Narrative of Henry Watson, A Fugitive Slave

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Narrative of Henry Watson, a fugitive slave is a slave narrative by Henry Watson (b. about 1813), an African-American slave and abolitionist. His work is autobiographical, characteristic of the slave narratives of fugitive slaves of the period before emancipation. [1] It is written in a "polemical" style typical of fugitive slave narratives and details the abuses he experienced while enslaved. [2] Unlike most fugitive slave narratives, however, Watson's memoir recounts his self-doubt rather than projecting an image of heroism. [3]

Contents

Summary

Watson was enslaved for 26 years in Virginia and Mississippi before escaping to the North. [4] [5] Watson was born in 1813 in Virginia, and at the age of 8 he was taken away from his family and forced to serve a cruel slave master. At first in Virginia, while later he was forced to march to Natchez in order to be sold to Mississippi planters, according to his narrative he was marched in a coffle with others, treated like animals and threatened with corporal punishment for the slightest infraction. When reaching Natchez the slave trader took off the slaves chains and changed their clothes in order for "visitors to examine the flock". Another tactic was to grease the mouths of slaves before the auction so that they would appear well and as if they have just eaten meat. If the slaves displeased him, he would strip them and flog them with a paddle. [6] Additionally, he explained that buyers would look for scars from whipping that would indicate a rebellious slave and therefore lower the price. [7] Furthermore he provides information on the treatment of slaves by their masters, for example the masters examined their slaves at all times to make sure they were appearing happy and if they were "in any mood other than laughing or singing" they were "often whipped or sold". [8] His account also details the harsh conditions under which the slaves worked in the plantation, for example "each individual having a stated number of pounds of cotton to pick" and if this was not met then "the deficit was made up by as many lashes being applied to the back of the poor slave's back". [9] [10] Writing about his owner's wife and the fact that she enjoyed inflicting pain to those under he power, he described her as "taking delight in torturing, - in fact she made it a past time" and that "she inspired everyone about her with terror". [5] [11] While in Mississippi a "gentleman from Boston", an abolitionist probably part of the Underground Railroad, encouraged him to seek his freedom to the North. He suggested boarding a ship and prepared him for any questions that the captain or other white people could possibly have, Watson decided to take the boat to his freedom. [12] [13]

Publication and reception

The book was published by Bela Marsh, a for-profit anti-slavery press, first in 1848, [14] with a second edition in 1849 [15] and a third in 1850. [16]

Describing five slave narratives including that of Henry Watson, The Christian Examiner and Religious Miscellany wrote, "We place these volumes without hesitation among the most remarkable productions of the age,—remarkable as being pictures of slavery by the slave, remarkable as disclosing under a new light the mixed elements of American civilization, and not less remarkable as a vivid exhibition of the force and working of the native love of freedom in the individual mind." [17]

Related Research Articles

The slave narrative is a type of literary genre involving the (written) autobiographical accounts of enslaved persons, particularly Africans enslaved in the Americas, though many other examples exist. Over six thousand such narratives are estimated to exist; about 150 narratives were published as separate books or pamphlets. In the United States during the Great Depression (1930s), more than 2,300 additional oral histories on life during slavery were collected by writers sponsored and published by the Works Progress Administration, a New Deal program. Most of the 26 audio-recorded interviews are held by the Library of Congress.

<span class="mw-page-title-main">Underground Railroad</span> Network for fugitive slaves in 19th-century U.S.

The Underground Railroad was a network of secret routes and safe houses established in the United States during the early to mid-19th century. It was used by enslaved African Americans primarily to escape into free states and from there to Canada. The network, primarily the work of free African Americans, was assisted by abolitionists and others sympathetic to the cause of the escapees. The slaves who risked capture and those who aided them are also collectively referred to as the passengers and conductors of the Railroad, respectively. Various other routes led to Mexico, where slavery had been abolished, and to islands in the Caribbean that were not part of the slave trade. An earlier escape route running south toward Florida, then a Spanish possession, existed from the late 17th century until approximately 1790. However, the network generally known as the Underground Railroad began in the late 18th century. It ran north and grew steadily until the Emancipation Proclamation was signed by President Abraham Lincoln. One estimate suggests that, by 1850, approximately 100,000 slaves had escaped to freedom via the network.

