![]() | The examples and perspective in this English literature may not represent a worldwide view of the subject.(June 2020) |
Captivity narratives are typically personal accounts of people who have been captured by an enemy, generally an enemy with a foreign culture. The best-known captivity narratives in North America are those concerning Europeans and Americans taken as captives and held by the Indigenous peoples of North America. These narratives have had an enduring place in literature, history, ethnography, and the study of Native peoples.
They were preceded, among English-speaking peoples, by publication of captivity narratives related to English people taken captive and held by Barbary pirates, or sold for ransom or slavery. Others were taken captive in the Middle East. These accounts established some of the major elements of the form, often putting it within a religious framework, and crediting God or Providence for gaining freedom or salvation. Following the North American experience, additional accounts were written after British people were captured during exploration and settlement in India and East Asia.
Since the late 20th century, captivity narratives have also been studied as accounts of persons leaving, or held in contemporary religious cults or movements, thanks to scholars of religion like David G. Bromley and James R. Lewis.
A famous example of a captivity narrative, that historians regard as one of the first of its kind, is the personal account of Mary Rowlandson. Mary Rowlandson was a colonial American woman who was captured by Native Americans [1] [2] in 1676 during King Philip's War and held for 11 weeks before being ransomed. In 1682, six years after her ordeal, The Sovereignty and Goodness of God: Being a Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson was published.
Certain North American captivity narratives related to being held among Native peoples were published from the 18th through the 19th centuries. There had already been numerous English accounts of captivity by Barbary pirates.
Other types of captivity narratives, such as those recounted by apostates from religious movements (i.e. "cult survivor" tales), have remained an enduring topic in modern media. They have been published in books and periodicals, in addition to being the subjects of film and television programs, both fiction and non-fiction. [3]
Because of the competition between New France and New England in North America, raiding between the colonies was frequent. Colonists in New England were frequently taken captive by Canadiens and their Indian allies (similarly, the New Englanders and their Indian allies took Canadiens and Indian prisoners captive). According to Kathryn Derounian-Stodola, statistics on the number of captives taken from the 15th through the 19th centuries are imprecise and unreliable, since record-keeping was not consistent and the fate of hostages who disappeared or died was often not known. [4] Yet conservative estimates run into the thousands, and a more realistic figure may well be higher. Between King Philip's War (1675) and the last of the French and Indian Wars (1763), approximately 1,641 New Englanders were taken hostage. [5] During the decades-long struggle between whites and Plains Indians in the mid-19th century, hundreds of women and children were captured. [6]
Many narratives included a theme of redemption by faith in the face of the threats and temptations of an alien way of life. Barbary captivity narratives, accounts of English people captured and held by Barbary pirates, were popular in England in the 16th and 17th centuries. The first Barbary captivity narrative by a resident of North America was that of Abraham Browne (1655). The most popular was that of Captain James Riley, entitled An Authentic Narrative of the Loss of the Brig Commerce (1817).[ citation needed ]
Jonathan Dickinson's Journal, God's Protecting Providence ... (1699), is an account by a Quaker of shipwreck survivors captured by Indians in Florida. He says they survived by placing their trust in God to protect them. The Cambridge History of English and American Literature describes it as, "in many respects the best of all the captivity tracts." [7]
Ann Eliza Bleecker's epistolary novel, The History of Maria Kittle (1793), is considered the first known captivity novel. It set the form for subsequent Indian capture novels. [8]
American Indian captivity narratives, accounts of men and women of European descent who were captured by Native Americans, were popular in both America and Europe from the 17th century until the close of the United States frontier late in the 19th century. Mary Rowlandson's memoir, A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson, (1682) is a classic example of the genre. According to Nancy Armstrong and Leonard Tennenhouse, Rowlandson's captivity narrative was "one of the most popular captivity narratives on both sides of the Atlantic." [9] Although the text temporarily fell out of print after 1720, it had a revival of interest in the 1780s. Other popular captivity narratives from the late 17th century include Cotton Mather's "A Notable Exploit: Dux Faemina Facti," on the captivity of Hannah Duston, as well as his account of Hannah Swarton's captivity (1697), both well-known accounts of the capture of women during King William's War, and Jonathan Dickinson's God's Protecting Providence (1699).
