeting place for intellectuals such as Gabriele D'Annunzio, Luigi Pirandello, and Giovanni Pascoli, was donated to the Comune of Pescara in 1966 by the heirs of Cascella.

References

  1. ↑ Museo della Ceramica G. Gianetti (2022). "Report 2022" (PDF) (in Italian). Museo della Ceramica G. Gianetti-Fondazione COE. Retrieved December 3, 2023.
  2. ↑ Sara Giudici (April 19, 2022). "Andrea Germi, Mara De Fanti e Duilio e Marina Affanni con tre video "About a film" racconta Saronno". ilSaronno (in Italian). Saronno, Italy. Retrieved December 18, 2023.
  3. 1 2 Ministero della Cultura (January 20, 2021). "Museo Giuseppe Gianetti collezione di ceramiche" [Museum Giuseppe Gianetti collection of ceramics]. Beni Culturali (in Italian). Ministero della Cultura. Retrieved December 3, 2023.
  4. ↑ Museoitalia (April 15, 2023). "Museo Giuseppe Gianetti". museionline.info (in Italian). Retrieved January 2, 2024.
  5. ↑ APM (2016). "Museo della Ceramica G. Gianetti". APM (in Italian). APM Associazione nazionale Piccoli Musei. Retrieved December 27, 2023.
  6. 1 2 Comune di Saronno (June 11, 2007). "Museo Giuseppe Gianetti" [Museum Giuseppe Gianetti]. Comune di Saronno (in Italian). Retrieved December 4, 2023.
  7. ↑ MILS, Museo. "La Gianetti e Nina Biffi". M.I.L.S. - Museo Industrie Lavoro Saronnese (in Italian). pp. Museo Mils - Nina Biffi. Retrieved November 21, 2023.
  8. ↑ UPEL Italia (June 28, 2023). "Museo delle Ceramiche Gianetti". UPEL Italia (in Italian). UPEL Unione Provinciale Enti Locali. Retrieved January 2, 2024.
  9. ↑ Museo della Ceramica G. Gianetti. "Fondazione COE" [COE Foundation](PDF) (in Italian). Museo della Ceramica G. Gianetti-Fondazione COE. Retrieved December 4, 2023.
  10. ↑ Elisa Colapane (August 26, 2020). "Saronno (VA), Museo della Ceramica Gianetti". Golconda Arte Artigianato Artistico in Italia e nel mondo (in Italian). Retrieved January 2, 2024.
  11. ↑ Fondazione COE. "Arte e educazione-COE" [Art and education-COE] (in Italian). Fondazione COE. Retrieved December 4, 2023.
  12. 1 2 3 Museo della ceramica - Giuseppe Gianetti (2023). "Collezione". Museo Gianetti - Collezione (in Italian). p. Collezione.
  13. ↑ Museo della Ceramica G. Gianetti (2023). "Collezione Aldo Marcenaro" [Aldo Marcenaro collection]. Museo della Ceramica G. Gianetti (in Italian). Retrieved December 3, 2023.
  14. ↑ Museo della Ceramica G. Gianetti (2023). "Collezione di ceramiche contemporanee" [Contemporary ceramics collection]. Museo della Ceramica G. Gianetti. Retrieved December 3, 2023.
  15. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Porcellane Orientali". Museo Gianetti - Porcellane Orientali (in Italian). p. Sala 1 - Porcellane Orientali.
  16. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Ceramiche di Meissen". Museo Gianetti - Ceramiche di Meissen (in Italian). p. Sala 2 - Ceramiche di Meissen.
  17. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Porcellane di Meissen ed Europee". Museo Gianetti - Porcellane di Meissen ed Europee (in Italian). p. Sala 3 - Porcellane di Meissen ed Europee.
  18. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Porcellane Italiane". Museo Gianetti - Porcellane Italiane (in Italian). p. Sala 4 - Porcellane Italiane.
  19. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Maioliche di Milano". Museo Gianetti - Maioliche di Milano (in Italian). p. Sala 5 - Maioliche di Milano.