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<span class="mw-page-title-main">Slavery in the United States</span>

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<span class="mw-page-title-main">Fugitive Slave Act of 1850</span> Act of the United States Congress

The Fugitive Slave Act or Fugitive Slave Law was a law passed by the 31st United States Congress on September 18, 1850, as part of the Compromise of 1850 between Southern interests in slavery and Northern Free-Soilers.

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William Wells Brown was an American abolitionist, novelist, playwright, and historian. Born into slavery near Mount Sterling, Kentucky, Brown escaped to Ohio in 1834 at the age of 19. He settled in Boston, Massachusetts, where he worked for abolitionist causes and became a prolific writer. While working for abolition, Brown also supported causes including: temperance, women's suffrage, pacifism, prison reform, and an anti-tobacco movement. His novel Clotel (1853), considered the first novel written by an African American, was published in London, England, where he resided at the time; it was later published in the United States.

<span class="mw-page-title-main">Lucy A. Delaney</span> African American writer and activist (1830–1910)

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<span class="mw-page-title-main">History of slavery in Kentucky</span>

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<span class="mw-page-title-main">Elihu Creswell</span> American slave trader (~1811–1851)

Elihu Creswell was an "extensive negro trader" of antebellum Louisiana, United States. Raised in an elite family in the South Carolina Upcountry, Creswell eventually moved to New Orleans, where he specialized in "acclimated" slaves, meaning people who had spent most of their lives enslaved in the Mississippi River basin so they were more likely to have acquired immunity to the region's endemic contagious diseases. This gave him a market niche distinct from many of his competitors, who typically imported slaves from Chesapeake region of the Upper South, or from border states as far as west as Missouri. Unique among slave traders, Creswell's will provided for the manumission of his slaves and moreover provided for their transportation to "the free United States of America." His mother, the other major beneficiary of his will, contested this provision. The legal documentation of the case and the "succession of Elihu Creswell" is a valuable primary source on the slave trade in New Orleans and the history of slavery in Louisiana. A judge ultimately rejected Sarah Hunter Creswell's petition and in 1853 when the steamer Cherokee departed New Orleans, among the passengers aboard were 51 free people of color bound for New York.

References

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  2. Watkins, Lorie (2017). A Literary History of Mississippi. University Press of Mississippi. p. 61. ISBN   978-1-4968-1192-9.
  3. Andrews, William L. (2019). "Henry Watson's Class-Passing". Slavery and Class in the American South: A Generation of Slave Narrative Testimony, 1840-1865. Oxford University Press. pp. 120–123. ISBN   978-0-19-090838-6.
  4. DeLombard, Jeannine Marie (2007-05-29). Slavery on Trial: Law, Abolitionism, and Print Culture. University of North Carolina Press. doi:10.5149/9780807887738_delombard. ISBN   978-0-8078-3086-4.
  5. 1 2 Roth, Sarah N. (2014). Gender and Race in Antebellum Popular Culture. Cambridge: Cambridge University Press. doi:10.1017/cbo9781107338852.001. ISBN   978-1-107-33885-2.
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  7. "Narrative of Henry Watson, A Fugitive Slave (1848)", African American Studies Center, Oxford University Press, 2009-09-30, doi:10.1093/acref/9780195301731.013.33849, hdl: 2027/hvd.32044011301793 , ISBN   978-0-19-530173-1 , retrieved 2020-08-17
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  11. Watson, Henry (1848). Narrative of Henry Watson, a fugitive slave. Boston: Bela Marsh. p. 23.
  12. Nichols, Charles Harold (1969). Many Thousand Gone: The Ex-slaves' Account of Their Bondage and Freedom. Leiden: Brill. p. 132.
  13. Andrews, William L. (1988). To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865. Urbana and Chicago: University of Illinois Press. p. 140. ISBN   0-252-06033-4.
  14. Ernest, John, ed. (2014-04-01). The Oxford Handbook of the African American Slave Narrative. Oxford University Press. doi:10.1093/oxfordhb/9780199731480.001.0001. ISBN   978-0-19-973148-0.
  15. Watson, Henry (1849). Narrative of Henry Watson, a Fugitive Slave (2nd ed.). Bela Marsh via Internet Archive.
  16. Watson, Henry (1850). Narrative of Henry Watson, a Fugitive Slave (3rd ed.). Bela Marsh via Internet Archive.
  17. "Narratives of Fugitive Slaves". The Christian Examiner and Religious Miscellany . 47: 61–62. July–November 1849. hdl:2027/hvd.ah3ni4.