American captivity narratives were usually based on true events, but they frequently contained fictional elements as well. Some were entirely fictional, created because the stories were popular. One spurious captivity narrative was The Remarkable Adventures of Jackson Johonnet, of Massachusetts (Boston, 1793).[ citation needed ] Another is that of Nelson Lee.
Captivity in another culture brought into question many aspects of the captives' lives. Reflecting their religious beliefs, the Puritans tended to write narratives that negatively characterized Indians. They portrayed the trial of events as a warning from God concerning the state of the Puritans' souls, and concluded that God was the only hope for redemption. Such a religious cast had also been part of the framework of earlier English accounts of captivity by Barbary pirates. The numerous conflicts between Anglo-American colonists and the French and Native Americans led to the emphasis of Indians' cruelty in English-language captivity narratives, which served to inspire hatred for their enemies. [10] [ page needed ] In William Flemming's Narrative of the Sufferings (1750), Indian barbarities are blamed on the teachings of Roman Catholic priests. [10] [ page needed ]
During Queen Anne's War, French and Abenaki warriors made the Raid on Deerfield in 1704, killing many settlers and taking more than 100 persons captive. They were taken on a several hundred-mile overland trek to Montreal. Many were held there in Canada for an extended period, with some captives adopted by First Nations families and others held for ransom. In the colonies, ransoms were raised by families or communities; there was no higher government program to do so. The minister John Williams was among those captured and ransomed. His account, The Redeemed Captive (1707), was widely distributed in the 18th and 19th centuries, and continues to be published today. Due to his account, as well as the high number of captives, this raid, unlike others of the time, was remembered and became an element in the American frontier story. [11]
During Father Rale's War, Indians raided Dover, New Hampshire. Elizabeth Hanson wrote a captivity narrative after gaining return to her people. Susannah Willard Johnson of New Hampshire wrote about her captivity during the French and Indian War (the North American front of the Seven Years' War).
In the final 30 years of the 18th century, there was a revival of interest in captivity narratives. Accounts such as A Narrative of the Capture and Treatment of John Dodge, by the English at Detroit (1779), A Surprising Account, of the Captivity and Escape of Philip M'Donald, and Alexander M'Leod, of Virginia, from the Chickkemogga Indians (1786), Abraham Panther's A Very Surprising Narrative of a Young Woman, Who Was Discovered in a Rocky Cave (1787), Narrative of the Remarkable Occurrences, in the Life of John Blatchford of Cape-Ann (1788), and A Narrative of the Captivity and Sufferings of Mr. Ebenezer Fletcher, of Newipswich, Who Was ... Taken Prisoner by the British (1798) provided American reading audiences with new narratives. In some accounts, British soldiers were the primary antagonists.
