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| Music of Italy | ||||||||
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| Gregorian chant | ||||||||
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| Nationalistic and patriotic songs | ||||||||
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| Regional music | ||||||||
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The music of Milan has ancient roots. The Ambrosian chants are among the first codified music in Western culture, which fact led to the later development of its concept of scales, for example. In more recent history, the city of Milan has been an important social, cultural, political and commercial center not just in Italy, but in all of Europe.
La Scala is a historic opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as il Nuovo Regio Ducale Teatro alla Scala. The premiere performance was Antonio Salieri's Europa riconosciuta.
Riccardo Chailly is an Italian conductor. He is currently music director of the Lucerne Festival Orchestra, since 2016, and music director of La Scala, since 2017. Prior to this, he held chief conducting positions at the Gewandhausorchester (2005–2016); the Royal Concertgebouw Orchestra (1988–2004); the Berlin Radio Symphony Orchestra (1982–1988); and the Teatro Comunale of Bologna (1986–1993). He was also the first musical director of the Orchestra Sinfonica di Milano Giuseppe Verdi (1999–2005) and principal guest conductor of the London Philharmonic Orchestra (1983–1986). Among the world's leading conductors, in a 2015 Bachtrack poll, he was ranked by music critics as the world's best living conductor.
The music of Sicily is created by peoples from the isle of Sicily. It was shaped by the island's history, from the island's great presence as part of Magna Grecia 2,500 years ago, through various historical incarnations as a part of the Roman Empire, then as an independent state as the Emirate of Sicily then as an integral part of the Kingdom of Sicily and later the Kingdom of the Two Sicilies, and, finally, as an autonomous region of the modern nation state of Italy.
Sardinia is probably the most culturally distinct of all the regions in Italy and, musically, is best known for the tenore polyphonic singing, sacred chants called gosos, the launeddas, an ancient instrument that consists of a set of three single-reed pipes, all three mouth-blown simultaneously using circular breathing, with two chanters and one drone and the cantu a chiterra, a monodic song that is accompanied by guitar, widespread mainly in the center and north of the island.
The culture of music in Rome is intensely active. The venues for live music include:
The music of the Marche, a region of Italy, has been shaped by the fact that the entire region is a collection of small centers of population. There is no cultural giant to be found—no Florence or Naples—that might have shaped the cultural and musical expressions of the entire region. There is not a town in the region with more than 100,000 population, but there are 246 total towns, and they support no fewer than 113 theaters, a cultural building boom that started in the late 18th century. Historically, the entire area was home to a great number of monasteries and abbeys in the Middle Ages, institutions that had choirs and were active in the musical lives of the inhabitants. That period is still obscure and is currently the subject of musicological research. In the modern age, the region has a vibrant musical life.
The Music of Emilia-Romagna has the reputation of being one of the richest in Europe; there are six music conservatories alone in the region, and the sheer number of other musical venues and activities is astounding. The region, as the name implies, combines the traditions of two different, contiguous areas—Emilia and Romagna—and it is perhaps this blend that contributes to the wealth of musical culture.
Beyond Florence, there are nine other provinces in the region of Tuscany, named for the largest city in, and capital of, the respective province. Taken together, they offer an intense musical life.
Besides Milan, the region of Lombardy has 10 other provinces, each named for the largest city and capital of the respective province: Bergamo, Brescia, Como, Cremona, Lecco, Lodi, Mantova, Pavia, Sondrio, and Varese. Musically, they offer:
Roberto Abbado is an Italian opera and symphonic music conductor. Currently he is an Artistic Partner of The Saint Paul Chamber Orchestra. In 2015 he has been appointed music director of Palau de les Arts Reina Sofia in Valencia, Spain. From 2018 he's Music Director of the Festival Verdi in Parma. Previously he held the position of Chief Conductor of Münchner Rundfunkorchester.
Nicola Campogrande is an Italian composer and music journalist. He is the artistic director of the MITO SettembreMusica festival. He writes for the newspaper Corriere della Sera. His music is published exclusively by Breitkopf & Härtel.
Külli Tomingas, is an Estonian opera singer, mezzo-soprano, living in Milan, Italy.
Alessandro Siciliani is an Italian conductor of opera and symphonic music. He is also a composer of symphonic music. Siciliani was born in Florence, Italy, the son of Ambra and Francesco Siciliani, the celebrated opera impresario. Siciliani currently resides in Columbus, Ohio, where he was the music director of the Columbus Symphony Orchestra from 1992 to 2004.
Rocco Filippini was a Swiss classical cellist.
Aldo Bertocci was an Italian operatic tenor who sang both comprimario and leading roles in a career spanning the late 1940s to the mid-1970s. He sang in the world premieres of nine 20th century operas, most of them in performances broadcast on the RAI, Italy's national public-service radio. His discography includes live recordings of several rarities such as Mascagni's Silvano and Leoncavallo's Zingari. Bertocci was born in Turin and from 1974 lived in Cassano Valcuvia where he died shortly before his 88th birthday.
Luca Francesconi is an Italian composer. He studied at the Milan Conservatory, then with Karlheinz Stockhausen and Luciano Berio.
Paolo Restani is an Italian classical pianist.
Mariangela Vacatello is an Italian classical concert pianist from Naples.
Yuval Avital is a composer, multimedia artist and guitarist known for his creations for large-scale compositions for numerous performers, multimedia contemporary operas involving indigenous cultures and collaborations with scientific institute such as NASA. In 2016 his icon-sonic opera Fuga Perpetua received the sponsorship of the UNHCR.
This is a chronological list of live performances by Alfredo Rossi from 1919 to 1983. The list is incomplete because no concerts without references are listed.