  20. ↑ Beni Artistici e Culturali. "Regione Emilia Romagna - Istituto Beni Artistici e Culturali - "F come Finck"". Istituto dei Beni Artistici e Culturali - Regione Emilia Romagna (in Italian). Retrieved December 1, 2023.
  21. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Maioliche Italiane". Museo Gianetti - Maioliche Italiane (in Italian). p. Sala 6 - Maioliche Italiane.
  22. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Maioliche Italiane ed Europee". Museo Gianetti - Maioliche Italiane ed Europee (in Italian). p. Sala 7 - Maioliche Italiane ed Europee.
  23. ↑ Patrimonio e Intercultura (2006). "Museo Gianetti e Galleria Artemondo". Museo Gianetti e Galleria Artemondo (in Italian). p. Tesi - Museo Gianetti e Artemondo - I progetti di educazione alla mondialità. Retrieved December 1, 2023.
  24. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Sala Ceramiche Contemporanee". Museo Gianetti - Ceramiche Contemporanee (in Italian). p. Sala 8 - Sala Ceramiche Contemporanee.
  25. ↑ Museo della ceramica - Giuseppe Gianetti (2023). "Stanza del Tritone". Museo Gianetti - Stanza del Tritone (in Italian). p. Sala 9 - Stanza del Tritone.
  26. ↑ Museo della Ceramica - Giuseppe Gianetti (November 25, 2023). "La leggenda di Ciucci & Pesci". Museo Gianetti - La leggenda di Ciucci & Pesci (in Italian). p. La leggenda di Ciucci & Pesci.
  27. ↑ Temporary Collection "The Legend of "Pacifiers & Fishes" (November 19, 2023). ""Ciucci e pesci", la nuova mostra al Museo della Ceramica Gianetti a Saronno". Varese News (in Italian). Retrieved December 8, 2023.
  28. ↑ Artsupp (2022). "G. Gianetti Museum of Ceramics, Saronno". Artsupp - Saronno. pp. Saronno - Museums in Saronno - G. Gianetti Museum of Ceramics.
  29. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Figura di Guanyin". Museo Gianetti - Figura di Guanyin (in Italian). p. Figura di Guanyin.
  30. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "La Vendita dello Schiavo Moro". Museo Gianetti - La Vendita dello Schiavo Moro (in Italian). p. Sala 3 - La Vendita dello Schiavo Moro.
  31. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Uomo Orientale con Alto Turbante". Museo Gianetti - Uomo Orientale con Alto Turbante (in Italian). p. Uomo Orientale con Alto Turbante.
  32. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Contenitore a forma di Pernice". Museo Gianetti - Contenitore a forma di Pernice (in Italian). p. Contenitore a forma di Pernice.
  33. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Portaorologi con vestito giallo". Museo Gianetti - Portaorologi con Vestito Giallo (in Italian). p. Portaorologi con Vestito Giallo.
  34. ↑ Museo della Ceramica - Giuseppe Gianetti (2023). "Arlecchino gioca con un Uccello e un Gatto". Museo Gianetti - Arlecchino gioca con un Uccello e un Gatto (in Italian). p. Arlecchino gioca con un Uccello e un Gatto.
  35. ↑ Museo della Ceramica G. Gianetti (2023). "Biblioteca" [Library]. Museo della Ceramica G. Gianetti (in Italian). Retrieved December 12, 2023.
  36. ↑ Museo della Ceramica G. Gianetti. "Statuto Museo" [Museum Statute](PDF). Museo della Ceramica G. Gianetti (in Italian). Retrieved December 3, 2023.
  37. ↑ Turismo, Varese. "Ceramics Festival | Varese Convention & Visitors Bureau". www.vareseturismo.it (in Italian). Retrieved November 28, 2023.
  38. ↑ Museo della Ceramica - Giuseppe Gianetti (June 3, 2023). "Festival della Ceramica". Museo Gianetti - Festival della Ceramica (in Italian). p. Festival della Ceramica.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.