Seven captivity narratives are known that were written following capture of colonists by the Mi'kmaq and Maliseet tribes in Nova Scotia and Acadia (two other prisoners were future Governor Michael Francklin (taken 1754) and Lt John Hamilton (taken 1749) at the Siege of Grand Pre. Whether their captivity experiences were documented is unknown). [12]
The most well-known became that by John Gyles, who wrote Memoirs of odd adventures, strange deliverances, &c. in the captivity of John Gyles, Esq; commander of the garrison on St. George's River (1736). He was captured in the Siege of Pemaquid (1689). He wrote about his torture by the Natives at Meductic village during King William's War. His memoirs are regarded as a precursor to the frontier romances of James Fenimore Cooper, William Gilmore Simms, and Robert Montgomery Bird. [13]
Merchant William Pote was captured during the siege of Annapolis Royal during King George's War and wrote about his captivity. Pote also wrote about being tortured. Ritual torture of war captives was common among Native American tribes, who used it as a kind of passage. [14]
Henry Grace was taken captive by the Mi'kmaq near Fort Cumberland during Father Le Loutre's War. His narrative was entitled, The History of the Life and Sufferings of Henry Grace (Boston, 1764). [15] Anthony Casteel was taken in the Attack at Jeddore during the same war, and also wrote an account of his experience. [16]
The fifth captivity narrative, by John Payzant, recounts his being taken prisoner with his mother and three siblings during the Raid on Lunenburg (1756) by the First Nations (Maliseet/Wolastoqiyik) in the French and Indian War. [17] On route to Quebec, John and his siblings were adopted by the First Nations in present-day New Brunswick but were reunited with their mother in Quebec about seven months later. In the spring of 1760, after the British victory at the Battle of the Plains of Abraham in 1759, the family sailed back to Nova Scotia. [18] In a separate event John Witherspoon was captured at Annapolis Royal during the French and Indian War and wrote about his experience. [19]
During the war Gamaliel Smethurst was captured; he published an account in 1774. [20] Lt. Simon Stephens, of John Stark's ranger company, and Captain Robert Stobo escaped together from Quebec along the coast of Acadia, finally reaching British-controlled Louisbourg and wrote accounts. [21] [22]
During the Petitcodiac River Campaign, the Acadian militia took prisoner William Caesar McCormick of William Stark's rangers and his detachment of three rangers and two light infantry privates from the 35th. The Acadian militia took the prisoners to Miramichi and then Restogouch. [23] (They were kept by Pierre du Calvet who later released them to Halifax.) [24] In August 1758, William Merritt was taken captive close to St. Georges (Thomaston, Maine), and taken to the Saint John River and later to Quebec. [25]
North America was not the only region to produce captivity narratives. North African slave narratives were written by white Europeans and Americans who were captured, often as a result of shipwrecks, and enslaved in North Africa in the 18th and early 19th centuries. If the Europeans converted to Islam and adopted North Africa as their home, they could often end their slavery status, but such actions disqualified them from being ransomed to freedom by European consuls in Africa, who were qualified only to free captives who had remained Christians. [26] About 20,000 British and Irish captives were held in North Africa from the beginning of the 17th century to the middle of the 18th, and roughly 700 Americans were held captive as North African slaves between 1785 and 1815. The British captives produced 15 full biographical accounts of their experiences, and the American captives produced more than 100 editions of 40 full-length narratives. [27]
This article references captivity narratives drawn from literature, history, sociology, religious studies, and modern media. Scholars point to certain unifying factors. Of early Puritan captivity narratives, David L. Minter writes:
First they became instruments of propaganda against Indian "devils" and French "Papists." Later, ... the narratives played an important role in encouraging government protection of frontier settlements. Still later they became pulp thrillers, always gory and sensational, frequently plagiaristic and preposterous. [28]
In its "Terms & Themes" summary of captivity narratives, the University of Houston at Clear Lake suggests that:
In American literature, captivity narratives often relate particularly to the capture of European-American settlers or explorers by Native American Indians, but the captivity narrative is so inherently powerful that the story proves highly adaptable to new contents from terrorist kidnappings to UFO abductions.
- Anticipates popular fiction, esp. romance narrative: action, blood, suffering, redemption – a page-turner
- Anticipates or prefigures Gothic literature with depictions of Indian "other" as dark, hellish, cunning, unpredictable
- Test of ethnic faith or loyalty: Will captive "go native," crossing to the other side, esp. by intermarriage? [29]
The Oxford Companion to United States History indicates that the wave of Catholic immigration after 1820:
provided a large, visible enemy and intensified fears for American institutions and values. These anxieties inspired vicious anti-Catholic propaganda with pornographic overtones, such as Maria Monk's Awful Disclosures[.] [30]
Alexandra Heller-Nicholas (quoted earlier) points to the presence of a "helpless" maiden, and a "hero" who rescues her.
Together, these analyses suggest that some of the common elements we may encounter in different types of captivity narratives include:
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