NiccolòPaganini was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions and have served as an inspiration for many prominent composers.
Naples has played an important and vibrant role over the centuries not just in the music of Italy, but in the general history of western European musical traditions. This influence extends from the early music conservatories in the 16th century through the music of Alessandro Scarlatti during the Baroque period and the comic operas of Pergolesi, Piccinni and, eventually, Rossini and Mozart. The vitality of Neapolitan popular music from the late 19th century has made such songs as'O Sole mio and Funiculì Funiculà a permanent part of our musical consciousness.
The Music of Liguria flourished in the 19th century for a number of reasons. The capital city of Genoa, a major port, aspired to recognition as a cultural center more in keeping with its role as a major city in the history of the Risorgimento, the political, social, and military movement that eventually led to the unification of the modern nation state of Italy.
The Music of Apulia has had some glorious history as well as some very hard times. Located along the southern Adriatic, the area was part of Magna Grecia and certainly one of the centers of Ancient Greek music. And 1,000 years ago, Bari, on the coast, was a privileged sanctuary for pilgrims and Crusaders on their way to the Holy Land. Yet, the only musical relic that remains from the period is the Excultet, a representation from the 11th century of two angels playing trumpets that is preserved in the Basilica of San Nicola in Bari. Later, as part of the Kingdom of Naples, Apulia produced many memorable names in music, but like elsewhere in the south, many of them gravitated to Naples, the capital of the kingdom.
The Music of Emilia-Romagna has the reputation of being one of the richest in Europe; there are six music conservatories alone in the region, and the sheer number of other musical venues and activities is astounding. The region, as the name implies, combines the traditions of two different, contiguous areas—Emilia and Romagna—and it is perhaps this blend that contributes to the wealth of musical culture.
Buio Pesto is a musical band from the small town of Bogliasco near Genoa, Italy.
The Teatro Carlo Felice is the principal opera house of Genoa, Italy, used for performances of opera, ballet, orchestral music, and recitals. It is located on the side of Piazza De Ferrari.
Piazza De Ferrari is the main square of Genoa. Situated in the heart of the city between the historical and the modern center, Piazza De Ferrari is renowned for its fountain, which was restored in recent years along with a major restyling of the square.
Sant'Agostino is a church in the historical center of Genoa, northern Italy. It is today deconsecrated, sometimes used for representations of the nearby Teatro della Tosse theatre company.
Aldo Ferraresi was a celebrated Italian concert violinist and violin pedagogue.
Alberto Mazzucato was an Italian composer, music teacher, and writer.
Genoa is a city in and the capital of the Italian region of Liguria, and the sixth-largest city in Italy. In 2023, 558,745 people lived within the city's administrative limits. While its metropolitan area has 813,626 inhabitants, more than 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera.
Mario Trabucco is an Italian violinist.
Giovine Orchestra Genovese is an Italian music organization, concert society and cultural association, founded in 1912 in Genoa by Giovanni Semeria. A nonprofit organization, it organizes and produces classical and chamber music concerts and promotes musical education for students.
Pavel Berman is a violinist and conductor of Russian origin, laureate of international competitions.
Elvina Ramella was an Italian operatic soprano.
Eliodoro Bianchi was an Italian operatic tenor and later a prominent singing teacher. Born in Cividate al Piano and trained in Naples under Giacomo Tritto, he made his stage debut in 1793. Amongst the many roles, he created during the course of his 40-year career were Baldassare in Ciro in Babilonia and the King of Sweden in Eduardo e Cristina, both of which were composed by Rossini expressly for Bianchi's voice. He retired from the stage in 1835 and spent his later years in Palazzolo sull'Oglio, where he died at the age of 75.
Ettore Perosio was an Italian composer and conductor.
The Conservatorio Niccolò Paganini, better known in English as the Genoa Conservatory, is a music conservatory in Genoa, Italy. The school was founded in 1829 as the Scuola Gratuita di Canto, and was originally intended as a private institution to train singers performing at the Teatro Carlo Felice. When instrumental music instruction was added in 1830 the school's name was changed to the Istituto di Musica – Scuola gratuita di Canto e Strumentale. After evolving into a public music conservatory operated by the Government of Genoa in 1849, the school was renamed the Civico Istituto Musicale. In 1904 its name was changed again in honor of the composer Niccolò Paganini. Since 1933 the institution has operated as a national conservatory managed by the Ministry of Public Education of the Government of Italy.
The Paganini Theater was an Italian theater, located in Genova. Inaugurated in 1855, it was situated on the central Via Caffaro. After less than a century of activity, between October 23 and 24, 1942, it was destroyed during the bombardments on Genova in World War II.
